Peggy Cartwright

This filmography was made in collaboration with Matthew Lydick.

full name: Margaret Pauline Ross Cartwright
nickname: Peggy
born Nov. 14, 1912, in Vancouver, BC
died June 13, 2001, in Victoria, BC

Special note: There is some confusion about just when it was that Peggy moved from Vancouver to Los Angeles, subsequently beginning her movie career. The most compelling piece of evidence is right out of Peggy's mouth. In her Oct. 25, 2001, obituary, The Daily Telegraph quoted her: "There was great concern for my health. I spent two months in hospital. When I was finally allowed home, in February 1917, my mother was advised to go to a warmer climate and so, leaving my father behind, we moved to California." This seems pretty conclusive, but the same article listed "The Devil's Pay Day" among some films Peggy appeared in, and that was copyrighted and released in January 1917. On top of that, Peggy's first two credits in IMDb, "Intolerance" and "Billy The Bandit," also conflict with this timeline, having both been released in 1916. (Also worth mentioning, perhaps, would be "The Birth Of A Nation" from 1915, which Maltin & Bann place Peggy into, but even IMDb doesn't bother with that credit.)

Below (under 1916), we can see that Peggy was still in Vancouver in December 1916, but strictly speaking, we're only looking at the span of about a week. If she had moved to Los Angeles sometime in 1916, then perhaps she and her mother and brother returned to Vancouver over the Christmas season to be with her father. This would open up the possibility of Peggy appearing in "The Devil's Pay Day," as well as the two 1916 titles. However, the wording of the Dec. 23rd article makes it fairly clear that Peggy was a pupil of Crofton School and not just visiting.

Throwing more confusion into the mix is another quote from Peggy in that same 2001 obituary, in which she says she was five years old when she did her first screen test. This would require a date no earlier than Nov. 1917, which would not only eliminate the three films already mentioned, but also "A Kentucky Cinderella," which is also credited to Peggy in the same article. However, it would support the claim in the same article that "Face Value" was her first film, but just barely. The Harrisburg Telegraph of Jan. 2, 1937, also states that her professional debut was at the age of 5. The Wichita Beacon of Apr. 10, 1970, states that her theater career "goes back to her fifth year," which technically means she was 4 years old at the time, but also doesn't mean film work. Ultimately, it may be that Peggy said she was 5 years old when she debuted in films simply because the move to Los Angeles happened in 1917, the year she turned five.

Until additional evidence comes along to resolve this, we'll assume that Peggy moved to Los Angeles in February 1917, and only include films in her filmography that are supported by this date.

1916

Dec. 23, 1916: From The Vancouver Daily Province: "A large number of the parents and friends of the pupils of Crofton House School were entertained at the closing exercises this week when the following programme, in which the pupils were assisted by Mrs. Deitrich, Miss Edna Crittenden and Miss Dorothy Gordon, was given." The article then lists the muliple components of the program. Later it continues: "The entertainment was given in the evening, the afternoon having been occupied by the merry-making of the children of the primary department, who also presented a programme before their parents and friends, when the principal parts were taken by Margery Kirk, Myra Paxton, Dolly Law, Julie Cameron, John Roberts, Beatrice Merritt, Gordon Noble, Eileen Griffin and Dick and Peggy Cartwright."
Dec. 28, 1916: From The Vancouver Daily Province: "The children's fancy dress party given at Lester Court yesterday afternoon under the auspices of the Georgia Chapter, Imperial Order Daughters of the Empire, was one of the prettiest and most successful events of the season. The scene might have been a fairy revel where the daintiest of elves had decked themselves in silks and satins of all periods and nations. The little folk were just as lively as they were picturesque, and toward the end of the afternoon, when every vestige of shyness had been dispelled, there was an incessant babble of chatter and laughter. Proceedings were commenced with a grand march past when parents and friends had an opportunity to view the varied and lovely costumes. This was followed by games and later by tea to which all sat down with a hearty appetite on seeing the lavish spread of cakes, sandwiches and ice cream which was provided. Delightful dance music was played by the Misses Senkler, Miss Irene Creery and Miss Marjorie Stevens, and to the tune of waltz and two-step, many little couples took the floor. Several pretty solo dances were given, and fancy dancing in costume under the supervision of Miss Grace Goddard." Among these, "Miss Peggy Cartwright danced a graceful pas seul." The Vancouver Sun reported that "Peggy Cartwright was very sweet in a fairy dance." It also elaborated: "Miss Tupper, the regent, and Mrs. Julius Griffis, secretary, received the little guests, many of which were in fancy dress. There were several boy blues, country girls, fairies, and even a Santa Claus. Each little guest brought a toy, which will be placed on a large Christmas tree this afternoon in St. Paul's hall, when the guests will be the children of soldiers who are at the front."
Late Dec. 1916: So if we accept Feb. 1917 as the date when Peggy returned from the hospital after suffering scarlet fever, then Dec. 1916 would be when she contracted the disease. And considering the established activity of Dec. 27th, it would have to have been very late in the month. Of course, Peggy may have simply been rounded off the number when she said it was two months. Also, some newspapers say Peggy came down with scarlet fever, while others say it was her mother. The Oct. 25, 2001, article says it was both.

1917

Late Feb. 1917: Peggy returned home from the hospital during this month, and soon afterwards, the family relocated to Los Angeles.
Early 1917: From The Daily Telegraph of Oct. 25, 2001: "On Saturday mornings, young Peggy was taken to Eagan's Dramatic School in Los Angeles, where she was tutored in 'social behavior.' 'One afternoon, three men came into the class,' she recalled. 'One of them was the Oriental actor Sessue Hayakawa. They were looking for a small girl who wasn't the usual Mary Pickford type - cute and becurled.' Peggy Cartwright's mother was reluctant to allow her daughter to become involved in pictures; in the event, however, the director opted for another child actor instead. 'Although my screen test was excellent, there were misgivings. I was five years old and had no experience in pictures. My mother saw my disappointment and allowed my name to be listed with a casting agency, shortly after I began working,' she remembered. Peggy Cartwright made her film debut at Universal Studios in 'Face Value' (1917), in which she played one of Mae Murray's students in a classroom scene. Other parts quickly followed: she played opposite Ruth Clifford in 'A Kentucky Cinderella' (1917), and she won good reviews for her role in the drama 'The Devil's Pay Day' (1917). 'A Society Sensation' (1918) gave her the opportunity of a cameo with Rudolph Valentino." The Palm Beach Post-Times of Nov. 19, 1939, labeled the Mae Murray film as "Ten Little Fingers And Ten Little Toes," and described Peggy as "so daubed with mascara she could hardly see."

A Kentucky Cinderella (role): June 25, 1917 - Bluebird-Universal - 5 reels - feature; ©May 26, 1917. Starring Rupert Julian, Ruth Clifford and Little Zoe Rae.
Face Value (small part: student): prem. Dec. 30, 1917 - Bluebird-Universal - 5 reels - Mae Murray feature; ©Dec. 24, 1917. Released Jan. 19, 1918. This was cited as Peggy's debut, so perhaps it was filmed in spring 1917.

1918

A Society Sensation (role): Sep. 23, 1918 - Bluebird-Universal - 5 reels - Carmel Myers feature; ©Sep. 11, 1918. Also starring Rudolph Valentino. Working title: The Borrowed Duchess.

1919

June/July 1919: Peggy's first contact with Hal Roach Studios was with the filming of the Harold Lloyd film "From Hand To Mouth," which was co-directed by Roach. On Oct. 25, 2001, The Daily Telegraph published this quote from Peggy: "Hal Roach was a wonderful man and a great director, always bursting with ideas. He bought me a horse. We called it Cork, and kept it on the lot at Universal. In those days, Universal had a zoo with 30 lions, 10 leopards, several elephants, dozens of monkeys and scores of cats and dogs. With films being silent, the animals and the scores of tourists could make as much noise as they liked."
Aug. 13, 1919: From the Los Angeles Evening Express: "Fine form was displayed by the youngsters entered in the competitions at the Wilkinson College of Swimming, when they surprised the spectators with their proficiency in all methods of modern swimming and graceful diving . . . New-style swimming was exhibited to perfection by Peggy Cartwright, age 6½, who was awarded a proficiency diploma. Her brother Dick, age 8, was placed second."
Nov. 16, 1919: From the Los Angeles Sunday Times: "Any doubts as to the efficacy of an orchestra to help players for the screen to properly emote were effectively swept away by a recent incident on the Brentwood stage. While working on some particularly dramatic scenes, Henry Kolker with his company, which he is directing for the production of 'The Third Generation,' was using a four-piece orchestra to assist Miss Betty Blythe, little Peggy Cartwright and Jack Pratt in the registration of emotion, both grave and gay."
Dec. 12, 1919: From the Los Angeles Evening Express: "An artistic event in which much interest is centered is the dancing program which will be given by pupils of Mlle. Prager, head of the dancing department of Egan school, this evening and Saturday evening (the 13th) at the Little theater. The program is a most pretentious one and will be produced under Mlle. Prager's personal direction and with Lester Gauweiler at the piano . . . The second group will include a bit of musical comedy in three versions . . . part three, Dick Cartwright and Alice Murphy, Janice Harrington, Dorothy Day, Peggy Cartwright and Virginia La Fon."

The Poor Boob (role: flower girl at wedding): Mar. 9, 1919 - Famous Players-Lasky/Paramount - 5 reels - Bryant Washburn feature; ©Jan. 24, 1919.
Eyes Of Youth (role: classroom student): prem. Oct. 26, 1919 - Garson/Equity - 7 reels - Clara Kimball Young feature; Released Nov. 30, 1919.
From Hand To Mouth (small part: The Waif): Dec. 28, 1919 - Rolin-Pathé - 2 reels - prod. L-3 - Harold Lloyd series; Filmed June 17 to July 3, and July 9, 1919. ©Mar. 18, 1920. Credited as Peggy Courtwright.

1920

Jan. 11, 1920: From the Cleveland Plain Dealer: "Peggy Cartwright, 5 years old and a Brentwood photoplayer, is the granddaughter of Sir Richard Cartwright, a distinguished Canadian statesman who died just before the opening of the great European war."
Feb. 22, 1920: From The New Orleans Item: "Madge Evans is the star of the Prizma color pictures here. In the cast of her first picture now in the making are: George Stewart, Loyola O'Connor, Paul Weigel, Edna Pennington, Lionel Bellmore, Mrs. Harry Davenport, Gordon Griffith, Helen Lynch, Tom Gallery and Peggy Cartwright. A studio is soon to be erected by Prizma in Hollywood."
Feb. 27, 1920: The Los Angeles Evening Express published an ad for The Broadway Department Store, which read: "The Program to Be Given at the Children's Community Theater, Saturday Morning, Promises to Be a Good One." Saturday was the next day, and of the 12 acts being presented, no. 3 was "A French Doll" by Peggy Cartwright.
Mar. 5, 1920: The Los Angeles Evening Express published an ad for The Broadway Department Store, which stated that there would be a juvenile spring fashion show in the Children's Community Theater the next morning at 10:30. There would also be entertainment numbers given, including one by Peggy Cartwright.
Mar. 13, 1920: From the Los Angeles Evening Express: "The Los Angeles Children's theater will give its premiere production, Racketty Packetty House (Frances Hodgson Burnett), next Saturday (the 20th) at 2:30 o'clock at the Egan Little theater. Miss Hattie Mooser, founder of the Aladdin Children's Theater Club of San Francisco, is producer, with Garnet Holme, dramatic expert, as director . . . Rehearsals are held every day at the Little theater at 4 o'clock. Any child, trained or untrained in dramatics, may join the club without paying fees or dues. There will be no exploitation of childhood. The idea back of Miss Mooser's work is the presentation of the highest types of plays for children for entertainment and character building and the right development of the dramatic instinct." Listed among the principal actors was Peggy Cartwright. On Mar. 19th, the Los Angeles Evening Express reported: "Marjorie Green and Peggy Cartwright are two little Los Angelenos who have become stars almost over night. A week ago these children had no dramatic training; today they are the leading ladies in "Racketty Packetty House," which will be given its Los Angeles premiere tomorrow afternoon at Egan Little theater. They were coached for the role of 'Lady Patsy' - there will be matinees, each having a different cast - by Miss Hattie Mooser and Garnet Holme, who are to direct the play."
Mar. 27, 1920: The Evening Sun of Hanover, PA, reviewed the Snub Pollard comedy "Getting His Goat," and included Peggy in the credits.
May 7, 1920: The Los Angeles Evening Express published an ad for The Broadway Department Store, which stated that a program called Evolution Of Dancing would be staged at the Children's Community Theater the next morning at 10:30. The "Minuet" would be performed by Peggy and David Cartwright.
May 14, 1920: The Los Angeles Evening Express published an ad for The Broadway Department Store, which stated that the previous week's performance would be repeated the following day at the Children's Community Theater, including the "Minuet" performed by Peggy and Dick Cartwright. This ad reveals that the previous week's ad had been mistaken about Dick's first name. Elsewhere, the same paper reports: "Under the direction of Bertha H. Wilcox, a morning matinee performance showing the evolution of dancing will be given by a group of children at the Children's Community theater on the eighth floor of the Broadway department store, at 10:30 o'clock tomorrow morning. Grecian, Egyptian, Chinese, folk dances, French ballet, minuet, gavotte, varsovienne, waltz, cotillion, modern 'jazz' dance and the one-step will be danced by the young artists in a series showing the history of the art." Among the multiple dancing children listed in this article are Peggy and Dick, though their last name is presented as Courtwright.
June 4, 1920: The Los Angeles Evening Express published an ad for The Broadway Department Store, which stated that The Children's Community Theater would have entertainment the following day, including Peggy Cartwright, who would dance "The Broken Melody."
June 27, 1920: The Topeka Daily Capital published an article on the upcoming documentary film about the Thomas Ince studio, stating that Ince hoped to have the three reeler ready by August 1st, though "it may take a few days longer."
Aug. 6, 1920: From The Tidings of Los Angeles: "Contrary to all expectations, and in spite of the warm summer weather, a crowd of five hundred men, women and children, congregated in the K. of C. Council Chamber on Tuesday evening of this week (the 3rd) to attend a summertime children's party. The affair was under the direction of Lecturer Elmer D. Krug, who presided, and it was one of the most successful events ever given by the Knights of Columbus in this city . . . The entertainment part of the program was a splendid success . . . (Among several acts,) Peggy Courtwright(sic), a dainty little miss, danced gracefully to the accompaniment played by her brother Dick."
Sep. 3, 1920: The Hollywood Citizen reported the following about Edith Lee Lindsay: "The fall term of her Hollywood class starts Thursday afternoon (the 9th) at the Hollywood Woman's club house. This class was formerly held in the Walter R. Gage studio, the change in location being made necessary on account of sale of the Gage building. The Glendale class opens Saturday, September 4. One of Miss Lindsay's charming pupils, Peggy Cartwright, filled a very successful engagement at Grauman's theatre the week of August 23. Peggy is well known in film circles, and is developing into a very pleasing little dancer."
Sep. 17, 1920: From The Vancouver Sun: "Mrs. Conway Cartwright, Miss Peggy Cartwright and Master Dick Cartwright, who have been spending the past two years at Hollywood, California, were passengers on the SS Governor from San Francisco, and arrived from Victoria today on the Princess Victoria."
Sep. 26, 1920: The Vancouver Sunday Sun published an article about Peggy, which can be accessed by clicking here.
Oct. 8, 1920: From The Vancouver Sun: "Mrs. Conway Cartwright, accompanied by her little daughter, Miss Peggy Cartwright, and Master Dick Cartwright, will return to Hollywood, California, on Sunday evening, where Miss Peggy will play an important part in a scenario at one of the well-known studios."

The Third Generation (role: Nancy Jane): Jan. 1920 - Brentwood/Superior/RC - 5 reels - feature; Starring Betty Blythe and Mahlon Hamilton.
Getting His Goat (undetermined role): Feb. 8, 1920 - Rolin/Pathé - 1 reel - prod. H-9 - Rolin series with Snub Pollard; Also listed for Feb. 12, 1920. Filmed Oct. 20 to 24, 1919. ©Feb. 24, 1920.
Kids And Kidlets (role: daughter): Feb. 26, 1920 - Christie - 1 reel - Christie Comedies series; Starring Jimmy Harrison.
Alias Jimmy Valentine (undetermined role): Mar. 1920 - Metro - 6 reels - Bert Lytell feature; ©Apr. 14, 1920.
A Trip Through The World's Greatest Motion Picture Studios (appearance): Aug. 15, 1920 - Ince/First National - 3 reels - documentary short; Reissued as A Tour Of The Thomas Ince Studio.
Mid-Channel (undetermined role): Sep. 27, 1920 - Garson/Equity - 6 reels - Clara Kimball Young feature
Love (role: Beatrice Storm): Dec. 5. 1920 - Read/Associated Producers - 7 reels - Louise Glaum feature; ©Nov. 24, 1920. Working title: The Woman Who Dared.

1921

Jan. 30, 1921: From The Vancouver Sunday Sun: "Many Vancouver friends will be interested to hear some recent news of 'The Little Star,' Miss Peggy Cartwright, who is now in Hollywood, California, in one of Thomas H. Ince's latest pictures. She is taking part with Louise Glaum, the title of the picture being 'Love.' There are only four in the cast - Louise Glaum, James Kirkwood, Jos. Kilgour and Peggy Cartwright. This film has been sent to New York, and it is hoped that it will be shipped in the near future to Vancouver."
Feb. 22, 1921: The Los Angeles Record published a photo of Peggy with Verne Winters, the caption saying that producer Al Christie considered children to be the most natural actors.
May 5, 1921: From The Los Angeles Record: "Fair and fashionable equestriennes who put prancing ponies thorugh their paces at society shows have a coming rival in little Peggy Cartwright, an eight-year-old Hollywood girl, who already ranks as an expert horsewoman and can ride with the best of them. Little Peggy has received expert tutelage from many of the most expert motion picture cowpunchers, as she has appeared in leading child roles in a number of screen productions. She has also made numerous stage appearances both in Los Angeles and in the east."
May 30, 1921: From the Los Angeles Evening Express: "Nearly 600 children are the happy recipients of prizes awarded Saturday (the 28th) in the Express Klever Kiddies contest. The awards consisted of 50 prizes given by Hamburger's, 20 scholarships in dancing, music and voice offered by Norma Gould, Davis Musical College and Grace Winters, and 500 savings accounts given by the Guaranty Trust and Savings bank. Two real automobiles were the capital prizes given by the Express to the best boy and girl of all." Peggy won the girl's First Prize for 7 and 8 year olds. The article reveals that she was living at 6424 Dix Street.
June 18, 1921: From the Los Angeles Evening Express: "Miss Edith Lindsay presented a number of her talented pupils in dance recital last Wednesday (the 15th) at the Woman's clubhouse of Hollywood...Peggy Cartwright, winner of the first prize in the Evening Express Klever-Kiddie contest, danced a special solo, and later with her brother Dick, who won the fourth prize, gave an interesting duet toe dance."
Aug. 1, 1921: From the Pasadena Star-News: "Vivid with color and action, the Pageant of San Gabriel, given Sunday (July 31st) before an immense throng of about 20,000 people, goes into the annals of the valley's history as one of the more pretentious and impressive performances ever given in the Southland. From the days when the padres of the Order of St. Francis of Assisi entered California, bringing with them the first touch of the white man's civilization, to the founding of the pueblo which has since grown to the world-famous city of Los Angeles, the pageant presented striking episodes of a century and a half ago when the land was a barren wilderness compared to the luxuriance of today. Presented in a natural amphitheater south of the town of San Gabriel, the pageant marked the culmination of two days' celebration of the one hundred and fiftieth anniversary of the founding of the mission by Fra Junipero Serra, September 8, 1771." Peggy was among those taking leading roles in the pageant.
Aug. 5, 1921: The Hollywood Citizen reported on the upcoming Society Circus for Bowl Day on September 1st, listing several celebrities who had promised to take part in the festivities. Included was Peggy with a circus act. On August 19th, the same paper listed both Peggy and Dick as "riders from Beverly." On August 24th, the Los Angeles Evening Express wrote an article on this event, and described Peggy as the "wonder child of the saddle." The August 26th Hollywood Citizen indicated that Peggy would be doing some bareback riding on a horse named White Wing. On September 2nd, the Los Angeles Daily Times reported: "The society circus at the Hollywood Bowl yesterday was a first-class bang-up show. Several thousand people saw it and pronounced it good. It was held to raise money to pay off the indebtedness on the Bowl." The article later mentions a "race between horses ridden by Misses Margaret Axelgard, Margaret Connable, Cecilia De Miller, Nancy Adams, Peggy Cartwright and Master Dick Cartwright. The race was won by Peggy Cartwright with Miss De Mille second." It also mentions Peggy doing her bareback riding act.
Sep. 25, 1921: From the Los Angeles Sunday Times: "The gardens of the beautiful home of Mrs. Queen Boardman, 8880 Sunset Boulevard, were turned over to the guests at a garden festival...when a benefit for blind soldiers of the Allied armies was given. Some of the most prominent members of artistic, musical and literary circles in Los Angeles...contributed their services to the benefit yesterday, and every cent collected will be turned over to the Assistance League to be devoted to aiding blind war veterans of Los Angeles...A special entertainment for the children was arranged by Miss Dora Louis Kirwin, director of the Children's Theater, assisted by Alice W. Alden...The afternoon's program included...dances in costume by Katherine Albert, Lorraine Platts, Anna Bess Carson, M. Quito J. Mazzoncini, Mary Louise Larkin, Leonore Paine, 'Shazadi,' Master Raymond Connors, Mrs. A. C. Wade and Peggy Cartwright."
Oct. 27, 1921: From The Daily Telegram of Long Beach: "Famous little children of the screen will figure in the coming fashion show to be held at the Loew State, with Peggy Hamilton, dictator of fashions, presiding. There's quite an aggregation of them, 18 beautiful juveniles, all more or less celebrated for their parts in moving pictures and members of the Peggy Hamilton club for artists." Peggy and Dick were both among the children set to take part in this. On November 2nd, The Daily Telegram reported on the previous night's fashion show, mentioning that Peggy and Jack(sic) Cartwright did an artist dance.
Nov. 4, 1921: The Daily Telegram of Long Beach reported on a lingerie matinee the previous day at Loew's State theater. There were interludes in which stage children performed, for instance, "Peggy Cartwright and her handsome brother Dick, both dancers and famous for their roles in 'Penrod,' delivered a fanciful duo number."
Nov. 16, 1921: From The Springfield Union (MA): "Marshall Neilan announces a large cast of players for Booth Tarkington's famous 'Penrod' numbers 38 well-known artists." Peggy was among those mentioned in the article.
Nov. 18, 1921: From The Elkhart Truth (IN): "Many things happen during the production of a picture that are either not filmed, or when filmed, are eliminated because they do not conform with the scenario. In the production of Marshall Neilan's 'Penrod,' in which some thirty youngsters appear, some of the incidents that occurred but which you will never see on the screen are..." The article then proceeds to describe various things, including: "All the boys in the picture 'cutting up' and 'showing off' between scenes, before Peggy Cartwright, a beautiful little girl who appears in the production and who has taken the youngish male members of the cast like Grant took Richmond - only twice as fast."
Dec. 7, 1921: From the Hollywood Daily Citizen: "President Joseph W. McLellan of the Hollywood Business Men's club today made public the program which has been prepared by the Los Angeles Express as host of the dinner and meeting of the club next Tuesday evening (the 13th) at the Woman's Club of Hollywood. President McLellan states that the program will rival that given by the Christie studios, as an unusually large number of vaudeville and motion picture stars have been secured to stage their dances, songs and acts." Among these acts: "Dick and Peggy Cartwright, child dancers, piano accompaniment by Miss Elsie Meyerson."
Dec. 10, 1921: From the Los Angeles Evening Express: "Through the coutesy of the Ted Shawn studio this Tuesday (the 6th) an exquisite program of interpretative dances was given by three talented children. Lillian Guenther, Dick and Peggy Cartwright." The article seems to imply that this took place at Highland Park Ebell.
Dec. 22, 1921: From The Record of Los Angeles: "The Ad club was to be host today at noon to 200 poor kiddies, at a Christmas dinner and jinks at the Alexandria hotel." Among the many entertainers set to perform at this event were Dick and Peggy Cartwright, dancers.

Screen Snapshots, Series 1, No. 18 (appearance): Jan. 25, 1921 - CBC - 1 reel - Screen Snapshots series

1922

Jan. 25, 1922: From the Pasadena Star-News: "Two demure, delightful children, little Dick and Peggy Cartwright, grandchildren of the late Sir Richard and Lady Cartwright, prominent in the world of politics and society for many years in Canada, are to help to entertain the kiddies at the beautifully staged Bal Masque, which will be given for the young people at the Hotel Maryland, Saturday evening, January 28. The kiddies' father saw long active service at the front with the Canadian forces during the war and had the distinction of being a member of 'The Ypres League' recently formed in London, His Majesty George V and Field Marshal Earl French, acting as patron in chief and president of the loyal organization. Costumed as 'Sir Peter and Lady Teazle,' the two beautiful and talented children will offer a clever interpretation of a sketch adapted from 'The School for Scandal' by Marshall Steadman of Egan's Dramatic School. Pupils of Edith Lindsay of Hollywood, they are to dance an old-fashioned minuet to Paderewski's lovely music, and 'The Artist and Butterfly' dance sketch, for there is seemingly nothing these unusual youngsters cannot do, both being wonderful little equestrians and swimmers, and Peggy having played star parts in pictures for several years, though barely 8 years of age. The little girl was featured as 'The Wonder Child of the Saddle' at the recent Society Circus in Hollywood Bowl . . . The ball begins at 7:30, and only children in fancy costume will be allowed on the floor." This event was covered by the same paper on Jan. 30th.
Jan. 26, 1922: The Cleveland Press published a photo showing Peggy riding a horse, which is jumping a hurdle. This same photo made the rounds of the newspapers during 1921, but this time, the caption says "The 'Invalid' Jumps Hurdles" and "A year ago, physicians said she could not live. Her parents . . . took her to California. Now she rides, swims, dances and acts for the movies." This seems to be an altered version of the family's 1917 move, which had to do with the scarlet fever epidemic.
Feb. 12, 1922: The Los Angeles Times published a photo of Peggy and Dick in their minuet costumes, with the following caption: "Dick and Peggy Cartwright appeared as Sir Peter and Lady Teazle before the Highland Park Ebell Club recently and at a Valentine party last night at the Hotel Maryland."
Mar. 11, 1922: The Los Angeles Evening Express reported on a dance recital given recently at Ebell clubhouse and directed by Grace Carroll-Elliot. Both Peggy and Dick took part.
Early June 1922: While Peggy appears in the 1922 payroll ledger of Hal Roach Studios, it doesn't happen until the making of "One Terrible Day" in June. Presumably, she was being paid in cash for her earlier Our Gang appearances. She made $10 on June 3rd, 4th, 5th, 6th and 7th.
June 22 to 24, 1922: From the June 17th Pasadena Evening Post: "The carnival and circus, which is to be given under the auspices of the Lamanda Park Women's club June 22 to 24, for the benefit of the building fund, bids fair to be the largest event of the season in Pasadena. It is to be given on the empty lot near the northeast corner of Colorado street and Santa Anita avenue . . . A most pleasing program has been provided." Among the acts was "fancy dances by Miss Peggy Cartwright." On the 24th, the same paper listed Dick along with Peggy, as the "fancy dancers," stating: "This young couple is very much in demand as they are now appearing in many of the Los Angeles resorts." On the 26th, the same paper reported: Miss Peggy Cartwright and Master Dick Cartwright in costume dances were repeatedly encored."
July 1, 1922: Peggy earned another $10 check during the week ending July 1st, but it isn't clear which film this was for. "A Quiet Street" was filming that week, but she could have been given cash for that work, while the check could have been for one of the other productions being filmed. Other productions during the week were "Dr. Jack" with Harold Lloyd, "Newly Rich," "The Green Cat," and "Where Am I?" all with Snub Pollard, and "A Loose Tight Wad" and "Shine 'Em Up," both with Paul Parrott.
July 20, 1922: From The Seattle Star: "Peggy Cartwright will be a lot better known to fans by her portrayal in 'Afraid to Fight,' Frank Mayo's Universal starring vehicle at the Columbia theater, than she ever was before. She's just a youngster, some 9 or 10 years old, and her work is remarkably free from 'acting.' She seems just a sweet, ingenious kid on the screen. Word comes in advance of this in the picture, both the star and his director, William Worthington, saying that she played right up to her elders every minute."
Aug. 23, 1922: From the Santa Ana Daily Register: "In company with two other prominent motion picture youngsters, Peggy Cartwright, aged 8 years, and her brother, Richard Cartwright, aged 11 years, little Thelma Dell Daniels has begun a vaudeville tour of the United States in an act embracing singing, dancing and pantomime." Sidenote: Daniels was one of the kids in "Penrod."
Aug. 26, 1922: From the Santa Ana Daily Register: "Little Thelma Dell Daniels, aged 8 years, one of the youngest screen stars to temporarily desert the pictures for the vaudeville stage, is to be at the Yost tonight in company with Richard and Peggy Cartwright, aged 11 and 8, respectively. The three children are to tour the United States in vaudeville - in fact, they are on their way now and Manager E. D. Yost booked them for a showing here before they leave for distant points."
Aug. 31, 1922: From the Hollywood Daily Citizen: "Playing the part of a crippled child, little Miss Peggy Cartwright of 6424 Dix street, will be seen in a film Friday at the Iris Theater in Hollywoood. In 'Afraid to Fight,' the little girl capably plays the part of the invalid sister of Frank Mayo, the star. She has recognized ability as a horsewoman, riding in the recent Ambassador horse show with marked success. She and her brother, Dick, have been dancing pupils of Miss Edith Lindsay for some time, making rapid progress in ballroom and special dances in which they often appeared publicly."
Sep. 9, 1922: From the Los Angeles Record: "Three Los Angeles children will have the distinction of being the first children to be booked over the Orpheum circuit from this city. They will be seen for the first time in a miniature dance revue at the Hillstreet commencing Monday night (the 11th). They are Thelma Dell Daniels, 8; Peggy Cartwright, 8; and Dick Cartwright, 10. Training was accomplished by Edith Lindsay. Toe dances, Spanish dances, gypsy dances and acrobatic dances will be done." On Sep. 12th, the Los Angeles Times reviewed the acts at the Hillstreet theater: "The miniature revue is fair, inclined toward better in that part of it in which Peggy Cartwright figures. Her dancing is remarkably expressive for one so young, and her personality attractive. The act, however, needs pulling together, and the dances should be gone over with especial attention to tempo and climax."
Sep. 23, 1922: From the Los Angeles Evening Express: "Peggy and Dick Cartwright, two gifted juvenile dancers, who received their entire training from Edith Lindsay, are given cordial applause at the local Junior Orpheum, where they appear in a clever act completely conceived by Miss Lindsay. Peggy Cartwright was also featured with Frank Mayo, the film star." Sidenote: It's not clear if this means "Afraid To Fight" was screened as part of the program, and that Mayo made a personal appearance.
Oct. 22, 1922: The Times-Picayune of New Orleans listed Peggy among the celebrities depicted in the latest of the Screen Snapshots series. The Austin Statesman of Nov. 12th indicates that Peggy's footage shows her on horseback.
Nov. 17, 1922: The Hollywood Daily Citizen published photos of dogs taking part in the dog show being presented by the Hollywood Kennel Club in a tent at the corner of El Centro and Hollywood Blvd. Peggy poses with one of the dogs, though it doesn't belong to her. It isn't clear whether or not this means she attended the dog show.
Nov. 17, 1922: From the Hollywood Daily Citizen: "Little Peggy Cartwright has been engaged by Clarence Bricker to play the part of 'Lady Marion' in Frankie Lee's latest picture, 'Robin Hood, Jr.,' which is now in production at the Federal studios." The Jackson News (MI) of Nov. 23rd states that all of the players, excepting Lee, played dual roles in the film.
Dec. 15, 1922: From the Hollywood Daily Citizen: "Miss Edith Lindsey will give her annual Christmas party for her dancing classes Thursday (the 21st) at the Woman's Club beginning at 2:30 o'clock. There will be a program of dances, in which each class may have the opportunity of seeing the other classes work, after which everyone will join in games. A Santa Claus with gifts will conclude the afternoon." Included on the program was "Spanish Dolls," with Peggy and Dick. On Dec. 22nd, the same paper reported: "Miss Peggy Cartwright and brother, Dick, very generously came out from Los Angeles between their performances at Grauman's Theater to dance, but were unable to remain to see the others or join in the festivities."

Penrod (undetermined role): Feb. 20, 1922 - Neilan/First National - 8 reels - Wesley Barry feature; Filmed Oct. 1922. ©Jan. 30, 1922.
A Hickory Hick (role: little girl): June 4, 1922 - Christie/Educational - 2 reels - Christie Comedies series with Bobby Vernon
Afraid To Fight (supporting role: Sally Harper): July 24, 1922 - Universal - 5 reels - Frank Mayo feature; ©July 5, 1922.
4. One Terrible Day (supporting role): Sep. 10, 1922 - Roach/Pathé - 2 reels - prod. A-4 - Our Gang series; Filmed May 22 to June 10, 1922. ©Oct. 9, 1922.
2. Fire Fighters (supporting role): Oct. 8, 1922 - Roach/Pathé - 2 reels - prod. A-2 - Our Gang series; Filmed Feb. 27 to Apr. 1, 1922. Previewed in Apr. 1922. ©Oct. 9, 1922.
Screen Snapshots, Series 3, No. 11 (appearance): Oct. 22, 1922 - CBC - 1 reel - Screen Snapshots series; ©Oct. 11, 1922.
3. Young Sherlocks (featured role: Mary Jane aka Peggy Cartwright): Nov. 26, 1922 - Roach/Pathé - 2 reels - prod. A-3 - Our Gang series; Filmed Apr. 3 to 8, and Apr. 24 to May 20, 1922. ©Nov. 11, 1922.
5. A Quiet Street (apparent bit part: Banty's sister): Dec. 31, 1922 - Roach/Pathé - 2 reels - prod. A-5 - Our Gang series; Filmed June 13 to July 1, and July 26 to 27, 1922. ©Nov. 11, 1922.

1923

Feb. 17, 1923: From the Los Angeles Evening Express: "Dancing pupils from Edith Lindsay's Hollywood studio gave a most effective program at the Glendale College Women's Club. Barbara Chandler, considered one of the best child dancers before the public, Peggy and Dick Cartwright, Elsie Connor and Marguerite Swope won especial honors. Pupils of Miss Lindsay will also appear on the Orpheum circuit in acts written by her."
Mar. 6, 1923: From the Hollywood Daily Citizen: "Preparations are practically completed for the Italian dinner which is to be given on Thursday (the 8th) by the Art Group of the organization. Mrs. E. F. Squadrille, the artist, has consented to superintend the preparation of the dinner, which will be purely Italian. The club has secured the exclusive use of the Norse Studio Club on Wilcox avenue for this affair which promises to be an interesting evening for the members and their guests. The program will consist of special dance numbers given by Dick and Peggy Cartwright, and a violin solo by Miss Camille Firestone, who will be accompanied by Miss Phyllis Ephlin."
Mar. 9, 1923: From The Magpie of Perth: "Peggy Cartwright is another Britisher who is well to the fore in the 'movie' world. Although only about ten years old, this valiant little lady keeps the family exchequer well supplied. Her father was a doctor with a Canadian contingent in France, but as a result of getting an overdose of the enemy's gas, he is now a chronic invalid. Peggy has made several comedies at the Hal Roach studios, and her latest screen offering is with Frank Mayo, in 'Afraid to Fight.' Amongst her close cinema friends are Harold Lloyd, Mildred Davis, Marie Mosquini, and our own Australian comedian 'Snub' Pollard."
Apr. 5, 1923: The Jersey Journal of Jersey City reported that Peggy had recently completed a tour of the Orpheum circuit.
May 10, 1923: The Hollywood Daily Citizen reported that A Night In Dreamland would be performed on the 10th and 11th at the Woman's Club of Hollywood for the benefit of St. Mary of the Angeles church. Among the gigantic cast was a slightly less gigantic "Red Cross Chorus," which included Peggy.
May 12, 1923: From the Los Angeles Times: "Peggy Cartwright, a beautiful child who played in 'Afraid to Fight' and other Universal pictures, is Virginia Valli's 'child double' in 'A Lady of Quality,' the Universal-Jewel version of Frances Hodgson Burnett's novel in which Miss Valli is starring under Hobart Henley's direction. In other words, she's playing Chlorinda Wildaires, the heroine, at the age of 6. Miss Valli is Chlorinda in young womanhood. Being a rarely pretty child and something of an actress, Peggy is expected to do more than ordinary work."
June 23, 1923: From the Los Angeles Evening Express: "Ben Turpin, famous comedian, will appear in person Sunday (the 24th) at Washington-Venice tract, five blocks from the beach on Washington boulevard. He will be supported by Miss Derelys Perdue, film star, and six baby stars: Jackie Lucas, Doreen Turner, Peggy Cartwright, Coy Watson, Jr., Muriel MacCormac and Philippe DeLacy. During the afternoon, camera men will give every child of 3 to 15 years who is present a free film test. The boy or girl selected as fit material for a try-out as a new baby star will be given a contract with Mack Sennett comedies. Moving pictures will be taken of the whole crowd, too, and will be shown at a string of theaters later. Messrs. Shockley and Kraemer, subdividers of Washington-Venice tract, expect a tremendous throng."
June 30, 1923: From the Los Angeles Times: "Bennie Alexander and Ernest Butterworth, of 'Penrod and Sam' fame, head a cast which includes Georg Ovey, Roger Keene, Peggy Cartwright and Billie Williams, in a novelty series." This seems to be in reference to the Juvenile Comedies.
July 8, 1923: The Vancouver Sunday Sun published an article about Peggy, which can be accessed by clicking here.
July 10, 1923: From the Hollywood Daily Citizen: "Over 400 children of Hollywood attended a performance of 'Marionettes' given in the auditorium of the Hollywood Public Library, by the City Playground association. "Jack And The Beanstalk" was the play given by the puppets and the always fascinating form of entertainment waked the youthful audience to delighted and enthusiastic applause." Among the other entertainment given on this day the previous week was a Spanish dance given by Peggy and Dick, with Mrs. Brigandi at the piano.
July 14, 1923: The Motion-Picture Exposition was taking place around Los Angeles, including at the Coliseum. Here's what the Los Angeles Times had to say: "Tonight will mark the first participation of the motion-picture industry in the Coliseum program when the Universal Picture Corporation will present scenes from the three feature films which represent the expenditure of millions of dollars. 'Merry Go Round,' 'The Hunchback of Notre Dame' and 'A Lady of Quality' will be presented to the public in three ten-minute scenes, which will demonstrate to the public just how the big cinema features are made." Peggy was among the stars representing the third film.
July 16, 1923: From the Hollywood Daily Citizen: "Peggy Cartwright, Baby Muriel MacCormac, Lynwood Chrystal Rapp and other popular film starlets, have pledged their support to the grand carnival and dance to be staged Saturday evening, July 21st, by the Santa Monica-Western Avenue Business Men's Association in celebration of the new giant electroliers which have recently been installed in that district. Philippe de Lacy, adopted French war orphan and clever child actor, will also be on hand and with the other youngsters will assist in distributing paper hats, horns, whistles, streamers and other novelties free to the crowd."
July 22, 1923: From The Mansfield News (OH): "Peggy Cartwright, popular juvenile, plays the part of a boy in the new Universal production of 'A Lady of Quality,' Virginia Valli's initial starring vehicle. So perfect is the child's makeup in the picture that even her most intimate friends failed to recognize her the first day she appeared on the set. Peggy has been in pictures four years."
Aug. 5, 1923: From the Los Angeles Times: "Peggy Cartwright, 8-year-old film starlet, is to be featured by Jack White Productions at the Fine Arts studios in a picture which is to present only children in the cast."
Aug. 16, 1923: From the Los Angeles Times: "In elaborating the presentation of Richard Walton Tulley's production of 'Trilby,' which will present Andree Lafayette to Loew's State theater audiences in her Los Angeles debut Saturday (the 18th), an unusual accompanying program has been selected. 'Trilby,' having its locale in the Latin quarter of France, lends itself admirably to the staging of an atmospheric ballet which will be presented by the Edith Lindsay dancers. The group of beautiful dancing girls is composed of prominent Los Angeles and Hollywood society girls with Marguerite Swope, Sarah Chandler, Peggy Cartwright as solo dancers."
Aug. 20, 1923: From the Los Angeles Evening Express: "Modern and exquisite, the ballet being presented this week at Loew's State Theater by Edith Lindley and her dancers, is drawing record crowds to the playhouse . . . For the last several weeks, the dancers have been undergoing intensive training for their public appearance, scheduled for all this week." Peggy and Dick were among the dancers.
Aug. 30, 1923: From The Post of Covington, KY: "Peggy Cartwright has finished a long engagement with Jack White Prod."
Sep. 19, 1923: From the Los Angeles Record: "Ward Hayes is directing a Juvenile comedy in which baby Peggy Cartwright is featured. Juneau, the collie, is in it too."
Sep. 24, 1923: From the Illustrated Daily News of Los Angeles: "The complete cast of 'Three Cheers,' Jack White's juvenile comedy, comprises Roger Keene, Tom Hicks, Peggy Cartwright, Jack Lloyd, Ernest Butterworth, Jack McHugh, Bonnie Barrett, Jack the dog. The picture, a two-reeler directed by Gil Pratt, has been shipped to New York for Educational release."
Sep. 29, 1923: From the Los Angeles Evening Express: "A benefit for the relief of Japanese earthquake sufferers will be given tonight at the Hollywood Women's Club auditorium. The proceeds will be turned over to the Red Cross. Featured with Miss Edith Lindsay, who will direct the entertainment, are little Peggy Cartwright and Misses Mary Louise and Esther Marguerite Kopp, dancers." The Hollywood Daily Citizen put it this way: "Over a hundred clever young dancers of Hollywood are prepared to assist Miss Edith Lindsay in her Benefit Recital to be given this evening in the Auditorium of the Hollywood Woman's Club on Hollywood boulevard at 8:15 o'clock. Miss Lindsay's recitals are invariably a treat and the performance she has planned for this evening promises delightful entertainment. When the curtain rises, it will reveal a fairy-like scene with more than one hundred young people on the stage, marking the commencement of the program. Following this, a program of artistic dancing, whistling, and singing will be presented." Among the dances was "La Petite Ballet," led by Peggy and assisted by several other girls.
Oct. 6, 1923: From the Hollywood News: "Peggy Cartwright, who plays in Jack White Juvenile comedies, wishes to protest that she is not 'Baby Peggy' Cartwright, as several writers have referred to her. As Mistress Peggy is 10 years old, she can hardly be blamed for her stand."
Oct. 6, 1923: From the Hollywood News: "Earle Montgomery has completed direction of the third Juvenile comedy for Jack White. Youthful members of the cast include Ernest Butterworth, Peggy Cartwright, Tommy Hicks and Roger Keene."
Nov. 4, 1923: From the Los Angeles Times: "A juvenile party was given at the home of Newton Hall, child screen player, last night. The roster of guests read like the blue book of child stars of filmland. The affair was a Halloween party given by Newton at which his friends from motion picture land were present...The party was a masquerade, each child coming in costume, representing the part they portrayed in recent screen successes." Both Peggy and Dick attended this party.
Nov. 8, 1923: From The Border Cities Star of Windsor, ON: "Earl Montgomery is directing the third of the series of Juvenile Comedies which are being distributed by Educational Film Exchanges, Inc. It will present Roger Keene, Jack McHugh, Ernest Butterworth and Peggy Cartwright in another of the comedies of Kid days. It has been titled 'Over The Fence'."

Robin Hood, Jr. (featured role: The Girl, later Maid Marian): June 1923 - Popular/East Coast - 4 reels - Frankie Lee feature; Filmed late 1922. ©June 25, 1923.
Three Cheers (role: one of the kids): Oct. 21, 1923 - White/Educational - 2 reels - Juvenile Comedies series
Over The Fence (role: one of the kids): Dec. 23, 1923 - White/Educational - 2 reels - Juvenile Comedies series; Filmed Oct./Nov. 1923.

1924

Jan. 4, 1924: The Nevada State Journal of Reno ran the following ad: "Wm. Fox Film Corporation invites 150 of the citizens of Reno to come to Wadsworth Sunday, January 6th, and see how the scenes of a big film are made. Trip will be made by special train leaving Reno 9:00 A. M., remaining during the time the scenes are taken and lunch served which will be furnished by the Wm. Fox Company. Special train will, 'barring accident of detention,' arrive in Reno at or a little before 5:00 P. M. . . . The story being filmed is that of the building of the Central Pacific Railroad, and the Wm. Fox Co. will appreciate the wearing of apparel of the 1868 and 1869 period." The ad also lists cast members, one of whom is Peggy.
Early 1924: The Daily Telegraph of London included the following Peggy quote in their Oct. 25, 2001, obituary: "I can remember Madge Bellamy explaining to me that everything that was happening on location was exactly how it would have happened 60 years before when the great railroads really were being built. We had one natural death on set, several accidental ones, fights and many romances."
Feb. 5, 1924: From Pearl Rall's review of "A Lady Of Quality" in the Los Angeles Evening Express: "The star of the performance was a tiny girl, Peggy Cartwright as Clorinda at 6 years. She did some active work as the 'devil-brat.' Her horsemanship matched that of Miss Valli, if anything plus." The same day, the Illustrated Daily News of Los Angeles had this to say: "Peggy Cartwright, a clever little youngster who played Clorinda, Miss Valli's role at the age of six, deserves special mention for an excellent performance. There is a humanness about her characterization that will make you remember this charming little 'minx'."
Feb. 22, 1924: From the Los Angeles Evening Express: "Many juvenile notables will participate this season in the third annual horse show, which opens Monday night, February 25, in the Hotel Ambassador area. In fact, a special feature matinee for children riders has been programmed for Saturday, March 1, and in this there will be more than a score of young equine enthusiasts, a majority of whom have been 'training' their ponies for the past several weeks in high anticipation of winning the coveted prizes . . . More than $14,000 in prizes and premiums will be awarded to winners in 86 classes, and many of the country's greatest show horses will be in the ring." Among the children listed is "'Baby' Peggy Cartwright, who rides her prize pony, Bumble Bee."
Mar. 3, 1924: From the Los Angeles Record: "Kenneth MacLean has been made cameraman of Jack White's Juvenile Comedy unit. Peggy Cartwright is again Johnny Fox, Jr.'s leading girlie."
Mar. 10, 1924: The Los Angeles Times reported on a recent show put on by Aunt Dolly's Junior Times players at the Grand Opera House for the veterans of Sawtelle General Hospital. Among the many kid performers was Peggy, who "staged a beautiful gypsy dance in a magnificent costume. She is as clever on her feet as on the screen."
Apr. 13, 1924: From The Anaconda Standard (MT): "Johnnie Fox, Jr., is again cast in the leading role in 'The Junior Partner,' an Educational-Juvenile comedy. He will be supported by Tom Hicks, Jack McHugh, Roger Keene and Peggy Cartwright, all well-known juvenile stars."
Apr. 13, 1924: The Los Angeles Times included Peggy on a list of members of The Times Junior Club who would be performing on May 2nd and 3rd as part of the May Day Festival. They were scheduled to appear at the Maude B. Booth Home for Boys and Girls at 11 a.m. on the 2nd, the Los Angeles Orphan Asylum at 917 Boyle Ave. at 2:30 p.m. on the 2nd, and the Orthopedic Hospital School at 11 a.m. and again at 3:30 p.m. on the 3rd. However, it appears that Peggy never did make it to this event, having gone back to Vancouver by that time.
Apr. 17, 1924: From Gene Woolway in his syndicated column: "So quickly and unheralded did Peggy Cartwright depart for her home in Canada that but few of her friends and practically none of the studios were aware of it. Only this week she was cast for another 'leading lady' role opposite Johnnie Fox, Jr., in a new Educational-Juvenile Comedy now in the course of production, but sad to say, Peggy will be unable to accept. Her previous appearance in Juvenile Comedies was in 'Over the Fence' released a few weeks ago." The Daily Telegraph of Oct. 25, 2001, explained it this way: "Just as her career was beginning to take off, and studio producers were jostling to sign her, Peggy's father insisted that his family return to Canada to be, in his words, 'properly educated.' Peggy was already trained in Russian ballet and continued her studies in Vancouver."
Apr. 24, 1924: From the Colton Daily Courier (CA): "To say that Peggy Cartwright achieved phenomenal success during her five year picture career in Hollywood is putting it mildly. Criticisms of the highest caliber are being received daily from all parts of the country, where ever her latest success 'A Lady of Quality' is exhibited. Peggy's portrayal of the stellar role of Virginia Valli when at the age of nine is invariably heralded as the most emotional and vivid acting that has ever been seen on the screen by one her age."
May 15, 1924: From Gene Woolway in his syndicated column: "The motion picture industry has Canada to thank for many contributions to the ranks of our celebrities, Mary Pickford without doubt being the most notable, and little Peggy Cartwright running a close second. Considering also that Peggy is but eleven and 'Our Mary' is - well, a little older, there is every reason to believe that by the time Peggy Cartwright reaches maturity, she will be one of Cinema's brightest lights. From the time Peggy had her first real part, some six years ago, with Harold Lloyd, Mildred Davis and Snub Pollard in 'From Hand to Mouth,' she has advanced in the estimation of both press and public, until her recent vivacious portrayal of the role of Virginia Valli at the age of nine in 'A Lady of Quality' indelibly stamps her an emotional actress of the first water."
June 1924: With the release of "A Lady Of Quality" in Vancouver, newspaper ads in that city, listed the stars of the film as "Virginia Valli, Milton Sills, and Vancouver's own star, Peggy Cartwright."
June 20, 1924: From Gene Woolway in his syndicated column: "Seldom in the annals of the history of motion pictures has an actress, particularly one at the tender age of eleven, received such unanimous and unstinted praise as has Peggy Cartwright for her delightful characterization of the role of Clorinda Wildairs, the stellar role of Virginia Valli at the age of nine, in Hobart Henley's 'A Lady of Quality.' Following the western premier in Los Angeles, some four months ago, every critic of recognized standing lauded her efforts in glowing terms. Criticisms are now being received from many parts of the country, where the picture has been shown, of the following calibre: 'The most captivating young lady seen on the screen in a long time'; 'played with astounding ability'; 'a wonder child of the saddle'; 'a truly splendid portrayal'; and many others. Peggy is now at her home in Vancouver, Canada, with her parents, Dr. and Mrs. Conway Cartwright, attending a young ladies' seminary preparatory to her return to the screen in more mature roles." On Mar. 1, 1941, The Vancouver Daily Province reported that Peggy had attended Crofton House school after returning to Vancouver, which is the same school she attended before moving to California. It also states that she studied dancing as a pupil of Suzanne Sicklemore.
June 21, 1924: The San Diego Sun published multiple photos, including one of Peggy, along with the following caption: "Here are five youthful motion picture stars who, with several others, will entertain local children and their parents with a program of dances, songs and other numbers Tuesday morning (the 24th) at 10 o'clock at the outdoor organ pavilion in Balboa park as a feature of the Southern California Dental association convention." The photo of Peggy is the same one previously provided by The Times Junior Club, so this San Diego engagement was probably with that organization. But this also conflicts with Peggy's return to Vancouver, and may simply be a case of publishing photos of the Junior Club without any guarantee that every one of them would be seen in San Diego.
July 4, 1924: The Sault Daily Star (ON) published an article about Peggy and Dick, which can be accessed by clicking here.
Aug. 1, 1924: From Gene Woolway in his syndicated column: "'Twould take the wisdom of King Solomon to solve little Peggy Cartwright's dilemma. Shortly following Peggy's laudable success in her characterization of Virginia Valli, when at the age of nine, in the role of Clorinda Wildairs in Hobart Menley's 'A Lady of Quality,' her parents, Dr. and Mrs. Conway Cartwright, returned to their home in Vancouver, Canada, taking Peggy with them so as to enable her to complete her education. Pitiless publicity, however, had not been reckoned with. Peggy has continually been besieged with lucrative offers to appear on the spoken stage in Canada and now a Hollywood producer has cast her in a new picture and insists on her return at practically her own figure. Study, stage or screen is Peggy's dilemma - which shall it be?"
Sep. 17, 1924: From The Vancouver Daily Province: "In aid of the school rebuilding fund of St. James' Church, nine members arranged an evening of music and other attractions at the B. C. Art League on Tuesday evening (the 16th)." Peggy took part in this.
Dec. 26 and 27, 1924: Peggy played the title role in Alice In Wonderland at the Little Theatre in Vancouver. This had initially been announced on Nov. 29th as "Alice Through The Looking-Glass - And In Wonderland," with Peggy already slated to play the lead role, but an ad in The Vancouver Daily Province of Dec. 20th indicated the more condensed title. On Dec. 27th, The Vancouver Sun reported: "The Vancouver Little Theatre is playing Fairy Godmother to Juvenile Vancouver this Christmastide. 'Alice in Wonderland' was played twice yesterday to crowded audiences, and it will be presented again today. At the Little Theatre, Peggy Cartwright is Alice, an almost perfect impersonation. A little tendency to over emphasize her words, a little exaggeration of her perky 'smartness' was doubtlessly toned down after the first performance." On the same day, The Daily Province had this to say: "It was only made possible by the splendid acting and child personality of Peggy Cartwright as Alice; she is not only a charming child but an accomplished actress."

A Lady Of Quality (role: Clorinda Wildaires, age 6): Jan. 14, 1924 - Universal - 8 reels - Virginia Valli feature; Filmed May to July 1923. ©Oct. 13, 1923.
Barnum Junior (role: one of the kids): Mar. 30, 1924 - White/Educational - 2 reels - Juvenile Comedies series with Johnnie Fox, Jr.
Junior Partner (role: one of the kids): May 25, 1924 - White/Educational - 2 reels - Juvenile Comedies series with Johnnie Fox, Jr.
The Iron Horse (role: Miriam as a girl): prem. Aug. 28, 1924 - Fox - 12 reels - feature; Filmed Early 1924. ©Nov. 21, 1924. Starring George O'Brien and Madge Bellamy. Working titles: The Iron Trail and The Trans-Continental Railroad. Shooting reportedly took four months.

1925

Jan. 17, 1925: From The Vancouver Daily Province reported: "A recital of junior and intermediate pupils at the Kerrisdale Academy of Music was given this afternoon." Peggy was among the students who participated.
May 27, 1925: The Vancouver Morning Sun reported on the Little Theatre production during this week of Tilly Of Bloomsbury, which included Peggy in the cast as Tilly's younger sister Amelia. The same day, The Daily Province mentioned that the play had opened the previous night.
June 7, 1925: The Vancouver Sunday Province reported on a concert to be given on June 9th at Wesley Church. It was directed by Arthur Cole in aid of the Grand Army of United Veterans. Peggy was scheduled to give a recitation. On June 10th, The Daily Province revealed that Peggy had actually given two recitations.
Aug. 2, 1925: From The Vancouver Sunday Province: "Summerland residents are greatly interested in the presence here of Miss Peggy Cartwright, 12-year-old film actress, who is spending a vacation at the home of her uncle, Col. Cartwright. Peggy declares that her favorite pictures are those in which she rides a horse. In Summerland she spends a good deal of her time in a saddle."
Sep. 14, 1925: "The Iron Horse" came to the Strand Theatre in Vancouver. Peggy made a personal appearance as part of an elaborate prologue.
Oct. 5, 1925: The Vancouver Sun ran the Major Hoople Club, and each day, a member of the club would be that day's winner in a writing contest in which they spun a yarn in sixty words or less in the style of the Major, resulting in the piece getting published in the paper. On this day, the winner was Peggy Cartwright of 3009 8th Ave. West in Vancouver. Here's the piece she wrote: "Egad, Alvin, m'lad, a mere jump from the barn is nothing. Why, once, when in command of the Imperial Air Force, my plane completely overturned and I suddenly found myself astride a nine-inch shell headed for enemy's lines, but, by great presence of mind, I contrived to drop directly onto an oncoming shell and returned to safety, egad!" In response, it was written: "We can't find anything about it in the war records, Peggy, but we'd hate to doubt your word. We give you an enthusiastic welcome to the Hoople Club."
Oct. 18, 1925: From The Sunday Province of Vancouver: "The Kerrisdalians, under the direction of Mrs. H. Beeman, will give one of their bright and amusing 'Evenings of Mirth and Music' in St. Mary's Parish Hall, corner of Larch and Thirty-seventh avenue west, on Saturday, October 24, at 8:30." Among those participating was Peggy.
Dec. 9, 1925: From The Vancouver Daily Province: "On December 16 in St. Paul's Hall, Mr. Frank Johnson, the well-known Little Theatre producer and actor, assisted by his friends and colleagues of the Little Theatre, will render the roaring farce, 'The Great Catastrophe'." Among the additional entertainment was a dance by Peggy Cartwright. On the 17th, the same paper reported that Peggy provided "a most artistic interlude in her recitations of two selections from A. A. Milne's 'When We Were Young,' and in a dance set to the music of Chaminade's 'The Flatterer'."

1926

Mar. 23, 1926: The Vancouver Daily Province published a photo with the following caption: "Kenneth Croft as Count Mancini, and Peggy Cartwright as a circus dancer in He Who Gets Slapped, Leonid Andreyev's masterpiece, at the Little Theatre for five nights, beginning tonight."
Oct. 9, 1926: From the Vancouver Evening Sun: "Modernism rampant, with exponents of Futurist and Cubist art, flaunting grotesque figures, weird vivid posters, splashes of color - this is to be the Bal Masque at the Ambassador on Thursday, October 14, which is being given by the Art Students' Club of the School of Decorative and Applied Arts...Miss Peggy Cartwright, a member of the art school, will give a cabaret skit..."
Oct. 22, 1926: Peggy took part in the annual V. O. N. Cabaret this evening in the Drill Hall, demonstrating a jazz fox trot and the tango.
Oct. 23, 1926: The Vancouver Sun ran an ad for the Cabaret Belmont. The acts include "Signor René Doray and Signorita Nesé, Exponents of the Argentine and Spanish Tangos, also Miss Peggy Cartwright in her Exotic Dances Late of Hollywood." The Vancouver Sunday Province repeated the ad the next day.
Dec. 3, 1926: The Yuletide Cabaret took place at the Hotel Vancouver. As The Vancouver Daily Province of Nov. 27th reported: "The fashion parade is but one part of an elaborate act planned by the cabaret committee...Century pictures respresenting 1726, 1826, 1926 and 2060 will be enacted in costume and dance by Mrs. Tom Ramsay, Miss Gertrude H. Bell, Miss Mollie Lee and Miss Peggy Cartwright. The cabaret, which promises to be an outstanding event of the season, is being held under the auspices of the Ladies Aid of Holy Rosary Procathedral." On Dec. 4th, The Vancouver Sun reported that Peggy represented the year 1926: "In the Rose Marie ballet and filmy draperies of the present day, Miss Cartwright was a flashing, dashing figure of lively skill."
Dec. 9, 1926: The Yakusama Cabaret took place at Cotillion Hall in Vancouver. Peggy did a gypsy dance.

1927

Mar. 14 to 20, 1927: The Strand Theatre in Vancouver screened the Constance Talmadge feature "Venus Of Venice." Among the live acts preceding the feature was Peggy Cartwright, Dainty Danseuse in Steps In Dutch.
May 24 to 28, 1927: The Capitol Theatre in Victoria screened "Venus Of Venice," and Peggy again performed her Steps In Dutch routine. This engagement may have begun on a date earlier than the 24th.
June 17, 1927: From The Vancouver Sun: "The pass list of the School of Decorative and Applied Arts was issued today by Charles H. Scott, director." Peggy is listed three times among the first year students, once for drawing, once for commercial art and once for modelling.
July 13, 1927: From The Vancouver Daily Province: "Miss Peggy Cartwright is spending a short time as the guest of Miss Laurencia Herchmer at 'Arbutus Cottage,' Savary Island."
Oct. 4, 1927: From The Vancouver Daily Province: "Amid scenes of the greatest enthusiasm, the officers of the Vancouver Gyro Club for the ensuing year were installed at a banquet at the Hotel Vancouver Monday night (the 3rd)." As part of the entertainment program, Peggy did a dance.
Oct. 19, 1927: From The Vancouver Daily Province: "Keen interest is being evidenced in the beaux arts costume dance which will take place this evening under the auspices of Vancouver School of Decorative and Applied Arts. Through the creative ability and clever workmanship of the students, the ballroom of the Ambassador will be transformed into a setting of unusual attractiveness." Among the novelty features was "a modern dance by Miss Peggy Cartwright, also a student, in a bizarre costume of orange and black." The next day, the same paper reported: "Miss Peggy Cartwright, who danced the solo part, was wearing a ballet dress in orange and black."
Dec. 15, 1927: From The Vancouver Sun: Tuesday (the 13th) afternoon's dramalogue, The Liar, by Carlo Goldoni, drew an interested group of guests to the Hotel Georgia, despite the fact that the weather has not been at all favorable these past few days for travelling about the city on other than the most compulsory of engagements and errands." Peggy was included in the cast.

1928

Mar. 7, 1928: From The Vancouver Daily Province: "The Dybbeu, by Ainstey, said to be one of the twelve best plays of the year, was chosen by the Dramalogue Club for a reading which took place at Hotel Georgia on Tuesday afternoon (the 6th)." Peggy was among those taking part in the reading. The Montreal Daily Star of Nov. 23, 1938, referred to this club as the British Columbia Dramatic School in Vancouver.
Mar. 21, 1928: From The Vancouver Sun: "Easy Virtue, by Noel Coward, was the dramalogue presented Tuesday afternoon (the 20th) by the B. C. Dramatic society at the Hotel Georgia." Peggy took part in this.
Apr. 5, 1928: From The Vancouver Daily Province: "Escape by John Galsworthy . . . was chosen by members of the Dramalogue Club for the final meeting of the season, which took place on Tuesday afternoon (the 3rd) at Hotel Georgia." Peggy took part in this.
May 9, 1928: The Vancouver Daily Province published an ad for the Cabaret Belmont, which read: "Carnival Night Tonight and Every Wednesday. Such entertainers as Les Crane and his Canadiens, and Peggy Cartwright."
May 16, 1928: The Vancouver Daily Province ran another ad for the Cabaret Belmont, this one reading: "Tonight is Carnival Night. See who entertains you - Jerry Adair, Peggy Cartwright and Les Crane and his Canadiens."
June 14, 1928: From The Vancouver Daily Province: "As the closing event of the year's activities, a number of students of the School of Decorative and Applied Arts were hosts at a most successful dance on Wednesday evening (the 13th), Mr. J. Vanderpant having kindly offered the use of galleries for the occasion." Peggy was among those attending.
Aug. 20, 1928: The Capitol Theatre in Vancouver was showing John Gilbert in "The Cossacks" during this week. Among the preliminary live acts was "Miss Peggy Cartwright, athletic toe dancer."
Sep. 12 and 13, 1928: The Capitol Theatre in Vancouver was showing Richard Barthelmess in "Wheel Of Chance." Among the premliminary live acts was "novelty acrobatic dancer" Peggy Cartwright.
Oct. 17, 1928: From The Vancouver Sun: "An interested group of Vancouver women attended the opening reading of the Dramalogue club, held Tuesday afternoon (the 16th) at the Hotel Georgia, when the English version of Rostand's play, Cyrano de Bergerac was presented." Peggy was among those attending.
Dec. 19, 1928: The Vancouver Daily Province ran an ad for the Cabaret Belmont. One of the added attractions was Peggy Cartwright, danseuse.

1929

Circa 1928/1929: According to The Sunday Province of Vancouver from Feb. 19, 1933, Peggy attended Prince of Wales High School.
Feb. 2, 1929: From The Vancouver Daily Province: "The Beaux Arts ball which took place on Friday evening (the 1st) exceeded in brilliancy and detail any previous event given under the auspices of the B. C. School of Decorative and Applied Arts. A spirit of carnival prevailed throughout the evening and not only was the floor filled with revellers, but every available chair in the long upper galleries was occupied with onlookers. To suggest a great baronial hall, the Oak room had been hung with tapestries, banners, shields and heraldic devices." The Vancouver Sun reported that this took place at the Hotel Vancouver. As part of her "capering dance," Peggy "somersaulted down the long room."
Feb. 4 to 6, 1929: Peggy performed at the Capitol Theatre in Victoria. The feature film was "Tempest."
Feb. 7 to 9, 1929: Peggy performed at the Capitol Theatre in Victoria. The feature film was "What A Night!"
Feb. 9, 1929: From The Vancouver Daily Province: "Vancouver had a busy night Friday (the 8th), but judging by the crowds that attended the Harmony Service Club ball at the Hotel Vancouver, everyone was intent on having a good time." As reported back on Jan. 27th, "Funds from this affair will be applied to the Crippled Children's Hospital." Peggy was among the performers.
Feb. 16, 1929: From the Victoria Daily Times: "Miss Peggy Cartwright, a premiere danseuse, will give solo dances at the cabaret supper which is to be held in the ballroom of the Empress Hotel on Monday evening (the 18th) from 10 to 12 as the opening feature of the entertainment planned in connection with the Empress Hotel golf tournament week." An ad in the same paper revealed that Peggy was scheduled to appear every evening of the week. It appears the final night was Feb. 23rd. On that date, The Vancouver Sun referred to "the clever dancing of Miss Peggy Cartwright of Vancouver, who gave several turns each evening."
Feb. 27, 1929: From The Vancouver Daily Province: "After spending several days in Victoria, Miss Peggy Cartwright has returned to her home in the city."
Mar. 8, 1929: From The Vancouver Daily Province: "The daughter of Dr. and Mrs. Conway Cartwright and grand-daughter of the late Sir Richard and Lady Cartwright of Ottawa, Miss Peggy Cartwright will leave shortly for England, to continue her art studies at the Royal Academy of Dramatic Art in London. She will also study in Paris. She was educated at Crofton House School, and spent two years at the Vancouver School of Art. A talented dancer, Miss Cartwright has also taken part in several Little Theatre productions. She will be accompanied by her mother, and will visit her brother, who is a cadet at the Royal Military College at Kingston."
Mar. 9, 1929: From The Vancouver Sun: "An opportunity was given a host of friends to say au revoir to Miss Peggy Cartwright, prior to her departure for England and the Continent, at the distinctive tea given this afternoon at 'Killarney' by her mother, Mrs. Conway Cartwright."
Mar. 16, 1929: Peggy danced at the Empress Hotel for their St. Patrick's Eve Supper Dance and Cabaret.
Mar. 26, 1929: From The Vancouver Daily Province: "Miss Peggy Cartwright left on Monday evening (the 25th) for Montreal, and will later sail for Europe, where she will spend several months."
Mar. 27, 1929: From The Ottawa Evening Citizen: "Mrs. Conway Cartwright and her daughter, Miss Peggy Cartwright, of Vancouver, B.C., are expected in town on Monday (Apr. 1st) and will be the guests of Mr. and Mrs. A. D. Cartwright for a few days en route to New York, from where they will sail for England on April 6th. Miss Peggy Cartwright intends remaining in London to attend a school of dramatic art. Gentleman Cadet Richard Cartwright of the Royal Military College, Kingston, is expected in town on Monday to join his mother here, and will also be the guest of his uncle and aunt, Mr. and Mrs. A. D. Cartwright."
Apr. 19, 1929: From The Kingston Whig Standard: "Miss Peggy Cartwright, daughter of Mr. and Mrs. Conway Cartwright of Vancouver, B.C., and niece of the Misses Cartwright, 'The Maples,' whose picture appears in this month's copy of Mayfair, is leaving shortly for Paris and London to continue her studies in art."
June 22, 1929: The Daily Sketch of London reported on a "Whoopee" party thrown by Mrs. Reginald Coke. "Several budding actresses from the Royal Academy of Dramatic Art, which Sylvia Coke is now attending, were there, and two of them, Peggy Cartwright and Brenda Smith, performed solo dances while the guests sat on the floor and applauded." So, Peggy was now enrolled at the Royal Academy, where, incidentally, Charles Laughton was one of her classmates (according to The Daily Telegraph of Oct. 25, 2001).
July 11, 1929: From The Vancouver Sun: "Dr. and Mrs. C. Cartwright have just received word that their daughter, Miss Peggy Cartwright, who is studying for the legitimate stage at the Royal Academy of Dramatic Art, London, England, has won the scholarship for women students which is awarded each year. This scholarship entitles Miss Cartwright to three terms of tuition free at the academy." On July 15th, The Vancouver Daily Province reported that Peggy competed against 31 other students for the scholarship.
Late 1929: According to The Daily Telegraph of Oct. 25, 2001: "In 1929, with a scholarship and many high recommendations for her elocution, Peggy worked on the London stage, playing opposite Joan Marion in 77, Park Lane at the St. Martin's Theatre, and again Sorry You've Been Troubled. The following year she co-starred with Hilda Campbell-Russell in Lady Be Good, which was enjoying a nationwide tour." 77, Park Lane was indeed playing at St. Martin's through the first half of the year up until about July, after Peggy had enrolled at RADA. And Sorry You've Been Troubled played at the same venue from September to January. Peggy isn't mentioned in the newspapers in connection with these, but she may have been earning money as an bit player or extra in these productions. Lady Be Good may have been a similar situation, but I haven't been able to find anything conclusive about it.

1930

Jan. 17, 1930: From The Vancouver Daily Province: "To have received two awards in less than a year from the Royal Academy of Dramatic Art, London, is the singular record of Miss Peggy Cartwright...The first award was received after she had been there two months, competing against thirty-one women students. The second award is the George Grossmith prize for dancing, which carries with it a special money prize. Miss Cartwright finished her course at the academy in July, but she will remain in England with her mother for the next two years. The dancing class of which she is a member is in the charge of Miss Phyllis Bedells, at one time London's premiere danseuse."
Apr. 12, 1930: From The Vancouver Daily Province: "It is with interest that friends of Miss Peggy Cartwright, daughter of Dr. and Mrs. Cartwright and a former Vancouver girl, will read of her success in the theatrical world of London. Miss Cartwright went to England a few months ago to take up work in dramatics and dancing and it was when a star in one of the most successful revues running in London at the present time fell ill that Miss Cartwright had her star role. The "1930 Revue," which was produced in Manchester and is now running with great success at the Pavilion in London, featured as two of its leads Mlle. Alice Nikitina and M. Serge Lifar, both of the Russian Ballet. When Mlle. Alice Nikitina was taken suddenly ill, Miss Cartwright stepped into her place at very short notice and successfully filled it. The revue is said to be both quaintly and magnificently dressed and mounted and has one of the loveliest young choruses seen in London. A critic of the revue leads the public to believe that it was a performance of a thousand impressions. In the forefront there remained the exquisite dancing and acting of Mlle. Alice Nikitina, fair-haired, a mistress of perfect poise and technique. In filling her role, one can judge of Miss Cartwright's achievement." According to The Evening Citizen of Toronto on Feb. 7, 1931: "She was asked to attend an audition by Mr. C. B. Cochran, wealthy promoter of a number of revues every year. Mrs. Cochran had seventeen places to fill in his chorus for the Cochran's 1930 Revue and 250 applicants. Peggy was chosen to lead that chorus. She threw up her scholarship and went on the stage. The performance opened in Manchester and the dress rehearsal lasted from after dinner until six the next morning! The show came to London and ran for several months." The Philadelphia Inquirer of Sep. 4, 1932, reported: "With but one day's notice, she was instructed to replace the Russian artist, Nikitina, in the latter's most difficult ballet. The fact that she not only carried off her assignment creditably, but performed her part as well, requiring 14 changes, solidified her position as a danseuse of eminence." As she told The Wichita Beacon for an Apr. 10, 1970, article: "It was the first time ballet was used in a musical comedy and was probably way ahead of its time." She also told them: "I was a dancer, But in those days in London, if you auditioned you were very careful not to mention that you had studied at the Royal Academy. A producer would hear that and assume you were a prima donna."
Dec. 7, 1930: From The Vancouver Sunday Province: "If all we have heard and read is true, Miss Peggy Cartwright's 'lucky star' continues to twinkle brightly, for when the new revue, Chelsea Follies, is presented in January at the Hippodrome, London, she has been chosen to dance at least three solo numbers, following on her successes in "Cochrane's 1930 Revue"...Mrs. Cartwright is also in London, and her son, Mr. Richard Cartwright, who has been studying at the London University School of Journalism." According to The Evening Citizen of Toronto on Feb. 7, 1931: "Mr. Cochran asked Peggy to take part in his next show, opening in a few months. But Archie de Bear had seen her. He wanted her for the 'Chelsea Follies' and Peggy hates to be idle."
Dec. 9, 1930: The Southern Daily Echo of Southampton, England, published a revue of Chelsea Follies, which had opened at the Empire the previous night. It referred to Peggy as a "clever dancer."
Dec. 18, 1930: The Evening Standard of London, published a revue of Chelsea Follies, which had begun an engagement at the Victoria Palace the previous night. Peggy's dancing was said to "contribute considerably to a very happy evening."

1931

Feb. 5, 1931: From K. Norman Hillson of The Evening Standard of London: "Making good from the chorus is one of the most romantic things in the theatre. To-day I indulge in prophecy. I predict with confidence that in the course of the next two seasons, Peggy Cartwright of the Chelsea Follies will be a leading lady in the West End. Miss Cartwright is a young Canadian who was in the chorus at the London Pavilion during the last revue. At the Victoria Palace her dancing in the Flower Show scene attracted the attention of the manangement. Now she has been promoted from the chorus to the ranks of the principals and appears in five or six numbers."
Feb. 7, 1931: The Evening Citizen of Toronto published an article about Peggy, which can be accessed by clicking here.
Feb. 22, 1931: From The Vancouver Sunday Province: "Miss Cartwright is at present dancing in the special cabaret of the famous Kit Kat Club in London, being the only member of her ballet to be given that honor."
Mar. 31, 1931: From the Daily Sketch of London: "All the old snap and vigour of the first edition is preserved in the new revised version of Archie De Bear's Chelsea Follies, which started on a fresh lap at the Victoria Palace last night...A welcome newcomer was Peggy Cartwright, whose dancing charmed everybody." Peggy now had one of the lead roles in the show, and remained at least until late April.
Aug. 13, 1931: From Maitland Davidson of The Daily Telegraph of London: "The new Saville Theatre in Shaftesbury-avenue will be opened in the first week of October, Jack Waller informs me, with a new farce with music, which he will present under the title For The Love Of Mike. It is adapted from a play by H. F. Maltby, who will also produce the piece under Mr. Waller's supervision." Peggy was cast in the title role of "Mike," which was short for "Enid Michaelis."
Sep. 15, 1931: From the Birmingham Gazette: "The official classification of For The Love Of Mike - which was given its premiere at the Theatre Royal last night - is 'a play with tunes,' and the point to observe is that it is definitely not musical comedy under another name." This review refers to Peggy as "a perfectly delightful little heroine." The Evening Despatch had this to say: "Mike herself is played by Peggy Cartwright, the very embodiment of youthful charm and a most welcome relief from the jazz to cocktail style."
Sep. 21, 1931: For The Love Of Mike opened for a two week engagement at the Alhambra Theatre in Glasgow.
Oct. 2, 1931: The Daily Record and Mail of Glasgow listed in its public notices the Glasgow Press Club Cabaret at the Piccadilly Club. Elsewhere, the same paper reported: "To-night, the Glasgow Press Club is staging another (cabaret). The stars of the moment in town have promised to appear. Bobby Howes will be the cheerful M.C., Arthur Riscoe will join him, and together they will help to shake off your blues. Dainty Peggy Cartwright - she of the lovely eyes and the dancing feet - and Florence Oldham, whose voice is as familiar on the radio as her presence is popular on the variety stage, will also appear in a super 'bill.' Ronie Spinelly, the popular singing-violinist, will sing some snappy Parisian foxtrots and play his violin. And there will be, among other things, a really 'hot' dance orchestra."
Oct. 9, 1931: From the Daily Sketch of London: "Another new theatre, opened in London last night, proved that there is still plenty of kick in the drama. The Saville, in Shaftesbury-avenue, is an attractive house, and H. F. Maltby's new 'play with tunes' has a second act which ought to carry it to success. The play is called For The Love Of Mike, and Mike is a very charming girl acted by Peggy Cartwright, whom you can't help loving." On the 10th, The Daily Mirror reported: "Dear little Peggy Cartwright, whose daintiness and wistful charm make her such a perfect partner for Bobby Howes in the new play at the Saville Theatre, was one of Mr. Cochran's Young Ladies in 1930, and appeared this year in 'Chelsea Follies.' She was very excited and happy after the first performance to have had such a splendid chance in the new play and I can assure her that she succeeded."
Nov. 15, 1931: From the Sunday Dispatch of London: "A small boy sat still and solemnly refused to laugh at yesterday's matinee of 'For the Love of Mike' at the Saville Theatre. He was Peter, son of Bobby Howes, the famous comedian, and he, together with five boys of his own age, were visiting the theatre for the first time. The other five enjoyed themselves, but Peter spent his afternoon glowering at the 'people who laughed at Daddy.' At the end of the performance, the boys walked up to Mr. Howes's dressing-room and congratulated him. Only Peter was aloof. 'You've had a lot of wires.' was his only comment as he gravely inspected good-luck telegrams pinned on the wall. Asked if he didn't think his father was very funny on the stage, he replied, 'I thought he was very good!' The visit to the theatre was a treat given to celebrate three birthdays by Miss Eileen Idare, the designer of the costumes in 'For the Love of Mike.' Her own son Tony - the host of the party - celebrated his birthday yesterday, so also did Miss Peggy Cartwright, the leading lady in the show, while Peter will be eight years old next week."
Nov. 26, 1931: The Daily Mirror of London reported that "Good Night Vienna" began shooting on Nov. 24th.

Hindle Wakes (undetermined role): Oct. 4, 1931 - Gainsborough/Gaumont - 8 reels - feature; Starring Belle Chrystall, John Stuart, Edmund Gwenn, and Sybil Thorndike.

1932

Jan. 26, 1932: From the Daily Sketch of London regarding "For The Love Of Mike": "If carking care, and money woes and bills cause you to cavil; don't worry o'er the beastly things - just run round to the Saville. The worst of us deserves a mike when things are not propitious, but few of us could hope to win a Mike that's so delicious as Peggy Cartwright in this show - I've seen her, so, of course, I know."
Feb. 17, 1932: The Evening Standard of London reported that "For The Love Of Mike" reached its 150th performance at the Saville the previous night.
Mar. 31, 1932: From The Evening Standard of London: "For the first time in many years, the first production at a new West End theatre has achieved a run of 200 performances. Generally it has taken two or three shows to put a theatre 'on the map,' but at the Saville last night, it seemed as if the musical play 'For the Love of Mike' might run for another 200 performances."
Apr. 13, 1932: The Sketch of London reported that "For The Love Of Mike" was "still going strong and drawing big houses nightly."
May 4, 1932: From The Gazette of Montreal: "Miss Agnes Hammond is returning to Canada this week and was the guest of honor at a tea given by Miss Pat Burden at British Columbia House. Among the guests was Miss Peggy Cartwright, who is one of the most popular members of the cast of 'For the Love of Mike'."
May 12, 1932: From The Sunday Sun of Vancouver on June 11th: "Vancouver's principal interest in the May Court of Their Majesties rests in the fact that Mrs. Conway Cartwright of Vancouver and her clever young daughter, Miss Margaret (Peggy) Cartwright had the honor of being presented at the Court of St. James."
May 23, 1932: The Daily Telegraph of London included Peggy Cartwright as a cast member in its review of Half-Holiday, which was presented the previous night by the Sunday Playgoers' Association at the St. Martin's Theatre.
July 4, 1932: From The Vernon News (BC) out of Summerland, BC: "Mrs. Conway Cartwright and her daughter, Miss Peggy Cartwright, who have been interesting visitors in Summerland, were presented at Their Majesties' second court of May 12."
Aug. 28, 1932: From The Sunday Province of Vancouver: "News from abroad concerning the success of former Vancouverites is always of interest, and that just received of Miss Peggy Cartwright, daughter of Dr. and Mrs. Conway Cartwright of this city, is exceptionally interesting. She has just accepted an important contract with the Schubert Theatre Company in New York, which will run until May 1 of next year. She, with her mother, with whom she was presented at Their Majesties' Court this year, landed at the American centre last week. She has had three successful years as a dancer in London and is remembered among many schoolmates in this city, where she attended Crofton House School."
Aug. 29, 1932: From the Courier-Post of Camden, NJ: "Concocted by that industrious manufacturer of humoresques, J. P. McEvoy, the new Americana, a brilliant and colorful revue, will have its pre-Broadway presentation under the banner of Lee Shubert at the Forrest Theatre, for two weeks only, beginning Monday evening, September 12." Peggy was in the cast for this production. This is the show that introduced the song "Buddy, Can You Spare A Dime?"
Sep. 2, 1932: From the Daily News of New York: "Peggy Cartwright, English musical comedy actress, arrived here yesterday aboard the Manhattan to take a role in J. P. McEvoy's new Americana, which starts its tryout in Philadelphia week after next."
Sep. 10, 1932: From the Courier-Post of Camden: "Originally scheduled for Monday (the 12th), 'Americana's' world debut was postponed until Thursday (the 15th), when it will begin a ten-day engagement."
Sep. 14, 1932: From the Courier-Post of Camden: "Lee Shubert, after three postponements, will offer the premiere of J. P. McEvoy's new Americana at the Forrest Theatre on Friday night (the 16th).
Sep. 16, 1932: From the Courier-Post of Camden: "The mechanical difficulties encountered in the scenic construction of Americana, the new J. P. McEvoy revue which was to have opened at the Forrest Theatre tonight, being of such a nature as to interfere with the perfection of performance desired by the management, the premiere will be postponed until tomorrow night." The Brooklyn Citizen of Sep. 20th explained that some of the scenery wasn't delivered on time.
Sep. 19, 1932: James M. O'Neill of the Courier-Post of Camden had this to say about Americana: "...Were it not for a few outstanding features, 'Americana's' efforts to depict the country's conditions become too literal. In fewer words, the show has its bad moments in this reviewer's humble opinion."
Sep. 28, 1932: From The Washington Times out of New York: "J. P. McEvoy's new revue, Americana, the third of the same title, will not be presented here until October 5. The show will play another week in Philadelphia before opening on Broadway at the Shubert Theater."
Oct. 5, 1932: Americana had its Broadway opening at the Shubert Theatre.
Oct. 6, 1932: Burns Mantle of the Daily News of New York gave Americana three out of four stars, and referred to Peggy as: "...a dainty somebody come recently from the London music halls, who is an agreeable addition to our fairly short supply of personable dancing soubrettes."
Oct. 9, 1932: From The Sunday Province of Vancouver: "'Among those who will have things to do' in J. P. McEvoy's Americana, which opened on Wednesday night (the 5th) at the Shubert Theatre in New York, says the New York Times, is Peggy Cartwright. Evidently Vancouver's own Peggy needs no introduction to New Yorkers, for the Times, running her picture as a star 'prominently concerned' with the sparkling revue, evidently feels she needs no special introduction - none of the carefully planned advances that precedes the newcomer. Some interesting gossip will be forthcoming when visiting Vancouverites return from the metropolis."
Nov. 7, 1932: From the Daily News of New York about Peggy: "That lively dancing soubrette of the Americana cast, who was a success with her audiences from the moment of entrance into the action of the McEvoy revue at the Shubert, had the usual mental reservations when she made her debut. If they did not like her over here, she knew where they did like her, which is in London. She would go back. No chance. The Shubert interests expect to keep her in this country a long, long time."
Nov. 15, 1932: From Walter Winchell in his syndicated column: "Phil Baker is giving Peggy ('Americana') Cartwright accordion lessons."
Nov. 16, 1932: From Ed Sullivan in his syndicated column: "Phil Baker flung a party for Peggy Cartwright."
Nov. 1932: According to the May 21, 1933, Dayton Daily News, Peggy got married to Phil Baker during this month, though they kept it quiet until Feb. 1933. On Oct. 17, 1936, George Ross described in his syndicated column how the couple got together: "Phil Baker altered his destiny when he went to see a show called 'Americana.' One of the showgirls in it, Peggy Cartwright, attracted his eye. The next night, lovestruck Phil signed to appear in the show at one-third of his usual salary. He presented himself to Miss Cartwright and wooed her persistently between gags, punch-lines and blackouts." On July 26, 1939, the St. Louis Post-Dispatch described it this way: "He was passing through famed Shubert Alley and dropped in on the final matinee of 'Americana,' scheduled to close the following Saturday. A youthful English dancer, Peggy Cartwright, was in the spotlight when he entered. At the end of her turn, he ran to Jake Shubert and told him he wanted to join the cast. The producer told him he was crazy as the show was about to 'fold.' 'I told Jake I'd work for peanuts,' Baker continued. 'So he gave me peanuts and a run-of-the-show contract. Meanwhile I met Miss Cartwright, proposed marriage, got engaged and after the final curtain we saw the nearest minister."
Dec. 24, 1932: From The Montreal Daily Star: "Dr Conway Cartwright, of Vancouver, left yesterday to return home after a visit to his brother, Mr. A. D. Cartwright and Mrs. Cartwright. Dr. Cartwright arrived this week from New York, where he has been visiting his daughter, Miss Peggy Cartwright, a young Canadian actress of note."

Good Night Vienna (role: Greta): prem. Mar. 28, 1932 - Wilcox/British & Dominions/UA - 7 reels - Jack Buchanan feature; Filmed Nov./Dec. 1931. UK production released on Sep. 12, 1932. Costarring Anna Neagle and Gina Malo. Released in the US as Magic Night. This version was ©Sep. 26, 1932.
The Faithful Heart (undetermined role): prem. May 2, 1932 - Gainsborough/Ideal - 8 reels - feature; UK production released Sep. 19, 1932. Starring Edna Best and Herbert Marshall. Released in the US on Aug. 15, 1933, as Faithful Hearts. This version, from Helber Pictures, had the voices dubbed by American actors.

1933

Jan. 18, 1933: From the Daily News of New York: "The mighty build-up which radio gives a performer is illustrated in the typical case of Jack Pearl. Boston reports that small towns in Vermont and New Hampshire made up excursion trips for those who wanted to see "Baron Munchausen" in the flesh. Pearl, however, has been concerned more with the selection of a girl to play his daughter in the show. Ona Munson tried it, was succeeded by Roberta Robinson, who yielded to Ruth Urban, who was replaced by Peggy Cartwright, who now has been relieved by Josephine Huston."
Jan. 21, 1933: From The Border Cities Star of Windsor, ON: "Peggy Cartwright, formerly of Vancouver, B.C., has decided to drop out of the cast of Jack (Baron Munchausen) Pearl's musical show, "Pardon My English." Peggy's plans are indefinite. She may return to London, where she got her start on the stage. She replaced Ruth Urban during the "Pardon My English" rehearsals in the role of Pearl's daughter, but didn't like the part and stepped out this week in favor of Josephine Huston."
Jan. 26, 1933: From the Daily News of New York: "Phil Baker and Peggy Cartwright are collaborating in a romantic duet."
Feb. 18, 1933: From the Associated Press out of New York: "Announcement was made today of the secret marriage three months ago of Phil Baker, comedian, to Peggy Cartwright, a musical comedy player. Miss Cartwright is English. She came to this country six months ago to take a part in the revue 'Americana,' and the marriage took place after the couple had known each other for six weeks." The Daily News reported it this way: "Just as he is about to skip out of town for a honeymoon in Florida, the secret marriage of Phil Baker, Broadway's boy with the accordion, to Peggy Cartwright, dark-haired English dancer, was revealed last night. Although the nimble-witted comedian could not be reached for details of the wedding, it was learned from friends that the knot was tied three months ago in New England. They expect to leave for Florida at 2:30 P. M. today." United Press reported that Baker had just admitted to friends on this day that they had been married for three months. The Sunday Province of Vancouver added: "Mr. and Mrs. Baker planned to depart for Palm Beach this afternoon on a belated honeymoon. They intend to play in the annual benefit for orphans which has been staged in Palm Beach by Baker for the last seven years.
Feb. 21, 1933: From The Palm Beach Post: "Mr and Mrs. Phil Baker of New York have arrived at the Alba and taken a suite for several weeks. Mr. Baker will be master of ceremonies at the annual Kiwanis benefit to be staged at the Paramount theater next Tuesday (the 28th)" In a separate article: "The first of the New York stage luminaries to reach Palm Beach for the benefit arrived by train last night and with their arrival came the word that two members of the group were honeymooning." This, of course, refers to Mr. and Mrs. Baker.
Feb. 22, 1933: The Daily News of New York reported that the Bakers had been at the Colony Club in Palm Beach the previous evening, chatting with Mary Brown Warburton and Irene Castle McLaughlin.
Mar. 1, 1933: From The Palm Beach Post: "Children of the public schools of West Palm Beach, West Gate, Greenacres, Riviera and Kelsey City are to be the beneficiaries of a new charity (The Childrens' Welfare Aid) which will be launched on Friday night (the 3rd) in Palm Beach at a dinner dance and sponsored by members of the resort winter colony...In connection with the dinner dance, which will be at the Colony club, there will be presented a remarkable two hour floor show beginning at midnight and introducing many internationally known stars of the theatrical world (including the Bakers)."
Mar. 17, 1933: From The Pittsburgh Press: "Ben Bernie's pal, Phil Baker, inventor of 'stooge,' comes to radio via NBC and KDKA at 9:30 tonight. So does Phil's inevitable accordion, without which Phil wouldn't be himself...Phil's bride of three months, Peggy Cartwright, English actress, will attend her hubby's radio debut in Chicago." The name of this program was Phil Baker, The Armour Jester. The Pittsburgh Press of Feb. 27, 1938, quoted Phil: "Few brides have been given the home-making test that Peggy faced the first year we were married. We were living in a small house in Palm Beach, Fla., when I got my first radio bid from a sponsor in Chicago. We packed our worldly goods and went to Evanston, where I rented a huge house and called my company together to prepare for my radio debut. We all lived together - Peggy and me - and 13 stooges. Peggy ran the menage like an experienced housekeeper, and put the kibosh on all bum jokes."
Mar. 23, 1933: From the Akron Beacon Journal: "Phil Baker inaugurated his radio series last week and he promises to bid for a place in the first ranks. His program comes every Friday night at 9:30 and it is worth while dialing around the Blue network to catch it. Baker's broadcast originates in Chicago, where he and his bride, Peggy Cartwright, English actress, recently took up residence."
May 5, 1933: From the Brooklyn Times Union: "It seems quite the thing to have one's wife on the air. George Olsen and Ethel Shutta, Lee Sims and Ilomay Baily, Peter de Rose and May Singhi Breen, Fred Allen and Portland Hoffa, Jack Benny and Mary Livingston - and now Phil Baker, who strives rather unsuccessfully to make the WJZ 9:30 program appear bright, will bring Peggy Cartwright to the air with him tonight. Peggy, in private life, is Mrs. Phil Baker."
May 12, 1933: Peggy appeared again on Phil Baker, The Armour Jester.
May 26, 1933: Peggy appeared again on Phil Baker, The Armour Jester.
May 28, 1933: According to The Morning Tribune of New Orleans two days later, Ben Bernie staged an affair dubbed "Winchell night," in honor of Walt Winchell, which involved many celebrities doing different routines, including Peggy and Phil.
June 2, 1933: Peggy appeared again on Phil Baker, The Armour Jester.
June 6, 1933: From Walter Winchell in his syndicated column: "The Phil Bakers (Peggy Cartwright) are babying."
June 9, 1933: Peggy appeared again on Phil Baker, The Armour Jester.
June 15, 1933: From the Noblesville Daily Ledger (IN): "Peggy Cartwright has been chosen Iris queen to preside over Iris week at the Garden and Flower show in the Horticultural Building of A Century of Progress - the Chicago World's Fair."
June 16, 1933: From the Hollywood Citizen-News: "Mr. Baker, his wife, who was Peggy Cartwright on the stage; Harry McNaughton, who is 'Bottle' on the air, and Jack Murray, author of the script for this series of programs, have taken a home at Evanston, on Lake Michigan. The four have been living at the same hotel in Chicago where they have worked together for their broadcasts."
June 16, 1933: Peggy appeared again on Phil Baker, The Armour Jester.
June 26, 1933: From the Standard-Times of Boston: "Mrs. Phil Baker - Peggy Cartwright to playgoers - has been won over to radio and is getting a thrill out of a 'mental fencing' that she feels is the very heart of broadcasting. Mrs. Baker made her radio debut a few weeks ago...and impressed all concerned with her excellent voice, diction, and fine microphone poise. Now she is cast quite regularly in skits on the networks. 'It is so new and different - and oh, it affords such an opportunity to accomplish things,' she said after her second appearance. 'In the theater, you rehearse and rehearse to put something over with your presence. On the air, you study hours and hours to find the way to make people use their imaginations. I like it very much. I like to try and do things with my voice so that I can feel that I am getting people to imagine the situations that they would see if I were on the stage before them'."
July 19, 1933: The Evening Independent of Massillon, OH, said this about Peggy: "Now she has a hobby of her own - art and painting, keeping her as busy as her husband's broadcasts."
Dec. 1, 1933: From The South Bend Tribune out of Chicago: "Phil Baker, radio and stage comedian, and his wife, the former Peggy Cartwright, musical comedy player, are the parents today of a baby daughter at the Woodlawn hospital. Dr. Julius Berinstein, physician who attended Mrs. Baker, announced both mother and daughter were doing nicely. The girl weighed 6 pounds and 12 ounces. Mr. and Mrs. Baker, who were married a year ago, live at Evanston, Ill."

1934

Feb. 17, 1934: From The Palm Beach Post: "Added to the list of stars of Palm Beach Knights, 1934 Edition, to be given next Monday night (the 19th) at the Colony Club, are Peggy Cartwright and Fannie Ward." This event involved many celebrities, with proceeds going to the Children's Welfare Aid.
Feb. 23, 1934: From The Birmingham News (AL): "There's no professional jealousy in the Phil Baker household. Not a bit of it, although Mrs. Baker is the former Peggy Cartwright of the British stage and the movies. Mrs. Baker says she is much too busy making a home for Phil and their young daughter, Margot Eleanore, to think of returning to her career."
Mar. 24, 1934: From The Toronto Star Weekly: "Phil Baker may not burn the candle at both ends, but he does consume gallons of midnight oil each week in preparation for his Friday night show over WJZ. Phil's method is somewhat unique. Like the New Deal, he has a 'brain trust.' Kenneth England, comedy writer, sketches the basic idea for the forthcoming broadcast. Harry (Bottle) McNaughton, Mabel Albertson and Mrs. Baker, the former Peggy Cartwright of the English stage, sit in on the all-night sessions. Baker's apartment is the usual scene for the lengthy conferences. Ideas are presented, tested, rejected or adopted. Lines are pruned, edited and padded. Situations are twisted, straightened or improved. It is a tedious and even a nerve-wracking ordeal, but Baker acts as chairman and smooths the story into its proper sequence as the hour hand creeps on into the morning. The board usually meets late in the evening. It often adjourns at four or five o'clock in the morning."
May 30, 1934: From The Vancouver Sun: "Mrs. Richard Cartwright has returned to the city via Panama. En route from England, she visited her daughter, Mrs. Phil Baker, the former Peggy Cartwright, in New York." This one is a bit confusing. Peggy's mother was actually Mrs. Conway Cartwright. Presumably, Peggy traveled from Chicago to New York to see her mother.
Aug. 16, 1934: From the Chicago Daily Tribune: "Phil Baker is contemplating a vacation from the radio within a few weeks...Phil has been doing his Friday evening show over NBC for more than 17 months without an interruption...If plans go through, Phil and Mrs. Baker (Peggy Cartwright)...will make a dash to London. The show will go on during Baker's absence with substitute artists."
Oct. 5, 1934: From the Oregon Daily Journal of Portland: "Phil Baker has returned from a six weeks' vacation in Italy and will resume via KGW and NBC from New York at 6:30 p.m. today with Bottle the butler and Beetle the haunter. Baker vacationed with Mrs. Baker...and their infant daughter." The Oakland Tribune reported that "most of their vacation period was spent at Sorrento." Some sources say it was a five-week vacation. The Oct. 28th Chicago Tribune reported that the Bakers, upon returning to the U.S., settled down in New York, from which the show would now be broadcast.
Dec. 31, 1934: From the Associated Press out of New York: "Phil Baker...today received word that he had become the father of an eight-pound boy. The event occurred at the Good Samaritan Hospital in West Palm Beach, Fla., where both the baby and Mrs. Baker were reported doing well." The Palm Beach Post from the following day reported that the baby had been born at 4 a.m. on the 31st, and that Baker planned to fly to Florida the following week, as he was currently appearing in a Broadway show. It also states that they had a home at 301 Sea Breeze Ave. in Palm Beach. The baby was named Stuart Henry. The Feb. 2, 1935, Radio Wave of Tulsa described it this way: "He had a short visit with his wife...and their daughter Margot, made himself known to Stewart Henry, and flew back to New York for the Friday broadcast."

1935

Apr. 5, 1935: From The Bergen Evening Record of Hackensack, NJ: "According to the latest returns, Baker...has not one, but four homes: an apartment in New York, a summer home in Mamaroneck and two residences in Palm Beach. Even Baker will admit it appears just a bit extragavant to own two homes in Palm Beach, but there is a logical explanation for it. For the past two years, the Bakers have had a winter abode in Palm Beach. Mrs. Baker...and the two children have spent the winter months there while Phil toiled in wintry New York. During the last Christmas holidays, Phil made a flying trip to Florida and both he and Mrs. Baker became enamored of a new house which had just been built close by their present residence...Phil bought the place and now he's looking for a buyer for his other Palm Beach house." The Brooklyn Citizen of May 31st reported that they moved into the house a few weeks earlier.
June 28, 1935: From The Cleveland Press: "Cleveland sees the opening of the new vaude bill in which the comic Phil Baker appears almost from start to finish, opening today at the Palace. Baker spent the winter decorating a house at Mamaroneck, near New York, for his wife and children, who were spending the winter season at Palm Beach...Baker looked forward to a summer of domesticity and ease. His family returned from Florida. Promptly he was called away to a conference with his radio sponsors in Chicago."

1936

Jan. 6, 1936: The Toronto Daily Star reported that Peggy would be returning to Phil's radio program after returning to New York from Florida. The next day, the Akron Beacon Journal reported that this would be happening in February.
Jan. 19, 1936: Screen & Radio Weekly, reporting on Peggy's upcoming return to radio, shared this quote: "It's harder for me to lose this accent than to get rid of my longing to act again." This is in reference to Peggy's English accent. Apparently, she had spent enough time in England for it to sink in.
Jan. 20, 1936: The Brooklyn Citizen referred to Baker's show as the Great American Tourist program, suggesting that he may have switched sponsors by this time. They also reported that Peggy's return would happen on Jan. 26th.
Jan. 23, 1936: From The Pittsburgh Press: "When Peggy Cartwright, the English actress, appears with her husband, Phil Baker, next Sunday night, she will set a precedent, as the first radio wife to co-star with her husband without script." The Saskatoon Star-Phoenix published a photo with the following caption: "Meet Mrs. Phil Baker, her noted husband's favorite 'stooge,' who bows to the radio audience in a guest appearance on Phil's program over Columbia on Sunday (the 26th). Mrs. Baker is an actress in her own right, having played prominent roles on both sides of the Atlantic as Peggy Cartwright. She intends to ask Baker 'some difficult questions' on her first program and Baker is studying hard to find the right answers."
Jan. 25, 1936: The Brooklyn Times Union misreported the following: "Up until three days before the program, Mrs. Baker had no knowledge of the fact that she was going on the air - until she read it in the papers." The Indianapolis Times shared the following: "Phil confesses that his wife is his best friend, but not his severest critic." One consistent thing with the reportage of Peggy's return to radio is that virtually all of it says that this would be Peggy's radio debut, which of course, is false.
Jan. 26, 1936: From The Birmingham News and The Birmingham Age-Herald: "Mrs. Baker says the matter of getting her before the mike was a trick on the part of her husband but states she has been delving into Baker history and will make him sorry that he ever inveigled her before the mike."
Jan. 28, 1936: From The Pittsburgh Press: "Phil Baker wants his wife (Peggy Cartwright) to become a permanent member of his Sunday night cast. She was certainly a hit the past Sunday."
Feb. 27, 1936: From The Pittsburgh Press: "Phil Baker and a lot of his followers have asked that his wife return to his program after a recent guest appearance. 'Nothing doing,' said the talented Peggy Cartwright, the former English actress. 'I had my lark on the air and now I'm under contract to two little Bakers'."
Apr. 1, 1936: From The Pittsburgh Press: "Here's how Phil Baker fooled his wife Peggy Cartwright, who tried to fool him: Mrs. Baker disguised her handwriting and sent Phil a fan letter such as he had never read in his life. He was a bit suspicious of the perfumed note and, sure that it was a Peggy Cartwright gag, took her note to a handwriting expert and revealed the identity of the writer."
Apr. 14, 1936: From the Brooklyn Times Union: "Phil Baker, after spending the winter as the mythical 'Great American Tourist,' plans a unique summer. He's going to climb into a car with his wife and kids and tour the country. His wife, Peggy Cartwright, thinks it's a great idea, but she says she's thankful Phil doesn't do 'Buck Rogers' or they'd probably spend the summer in a rocket ship circling the moon."
June 5, 1936: From The Pittsburgh Press: "Jack Hitson, Wilkinsburg young man, is home from Florida with the autograph of Mrs. Phil Baker, the former English stage star, Peggy Cartwright. But he has none of Phil's signatures. Jack was the Baker family chauffeur while Mrs. Baker and two children spent the winter in Florida."
Nov. 4, 1936: From The Pittsburgh Press: "The first child in the Phil Baker family was born Thanksgiving Day and the second on a Christmas. Phil and his actress wife, Peggy Cartwright, are expecting a third child. We hope it's a holiday baby, too."
Dec. 20, 1936: From Screen & Radio Weekly: "Phil Baker places the whole burden of rating his jokes on his attractive wife, Peggy Cartwright. The worst reward he can look for is a patient smile, which is enough to doom the gem he has uttered."

1937

Jan. 2, 1937: From the Harrisburg Telegraph: "Mrs. Phil Baker, known on the stage and screen as Peggy Cartwright before her marriage, will officially launch Phil Baker's 1937 programs with a guest appearance on Baker's broadcast over WHP (CBS affiliate) on Sunday, January 3, from 7:30 to 8 p.m....Last January, Mrs. Baker gave an authoritative account of her problems and adventures encountered with one of radio's outstanding stars. This year, she has promised some 'startling revelations,' and Baker has suggested a vacation in Florida."
Jan. 7, 1937: From The Jersey Journal of Jersey City: "Phil Baker and his wife...are home most of the time and Phil's writers have to travel out to the suburb in which the Bakers live when they want to hold a conference."
Jan. 7, 1937: From The Bergen Evening Record of Hackensack, NJ: "When is a wife a wife and when isn't she? That was the problem faced by comedian Phil Baker while rehearsing his English wife, the former Peggy Cartwright of the stage, for a scheduled appearance on his Sunday night broadcast. A wife isn't, Phil decided, so Mrs. Baker was dismissed from the cast. Mrs. Baker accepted an invitation from her husband to take part in the broadcast welcoming her fellow countryman, Oscar Bradley, as musical director of the program. Phil wrote a comedy skit about a post-New Year's Eve family fight in which he and Mrs. Baker were to play themselves. In rehearsing, Phil sounded great as the browbeaten husband. Try as she would, however, his wife could not produce the shrill, shrewish voice proper to the burlesque. Her soft, British voice was not adaptable to the part. So the comedian had the fun of firing his own wife from the cast. We're just wondering if she played the part a bit more realistically when Phil got home."
Feb. 18, 1937: The Bridgeton Evening News (NJ) published Peggy's recipe for Baked Stuffed Egg Plant. What you need is 1 Egg plant, 1½ cups ham stock or water, ¾ cup coarse, dried bread crumbs, ¼ cup melted butter, 1 teaspoon lemon juice, ½ teaspoon salt, 1 egg, slightly beaten, and buttered crumbs. Wipe eggplant, cut in quarters, lengthwise. Remove pulp close to skin, leaving thin shells. Force pulp through food chopper. Drain. Add water or stock, boil 20 minutes. Add crumbs, butter, lemon juice, salt and egg. Fill shells, sprinkle with buttered crumbs, bake 15 minutes in moderately hot oven (375 F.)."
Mar. 22, 1937: From the Twin City Sentinel of Winston-Salem: "Last week Palm Beach was sent into a flutter of excitement when the former Peggy Cartwright (Mrs. Phil Baker to you) presented Mr. Phil with their third child, a 6½-pound boy...The very new young gentleman has no other name but Baker as yet, although cable dispatches to France were inclined to refer to him as Fil Baker. His older brother and sister, Stuart and Margot, seemed well pleased with him, name or not." The child was subsequently named Michael Conway Baker.
Apr. 11, 1937: From Helen Welshimer (syndicated article): "Almost from the very first, Baker has taken both his writing crew and his cast into his home to live. Mrs. Baker...is herself enough of the play world to understand that a man has to eat, sleep and live his job. So she lets the house fill up, and the latchstring hang out to the company."
Oct. 16, 1937: Screen & Radio Weekly published an article written by Peggy, which can be accessed by clicking here.
Oct. 31, 1937: From The Bay City Times (MI): "'Phil Baker is a hot dog fiend and would eat them for breakfast if I'd let him - which I can't'...Peggy Cartwright (Mrs. P.B.)"

1938

Jan. 5, 1938: From the Staten Island Advance: "Before the present Mrs. Phil Baker ankled alterward, took a look at Phil, grabbed a deep breath, closed her eyes and said 'I do,' she was Peggy Cartwright of the Broadway stage. She still looks like Peggy Cartwright of the New York stage - and when she put in a regular appearance meeting Phil on the 'Goldwyn Follies' movie set, a Hollywood gossiper found out her name and used the following heavy-print squib in his next day's column: 'Phil Baker and the actress Peggy Cartwright are seen going places together!'"
Jan. 14, 1938: The Twice-A-Week Leader of Princeton, KY, reported that Phil's CBS radio program was now being heard from Hollywood every Sunday night.
Jan. 19, 1938: From the Rockford Register-Republic (IL): "Though in Hollywood, (Phil) still maintains a palatial home in Westchester and is happily married to former actress Peggy Cartwright; the Bakers have three children, two girls and a boy; Phil visits Florida every winter to give his jokes a vacation." Sidenote: It was actually two boys and a girl. Also, Westchester is the county, while Mamaroneck is the city where they had their home in New York.
Mar. 4, 1938: The Daily Republican of Belvidere, IL, reported that the Bakers were currently living in Beverly Hills.
Mar. 13, 1938: From The Knoxville Journal: "Phil Baker dedicated his newest song, 'With Love to You, Darling,' to Peggy Cartwright, his wife."
May 9, 1938: From the Stamford Advocate (CT): "Mrs. Phil Baker received the ideal Mother's Day gift Friday (the 6th). At Doctor's Hospital, New York City, the wife of the radio comedian gave birth to a seven-pound girl, her fourth child and second daughter." In his syndicated column, Ed Sullivan reported that the baby was 6½ pounds. The girl was named Susan Carol Baker.
June 14, 1938: From The Birmingham News: "Phil Baker and wife Peggy Cartwright are planning a sea voyage as soon as Baker's Sunday night show mutes for the Summer."
July 29, 1938: The Commercial Appeal of Memphis reported that the Bakers split their time between Hollywood and their home in Mamaroneck, NY.
Aug. 4, 1938: From the Daily News of New York: "Peggy Cartwright, young English singer and dancer who left the stage in 1932 to marry Phil Baker, 'have five children and go back to work,' returns to the stage with her comedian husband, next week, in Idiot's Delight, at Maplewood, N.J. Since Miss Cartwright's last appearance in "Americana" in 1932, four Baker children have duly arrived." Peggy played "Mrs. Cherry."
Aug. 8, 1938: Idiot's Delight opened for one week at the Maplewood Theatre in New York. This played at least until the 13th.
Aug. 30, 1938: From CTPS out of New York: "Mrs. Phil Baker, wife of the radio and stage comic, today was reported recovering rapidly from a complicated appendectomy performed last Tuesday (the 23rd) at Lenox Hall Hospital...Although her condition was reported excellent, it will be another week before she can leave the hospital, according to her physician, Dr. Miguel G. Elias."
Nov. 24 to 26, 1938: Idiot's Delight was now on tour, opening at the Shubert Theater in New Haven on Thanksgiving for a 3-day engagement.
Nov. 28, 1938: Idiot's Delight began a week's engagement at His Majesty's Theatre in Montreal, with matinees on Wednesday and Saturday.
Dec. 5, 1938: On Nov. 23rd, The Globe and Mail of Toronto reported that "Idiot's Delight" would be playing at the Royal Alexandre Theatre in Toronto on Dec. 5th with Peggy in the cast. It would be a one-week engagement. On Nov. 26th, the Toronto Daily Star described Peggy as "the first Canadian actress ever to make her Toronto debut in an American play." On Dec. 3rd, The Star Weekly of Toronto reported that Peggy would be leaving Montreal the following day for Toronto. The article stated that Peggy "is not a star. At least she says she is not a star, practically insists upon it." The situation changed by the time Dec. 5th rolled around.
Dec. 6, 1938: From the Toronto Daily Star regarding a backstage visit the previous night to "Idiot's Delight": "We had meant to see Peggy Cartwright, wife of Phil Baker, who is a Vancouverite and granddaughter of the late Sir Richard Cartwright of Ottawa. But she wasn't there. Her housekeeper, who has been looking after their four children, was taken ill suddenly, and like a good wife she had to leave from Montreal to go look after the family. We did hear, however, that Peggy Cartwright makes delightful linoleum and wood cuts and goes in for making her own Christmas cards." The next day, The Evening Telegram of Toronto reported: "Laddie Thomson of Boston stepped into Peggy Cartwright's role in 'Idiot's Delight' when the latter was called back to New York Sunday (the 4th)."

1939

Jan. 14, 1939: "Honolulu Bound," a new CBS radio program starring Phil Baker, debuted.
Mar. 11, 1939: From the Hollywood Citizen-News: "Peggy Cartwright Baker, Marion Turpie McNaughton, Betty Wilson and Mickey von Zell will berate their husbands on the Phil Baker show from KNX at 6." This was an episode of Honolulu Bound.
Mar. 30, 1939: The Herald Statesman of Yonkers published an article about architect Theodore Richards, with details about how he designed the children's nurseries in the Baker home in Mamaroneck. Here's a description: "The house was a big New England Colonial structure two and a half stories high with white clapboard exterior on a plot just short of an acre in size on Shore Acres Road. There were 12 rooms, five of which were master bedrooms, and four baths." The Roanoke Times of Apr. 16th revealed that the residence was called "Baker House," and that the couple still owned the house in Palm Beach.
May 4, 1939: From The Evening News of Harrisburg: "In a top-this-one session among benedicts on 'Honolulu Bound,' on the subject of whose wife was best at spoiling her husband, Phil Baker won in a walk. Peggy Cartwright Baker on trips to Europe with her accordion-playing mate takes along American groceries because he just can't abide continental food."
May 27, 1939: From the Buffalo Evening News: "When Phil Baker leaves the air for the Summer, early in July, he doesn't plan on a vacation. Instead, he is thinking of getting together a stock company to tour the 'straw hat circuit' with presentations of last year's Broadway successes. Baker is no stranger to the theater, having played the principal role in 'Idiot's Delight,' which he took to major cities last season. His wife, pretty Peggy Cartwright, may also join him in Summer stock work. She is a former musical comedy star."
June 4, 1939: The Philadelphia Inquirer published an article about the Bakers, which can be accessed by clicking here.
June 21, 1939: From The Mansfield News-Journal (OH): "Phil is married, as everyone knows, and his four children are the four apples of his eye. His wife, the former Peggy Cartwright, and English dancer, rules the Baker's beautiful Westchester county home with a true housewifely spirit. More often than not, you will find her in the kitchen preparing special dishes for the children and for Phil, who is somewhat of an epicure. Phil is proud of Peg's cooking ability."

1940

June 10, 1940: From the Daily News of New York: "Phil Baker and his wife, the former Peggy Cartwright, have come to the parting of the ways."

1941

Jan. 14, 1941: From The Standard-Star of New Rochelle, NY: "With 230 present, the Jewish Consumptives Relief Society, Westchester Division, held its annual donor luncheon yesterday in the Italian Gardens of the Hotel Ambassador, New York City. The largest donor luncheon ever held by the group, it featured the appearance of numerous stage personalities. Mrs. Phil Baker of Mamaroneck, in charge of entertainment, also appeared on the program...Mrs. Baker, whose stage name is Peggy Cartwright, appeared in interpretive songs, and in dances."
Feb. 22, 1941: From The Globe and Mail of Toronto: "Peggy Cartwright, niece of Brigadier-General G. F. Cartwright, Toronto, former well-known dancer and singer in London, and now the wife of Phil Baker, radio entertainer, is coming from New York to Toronto this week-end, at her own expense, to entertain men at the Active Service Canteen, Adelaide Street." The Evening Telegram of the same day reported that she had actually arrived in Toronto that morning. The Toronto Daily Star added that she would be staying in Toronto with her uncle and his wife at their home on Russell Hill Rd.
Mar. 1, 1941: From The Vancouver Daily Province: "Just ten years ago, with a meteor-like swiftness, a Vancouver girl danced her way into the hearts of a discriminating London public to become the star of a famous ballet. Last Sunday (Feb. 25th), in Toronto, she sang for the Canadian troops at the Active Service Canteen before an equally appreciative if more vociferous audience. Her name is Peggy Cartwright." The article goes on to describe her as "now residing in New York with her musical comedy and radio star husband, Phil Baker." It also states: "Miss Cartwright's activities in New York during recent years have been confined to benefit performances for British war aid, consumptive relief and other philanthropies, but she is planning, her mother tells me, to resume her career, with singing, this time, as her forte. Judging by her reception in Toronto, on her first trip to her homeland to offer her versatile talents for the entertainment of Canadian soldiers, her continued success is assured."
Mar. 16, 1941: From The Palm Beach Post-Times: "Charging mental cruelty, Margaret (Peggy) Cartwright Baker filed suit for divorce against Phil Baker, well known comedian and accordionist, in circuit court here Saturday (the 15th)...The bill of complaint was not available, but it is understood that in the event of divorce an agreement has been reached between the two regarding property division, support and maintenance in lieu of alimony, maintenance, divided custody and education of four minor children, all subject to approval of the court." FamilySearch.org confirms that the divorce took place in 1941, and The Evening News of Harrisburg from Apr. 21, 1942, made reference to Phil as being divorced from Peggy.

1943

Mar. 25, 1943: From Si Steinhauser of The Pittsburgh Press: "Still carrying the torch for his estranged wife, the English actress Peggy Cartwright, Phil Baker continues to refer to 'my wife' on his Sunday night 'Take It or Leave It' broadcasts. First time a radio network was used as a 'let's make up' gadget. Hope it works. Phil and his wife are both grand people and they owe their children having Mother and Daddy together." The Apr. 1st Trenton Evening Times put it this way: "The biggest torch on Broadway is being toted by Phil Baker, who can't forget his estranged wife, Peggy Cartwright. He's mentioned her name on every one of his broadcasts since they separated a year and a half ago."
Aug. 27, 1943: Peggy's brother Dick died on this day in the crash of an RAF transport plane at Allahabad, India. This was reported in The Vancouver Sun of Aug. 30th.

1944

Aug. 26, 1944: From the Daily News of New York: "Less than 24 hours after his penthouse birthday party had ended in a spirited little conference in the 104th St. police station, Phil Baker, radio's 'Take It or Leave It' man, gave up his two young sons yesterday to his former wife, Peggy Cartwright. Under the new arrangement, Miss Cartwright will have the two boys as well as their two daughters until September, 1946, except for Summer vacations. The youngsters are Susan, 5; Michael, 7; Stuart, 9; and Margo, 10. Baker was 45 Thursday. His party at 115 E. 92d St. broke up when his next door neighbor objected to the noise and everyone went to the police station. No charges resulted." The New York News service reported that "Originally, Baker, who recently remarried, had the two boys and his former wife had their two daughters. Baker paid $1000 a month alimony plus medical bills for the youngsters." The modification of the divorce decree was revealed in West Palm Beach.

1945

Feb. 28, 1945: From The Standard-Star of New Rochelle, NY: "Ann Magid Homans, pianist, was guest artist, with Peggy Cartwright Baker acting as commentator on the music, at the meeting of the Westchester Auxiliary, Jewish Consumptives Relief Society yesterday at the home of Mrs. Harry Kramer, 51 Starr Terrace. The pianist played 'Liebestraum' (Liszt), 'Caprice Viennois' (Kreisler), 'Clair de Lune' (Debussy) and part of Gershwin's Rhapsody in Blue."
Oct. 24, 1945: From Walter Winchell in his syndicated column: "H. Delmar, who is co-producing 'Holiday for Girls' with Phil Baker, is courting Peggy Cartwright, Baker's ex-wife."
Mid-1940's: From the The Wichita Eagle of Sep. 14, 1952, regarding Peggy: "In New York, she was for a time director of the children's theater of the Young Men's Hebrew association."

1946

Feb. 7, 1946: The Daily News of New York published an article about Peggy and Phil and alimony. Here's an excerpt: "Peggy filed first, through her lawyer, Harry Oshrin of 1501 Broadway, and then Phil answered through his attorney, Jacob Gerstein. Then Peggy filed a companion suit against Gerstein...Peggy is looking for a total of $4,575 in back alimony from Phil. From Gerstein, she wants war bonds worth $2,887. Phil and his lawyer say nix to both. It seems Phil and Peggy were separated in 1940 and he agreed to give her $150 a month. She says Phil owes $2,850 on that one. Then she got a divorce in Palm Beach in 1941 and another agreement was made. Under that, says Peggy, Phil coughed up $1,000 a month for the support of herself and her four children. A third pact was made last year, she went on, increasing the amount to $575 a week. And, Peggy says, Phil hasn't come through for the weeks of Dec. 10, 17 and 24, all of which adds up to $1,725. 'My wife's claim,' Phil started out, 'is entirely without foundation,' and he went on to explain. The increase from $150 monthly to $1,000 a month and then to $575 a week were, he pointed out, entirely voluntary. Of the three payments Peggy says weren't made, Phil contends one was and two weren't. They weren't, he said, because Peggy had agreed to turn over to Gerstein $900 worth of war bonds every month to be held by the lawyer as an educational fund for the children - and she didn't turn over any bonds for November and December. Peggy didn't say anything about that in the suit she started against Gerstein, but she does want him to return to her war bonds she says she's given him."
Mar. 23, 1946: This was the scheduled opening date for Harry Granick's Reveille Is Always, which was supposed to play for a week at the 92nd St. Playhouse of the New York YM and YMHA. However, there's some indication that it opened on Mar. 30th, perhaps due to a delay, and that it may have still been playing well into April. According to The Windor Daily Star of Apr. 27th, Peggy had a supporting role in this, as did her daughter, Margot Baker, who played the Viennese orphan, Anne. The company is variously referred to as The Playhouse Group and The Playhouse Acting Company.
July 9, 1946: Post Road, performed by the Bolton Landing Summer Players, opened at the Lake George High School Auditorium. Peggy was a member of the cast.
July 10, 1946: From The Post-Star of Glens Falls, NY: "The Bolton Landing Summer Players scored their second straight hit of the season in Post Road, the mystery thriller, which was presented last night at the Lake George Auditorium under the direction of Frank C. Davidson and starring Esther Solar and Michael Hopkins...Peggy Cartwright, in the role of May, the wife, performs in fine fashion...The troupe will literally take Post Road on the road when they tour Chestertown, tonight, Bolton Landing, Thursday, Friday and Saturday evenings, with a Saturday matinee and Ticonderoga Sunday evenings."
July 10, 1946: Post Road was performed at Chestertown Central School Theatre.
July 11 to 13, 1946: Post Road was performed at Bolton Landing Central School.
July 14, 1946: Post Road was performed at the Ticonderoga Community Building.
July 16, 1946: Three's A Family, performed by the Bolton Landing Summer Players, opened at the Lake George High School Auditorium. Peggy was a member of the cast.
July 17, 1946: From The Post-Star of Glens Falls, NY: "Laughter rocked the Lake George High School auditorium last night as the Bolton Landing Summer Players presented the third of their 1946 productions, the riotous farce, Three's A Family. Frank Davidson's All-Broadway cast pranced through the lightning-fast dialogue and ever-changing wealth of situations with professional poise and assurance...In the part of Mrs. Whitaker, who has seen it all happen before and takes everything in her stride, Peggy Cartwright demonstrated that she can play farce as brilliantly as her more serious roles earlier in the season." Sidenote: This was indeed the third production of the season for the troupe, and this article implies that Peggy worked in more than one of them prior to "Three's A Family." If so, then she probably appeared in "A Nice Place To Visit," the first of the season's productions, which played from July 2nd to 7th at the same places where the later productions were performed. However, I haven't found anything directly connecting Peggy to this title.
July 17, 1946: Three's A Family was performed at Chestertown Central School Theatre. This was a benefit for the Chester Hospital Fund.
July 18 to 20, 1946: Three's A Family was performed at Bolton Landing Central School.
July 21, 1946: Three's A Family was performed at the Ticonderoga Community Building.
July 23, 1946: The Philadelphia Story, performed by the Bolton Landing Summer Players, opened at the Lake George High School Auditorium. Peggy was a member of the cast. As The Post-Star of Glens Falls explained on the 20th, the play "is the only high-comedy which the Bolton Landing Summer Players will present during their 1946 season of nine productions. This production will present an opportunity of seeing the original version of the play."
July 24, 1946: From The Post-Star of Glens Falls: "Glens Falls and Lake George audiences were fortunate in having the opportunity to witness the gay and discerning comedy The Philadelphia Story, as produced by the Bolton Landing Summer Players at Lake George Auditorium to a good house last night."
July 24, 1946: The Philadelphia Story was performed at Chestertown Central School Theatre.
July 25 to 27, 1946: The Philadelphia Story was performed at Bolton Landing Central School.
July 28, 1946: The Philadelphia Story was performed at the Ticonderoga Community Building.
July 30 and 31, 1946: You Can't Take It With You, performed by the Bolton Landing Summer Players, opened at the Lake George High School Auditorium. Peggy was a member of the cast. This week, the Chestertown engagements began to be set aside on Wednesdays in favor of a second Lake George performance.
Aug. 1 to 3, 1946: You Can't It Take It With You was performed at Bolton Landing Central School.
Aug. 4, 1946: You Can't It Take It With You was performed at the Ticonderoga Community Building.
Aug. 6 and 7, 1946: The Little Foxes, performed by the Bolton Landing Summer Players, was performed at the Lake George High School Auditorium. Peggy was a member of the cast.
Aug. 7, 1946: From The Post-Star of Glens Falls: "If one is an amateur psychologist and delights in studying warped personalities, then the play to see is The Little Foxes, a most interesting and stirring drama by Lillian Hellman, as ably presented by the all-Broadway cast of the Bolton Landing Summer Players at the Lake George High School Playhouse last night under the direction of Frank C. Davidson and starring Natalie Donnet."
Aug. 8 to 10, 1946: The Little Foxes was performed at Bolton Landing Central School.
Aug. 11, 1946: The Little Foxes was performed at the Ticonderoga Community Building. After this, the Bolton Landing Summer Players went on to perform "Arsenic And Old Lace," "King Lady" and "Claudia" over the final three weeks of their season. I haven't found any connection to Peggy with any of these productions.

1947

Mar. 18, 1947: From The Vancouver Daily Province: "A former Croftonian, Mrs. Margaret Cartwright Baker, daughter of Dr. and Mrs. Conway Cartwright of this city and former wife of Phil Baker, was married in New York March 8 to Mr. Hibbard James, son of Mr. and Mrs. Edward Murdoch James of Winchester, Mass. The ceremony was solemnized by Rev. Dr. L. J. Neale in Unitarian Church of All Souls, with a reception following at the New York home of the bride, 25 East 86th street." On Mar. 17, 1949, The Wichita Eagle reported that Peggy met Hibbard while both were appearing in a stock company. Perhaps Mr. James had been a member of the Bolton Landing Summer Players. On Mar. 29, 1951, the same paper reported that the wedding actually took place on Mar. 10th.

1948

Feb. 7, 1948: From The Vancouver Sun: "Peggy Cartwright, who brought fame to herself and Vancouver with her dancing feet, is now married to H. G. James, professor of history. She is the former wife of Phil Baker of radio and screen, and has four children; the youngest, Susan Baker, recently spent a year here with her grandparents, Dr. and Mrs. C. Cartwright. Peggy hasn't been dancing professionally for some time, but has been doing radio work - a Sherlock Holmes series of radio plays with Basil Rathbone."
Feb. 17, 1948: From the Daily Worker of Chicago: "Last Tuesday (the 10th), radio station WMCA people were waiting for English actress Peggy Cartwright to show up to play the lead in an "Adventure in Knowledge" program based on the discovery of penicillin. At the very last moment, Miss Cartwright's husband called the director to inform him that the actress had been taken to the hospital for an infection - which had to be treated with penicillin."
Circa Early-1948: Peggy and Hibbard moved to Wichita, KS.
Dec. 15 to 17, 1948: Peggy and Hibbard both performed in Garcia Lorca's The Shoemaker's Prodigious Wife at the Wichita Experimental Theater in the Unitarian Church at Topeka and Central. The Wichita Eagle of Dec. 14th reported that the play "offers a cast well represented with professional talent and a cross section of local talent." It also mentioned that Peggy could be found listed in "Who's Who In The Theater."

1949

Mar. 17, 1949: The Wichita Eagle published an article about Peggy, which can be accessed by clicking here.
Mar. 29, 1949: From The Wichita Eagle: "A group from the Kansas Foundation for the Blind will attend a dress rehearsal of Antigone at 8:30 p.m. Tuesday (the 29th) in the First Unitarian church, First and Topeka. These sightless persons will criticize the play through their reactions to the spoken word. The play, built around Antigone, daughter of Oedipus and Jocasta, will be presented Wednesday, Thursday and Friday evenings beginning at 8:30 p.m. in the church and will feature Peggy Cartwright, star of New York and London stage productions."
Mar. 30 to Apr. 1, 1949: Peggy starred in Antigone, an Experimental Theater production performed at the First Unitarian Church of Wichita. Hibbard also appeared in it. The Wichita Eagle of Mar. 31st described the play as a "superior performance," though noted that the settings and costumes were merely adequate. It goes on to say: "This deficiency to a great degree may have accounted for the 'thirty-ish' appearance presented by Miss Cartwright in the role of the fiance of King Creon's son (Doug Conrod), a youth most likely about 25."
Oct. 12, 1949: From The Wichita Eagle: "Lessons in acting will be offered by the Y.M.C.A. in an eight-week dramatics school beginning Oct. 19. The class will be taught by Peggy Cartwright, veteran of the London and New York stage and formerly in casts of several leading radio shows. Aim of the course is to begin laying the foundation on which acting technique is built, and exploring the basic problems of speech, movement and expression."
Oct. 16, 1949: From The Wichita Eagle: "Peggy Cartwright, formerly of the London and New York stage, and one of the Experimental Theater group of Wichita, will be guest artist speaker at the Fifth District Authors club meeting on Saturday afternoon (the 22nd). It will be an autumn tea at the home of Mrs. R. H. Garvey, 16 Lakeside, Eastborough."
Oct. 23, 1949: From The Wichita Eagle: "Elvira Bujarski, program chairman of the Catholic Business and Professional Women's dinner club, announces that Mary Umansky, a member of the Experimental theater, will appear as Maria in a scene from 'Twelfth Night' to be presented at the club's regular meeting on Thursday evening (the 27th), at the Broadview hotel at 6:15 o'clock. John Wallwork will appear as Sir Toby Belch and James Stearns will play Sir Andrew Aguecheek. Peggy Cartwright will do a solo scene."
Nov. 9, 1949: From The Wichita Eagle: "Ten Wichita women filed a charter in Topeka Tuesday (the 8th) for a new non-profit corporation to be known as Daughters of the British Empire in Kansas. The organization will seek to enroll most of the estimated 500 Kansans who were formerly subjects of Britain." Among the ten incorporators was Peggy James, who lived at 955 Battin.
Nov. 14, 1949: From The Wichita Eagle: "Tuesday evening (the 15th), the Experimental theater is staging an extra performance of Twelfth Night for the teenagers of Wichita. The show will start at 8:30 o'clock." Peggy played the role of "Viola."
Nov. 16 to 18, 1949: The Experimental Theater performed Twelfth Night at the Unitarian Church in Wichita.
Dec. 8, 1949: From the Mennonite Weekly Review of Newton, KS: "A number of local writers, among them Mrs. Ida M. Yoder, the Review's contributor of the Through My Kitchen Window column, attended the Fifth District Kansas Authors' Club meeting in Hotel Ripley Saturday afternoon, Dec. 3. After a fine luncheon, several guest artists gave a program and writer members read original compositions. Peggy Cartwright of London was the guest speaker."

1950

Jan. 21, 1950: Twelfth Night was performed by the Experimental Theater for members of the University club in the ballroom of the Broadview hotel in Wichita. According to The Wichita Eagle from the following day: "About 245 saw the play, produced under the direction of Mary Jane Woodard."
Mar. 20, 1950: From The Wichita Eagle: "When the Experimental Theater stages the J.B. Priestly play, They Came To A City, the English atmosphere will be pretty authentic. All the players have spent periods ranging from a few months to several years in England and one is English by birth...Advising the players on diction are Mrs. Josephine Skelton, daughter ot Sir Benjamin Robertson, and Peggy Cartwright, star of the London stage. The play will be produced Mar. 29, 30 and 31 at the First Unitarian church, Topeka and Central."
Apr. 9, 1950: From The Wichita Eagle: "Wichita Y.M.C.A. will open its six-week spring school term April 24, David Fishback, chairman of the Y general program committee said Saturday (the 8th). Enrollment in seven tuition courses and a non-tuition course on 'Faiths We Live By' will be open to men and women." Among the courses and instructors were "Voice Production" by Mrs. Peggy Cartwright James.

1951

Mar. 29, 1951: From The Wichita Eagle: "Margaret 'Peggy' James, 2711 East Douglas, filed suit for divorce here late Wednesday (the 28th) from Hibbard G. James, public relations director of the Community Chest...The Jameses were married in New York City, Mar. 10, 1947, according to the woman's petition, filed at the office of L. D. Leland, clerk of the district court. She asked the divorce on grounds of gross neglect of duty."
Oct. 26, 1951: From The Wichita Eagle: "Write to Sell club will meet Monday (the 29th) at 2 p.m. in the home of Miss Madeleine Aaron, 650 North Volutsia. Members will celebrate the publication of Mrs. Bliss Isely's book of sonnets, 'Kentich Fire,' by Bruce Humphries, Inc. of Boston...Mrs. Peggy James will give a special reading for the occasion."
Nov. 10, 1951: The Wichita Eagle ran a notice for the First Unitarian church at Central and Topeka Aves. in Wichita, showing the following day's schedule. The Sunday Evening Club would be gathering at 8 p.m. for a series of lectures called The Best Road To Peace. Peggy James and Tom Broderick would also appear in a "Radio Drama." Presumably this means Peggy was on a local radio station that evening.
Dec. 12, 1951: The Wichita Eagle published a humorous photo spread featuring Mr. and Mrs. Shopper, played by Peggy Cartwright James and Martin Umansky, both of the Community Theater.

1952

Jan. 5, 1952: The Wichita Eagle published the next day's schedule for the First Unitarian Church in Wichita. Listed for 10 a.m. was "Church School and Adult Forum: 'Steps to Peace' With Peggy James."
Feb. 3, 1952: From The Wichita Eagle: "A steering committee representing 32 of Wichita's civic, educational, religious, club, industry and labor organizations lunched Friday (the 1st) at the main Y.M.C.A. to complete plans for an institute on human relations at the University of Wichita Feb. 15." Peggy attended this.
Feb. 10, 1952: The Wichita Eagle reported on the University of Wichita event coming up on the 15th, including a dinner in the cafeteria in the Commons building. As it says: "A short skit, under the direction of Mrs. Peggy James, is set for the dinner meeting."
Feb. 17, 1952: From The Wichita Eagle: "Junior Twentieth Century club has arranged a program to be presented for Twentieth Century club Tuesday afternoon (the 19th) at the clubhouse. Peggy James will be narrator for the radio play, The Story They'll Never Print written by N.B.C.'s head script writer, Erik Barnouw, and recently done on the air with a cast of stage and screen stars, as recognition by radio of February as Brotherhood month. Cast of characters will include Charles Stovall, Curtis Nelson, James Johnson, Rev. John H. Telfer and Robert Johnson."
Mar. 23, 1952: From The Wichita Eagle: "'The Little Repertory' theater's production of the melodrama-farce, The Horrendous Affair At Loggers Corner, will be the program for the Twentieth Century club Tuesday afternoon (the 25th) at 2 o'clock in the clubhouse. Featured players will be Peggy Cartwright and Tom Broderick."
Aug. 6, 1952: From The Wichita Eagle: "The Delta Delta Delta summer rush season will be climaxed at the annual big party scheduled for Wednesday evening (the 6th) at Dr. and Mrs. Vern L. Pauley's Jeri-Lynn Farm, 4802 East 21st. A summer stock theater atmosphere will prevail with placards and billboards setting the mood for the 'Crescent Theater' show at 8:30 p.m. A chuck-wagon feed will begin the evening at 6:30 p.m. Then the jeans-clad Tri Deltas and their guests will gather for the show, The Horrendous Affair At Loggers Corner, starring Peggy Cartwright and Tom Broderick."
Sep. 14, 1952: From The Wichita Eagle: "Mrs. Peggy James, 426 North Topeka, has been named ballet mistress at the Wichita School of Fine Arts, it was announced Saturday (the 13th). Mrs. James was appointed to fill a vacancy created by the resignation of Mrs. Betty McConachie, who now is in Seattle, Wash...Her duties will begin with the Wichita school Monday (the 15th). She also will teach at St. James' Episcopal church in the recreation building." The next day, the same paper reported that Mrs. McConachie was granted a two-month leave of absence to join her husband in Seattle, and that Peggy would take over her classes during the absence.
Sep. 24, 1952: From The Evening Eagle of Wichita: "For the first time in the history of the Catholic church, a mass will be given over to spiritual detachment of a motion choir in The Drama Of The Mass at 8:30 p.m. Monday (the 29th) in Wichita university auditorium. Given with the approval of Mark K. Carroll, bishop of the Wichita diocese, "The Drama of the Mass" is being produced and directed by Mary A. Grice with Rev. Celestine Baumann, OFM, of St. Anthony's church, in charge of ecclesiastical arrangements...The motion choir, comprised of members of the Wichita Dance guild under the direction of Mildred Meier, will project the inner meaning of both sung and read prayers of the mass in the language of movement and design...Special preview of the program taken at a dress rehearsal, will be broadcast at 11:30 a.m. Sunday (the 28th) as a public service feature of radio station KFH." Peggy was one of the members of the motion choir.
Oct. 10, 1952: From The Advance Register of Wichita: "Approximately 1,000 persons were turned away from the doors at Wichita university Sept. 29 for the first showing of The Drama Of The Mass, an artistic interpretation of the Mass, Mary A. Grice, producer-director announced."
Nov. 15, 1952: The Glasgow Herald of Scotland published the following among their church service notices for the following day: "Unitarian Church, St. Vincent Street, corner of Pitt Street. 11 a.m. - Rev. Alexander Reid, M.A. 7 p.m. - Forum - Speaker - Mrs. Peggy Cartwright James of U.S.A., Subject - 'American Scene and German Democratic Republic'."

1954

Jan. 2, 1954: From the Des Moines Tribune: "Archie Leonard, director of Drama Workshop of First Unitarian Church, Saturday announced members of the cast of Antigone, the workshop's winter production...The play is a Greek drama in modern dress, and will be presented 'in the round' - with the audience seated all around the stage. There will be evening performances Friday, Jan. 15, and Saturday, Jan. 16, and a matinee on Sunday, Jan. 17." Mrs. Peggy James was one of the cast members.
Mar. 31, 1954: From The Des Moines Register: "To the Editor: The editorial page of the Mar 26 Register presents an amazing, and in some ways alarming study in contrasts. I refer to the editorial 'The United States Role In Indochina,' and Mr. Marquis Childs' article in the next column, 'Indochinese Crisis Can't Be Hidden.' The burden of the editorial message is that administration statements about 'no involvement' in Indochina must not be taken as a promise that U.S. forces would not be used, if the French appear to be losing the war. The condition which may send U.S. troops to Indochina is stated in the editorial to be intervention by the Chinese Communists. Mr. Childs, speaking of the recent debate in the French assembly, puts it somewhat differently when he reports that 'many Frenchmen fear that direct American intervention in Indochina will bring the intervention of Communist Chinese troops, which will mean the beginning of World War III. They know, too, that Americans in influential positions in the Far East want just that to happen, since they are convinced that only through the destruction of the Communist dictatorship in China can American interests in the Pacific be made secure.' In the name of long-suffering humanity, what American interests will be served by another world war? Surely it does not benefit the United States to help France win a war which is described in your editorial as having begun as a nationalist revolt against colonialism. To do so would be to mock the very origins of the American nation. - Peggy James, 1187 Ninth st., Des Moines."

1955

Jan. 8, 1955: From the Des Moines Tribune: "To the Editor of the Tribune: The writer who commented on the Rev. Charles Phillips' sermon, preached at the First Unitarian Church, in the January 5 Tribune, appears to have misunderstood the message. Perhaps he did not hear the sermon. The minister was saying something that needs to be said, and which we all need to think about - simply that if we go to church, as many people do, expecting to be given something we've made no effort to gain, we're going for the wrong reason. When Jesus said, 'For whosoever hath, to him shall be given - ' he surely never meant that the man with one car shall be given two, likewise the woman with one fur coat. And in saying that 'The church, any church, can't give you anything unless you bring and give something to it,' I think that Mr. Phillips was asking us to consider what kind of mental and spiritual equipment we take to church, in order to receive genuine religious insight, which will promote the kind of security we need - that of making a good hard try at knowing where we stand, and which way we want to go, and why. This idea wouldn't please the people I've heard so often complaining about what a minister had said, with, 'Well, I don't want to be stirred up on Sunday morning, I want to be soothed and given spiritual comfort and made to feel good.' In short, they want reassurance, a feeling of security purchased at a minimum of effort, to allay the unease and anxiety which they feel from living in a very disturbed world. But a very great preacher, scientist, and humanitarian, Dr. Albert Schweitzer, wrote, 'The quiet conscience is an invention of the devil.' - Peggy James, 704 Fremont, Des Moines."
Oct. 5, 1955: From the Des Moines Tribune: "To the Editor of The Tribune: A previous generation knew the evangelist, Billy Sunday, as this one knows Billy Graham. The earlier Billy, I've been told, had a way of opening his talks which we would do well to heed today - he would stare his audience straight in the face and demand; 'Look at yourselves!' Isn't it time that we did just that on the subject of race prejudice? All of us in the North have spent some time lately looking at the South with eyes newly opened to the evil consequences of harboring the notion that one kind of people are superior to another. Let's all look at ourselves to see what we, personally, have done about it, and what we can do. If we look, we'll soon find some way in which we can fight the evil of prejudice, for it touches all of us; we cannot escape it. - Peggy James, 704 Fremont, Des Moines."
Nov. 18, 1955: From the Des Moines Tribune: "To the Editor of The Tribune: Your forceful editorial, 'All But Condoned,' on the refusal of a Mississippi grand jury to bring an indictment for kidnapping against the two men who admitted taking Emmett Till from his uncle's house on the last night when the boy was seen alive, puts the whole question of 'white supremacy' squarely in perspective. There are many ways in which one can make a protest, if one really wants to do so. Joining the NAACP is one, and there is no lack of others. But to do nothing is to condone by silence and inertia - and that is the final shame which the doctrine of white supremacy can press upon us. - Peggy C. James, 704 Fremont, Des Moines."

1956

May 5, 1956: From the Des Moines Tribune: "The Drama Workshop of First Unitarian Church will present Julius Caesar by William Shakespeare next Friday, Saturday and Sunday (May 11-13) at the church, Eleventh and High streets. Performances will be at 8:30 p.m. Friday and Saturday and at 3:30 and 8:30 p.m. Sunday. The presentation will be an adaptation by Archie Leonard and Ed Glick, and directed by Leonard." Peggy was among the cast members.
June 11, 1956: From the Des Moines Register: "Nineteen volunteer workers at the Civilian Air Defense Filter Center here will receive service awards during the coming week." Among the award winners was Mrs. Peggy James, for putting in 50 hours of service.
Oct. 25, 1956: From the Des Moines Register: "Freda Nahas will direct reading of Chekhov's The Sea Gull at 8 p.m. today at Des Moines Community Playhouse, 831 Forty-second st. The cast will include Dr. Curtis Page, Lois Stilley, Richard Russell, Mary Clark Brubaker, and Peggy James. Admission is free."

1959

Late 1950s: From The Daily Telegraph of Oct. 25, 2001: "When the last of her children left home to study at college, Peggy Cartwright took a secretarial job in Los Angeles. It was there that she met her second husband, Bill Walker." Sidenote: Bill was actually Peggy's third husband.
July 24, 1959: From the Los Angeles Examiner: "Peggy Cartwright, who has one of the featured roles in the Pilgrimage Play, opening Monday (the 27th) at the Pilgrimage Theater, was a well known musical comedy star in London before coming to America under contract to the Shuberts for their Broadway production of 'Americana'." According to The Wichita Eagle and Beacon Magazine of Mar. 29, 1970, Peggy did "two seasons with the Pilgrimage Play in the Hollywood Hills."
Aug. 13, 1959: Peggy married William "Bill" Walker, an actor in both movies and television. This was an interracial marriage, Walker being the grandson of a freed slave. He also played the minister in "To Kill A Mockingbird" who said, "Stand up, children, your father is passing." Upon winning his Oscar for the film, Gregory Peck credited Walker and that scene for making it possible. As Peggy told the Los Angeles Times for their Nov. 3, 1968, article on inter-racial marriage: "We were both terribly active in the First Unitarian Church and people kept introducing us over coffee. Finally, he asked me to read one of the plays he's written and we were married in the church study three months later."

1963

June 8, 1963: From The Province of Vancouver: "Johnny Roberts, who is real happy with his lot (waterfront) and new home designed by artistic wife Shannon, asks this $64 question, 'Anyone know the whereabouts of former local dancing star Peggy Cartwright, who married radio celebrity Phil Baker'?"

1964

Apr. 15, 1964: From Gene Cowles of the Valley Times of North Hollywood regarding that year's Oscars: "Aftermath of this biggest event of the film year was the dinner-dance hosted by the board of governors in the Grand Ballroom at the Beverly Hilton Hotel, Beverly Hills...Sharing our table were Jerry and Lynn Rosen, actor Bill Walker and Peggy Walker, Bullets Durgom, Ray Katz, Ben and Dottie Reddick."

1966

1966: According to The Wichita Beacon of Apr. 10, 1970, Peggy had last acted about four years earlier, which would mean sometime in 1966, or perhaps late 1965. This was also the period in which she began working with the Los Angeles Poverty Wars program.

1968

Nov. 3, 1968: The Los Angeles Times published an article called The Mixed Marrieds, which included information about Peggy and Bill: "He and Peggy now live in a duplex lower, a few blocks south of the County Art Museum in a neighborhood that has recently become predominantly Negro. Both had been married before, and Peggy's three local grandchildren have found the happy-go-lucky Walker the ultimate in granddaddies. 'The boys think he's sort of a walking jungle gym' says Peggy. 'Whenever we go somewhere, I know I can always find them climbing all over him. And my granddaughter celebrated entering her teens with a thrillingly sophisticated dinner date with Bill at the Beverly Hilton'...(Bill's) lengthy acting experience comes in handy when Bill and Peggy get gawked at on the road. 'I pull up right beside the other car, stick my head out the window and tell them, "Why, hello! How are you? Good to see you!'" says Bill in his best theatrical diction. 'Their faces get all red and they don't know what to do'." Elsewhere, the article describes Peggy as "a porcelain-lovely white-haired lady."

1970

Mar. 27, 1970: From The Wichita Beacon: "Captivating Jean Brodie tries her best to influence a group of schoolgirls in The Prime Of Miss Jean Brodie, to be produced by the Wichita Community Theatre April 12 through 18 in Century II Theater. West coast and former London and Broadway actress Peggy Cartwright will guest star as the unorthodox school teacher 'in her prime,' who substitutes lovetales for history lessons, opera for mathematics and the value of face creams for mathematics." On Mar. 29th, the same paper mentioned that Peggy had "taught for a year at the Twentieth Century Fox School of Drama. Currently interested in writing, she has a television series pilot film under consideration by a major Hollywood studio."
Apr. 10, 1970: The Wichita Beacon published an article about Peggy, which can be accessed by clicking here.

1975

May 22, 1975: The Province of Vancouver mentioned Peggy's son, Michael Baker, who had established himself as a composer. The article mentions Peggy, saying that she was living in Los Angeles at the time.

1984

The 56th Annual Academy Awards (appearance): Apr. 9, 1984 - AMPAS/ABC - TV special; Peggy appears in the audience as Hal Roach receives an honorary Oscar.

1989

1989: According to The Daily Telegraph of Oct. 25, 2001, Peggy "regularly attended silent film festivals all over the United States" around this time.
July 1989: Peggy attended Ernie Morrison's funeral.
Oct./Nov. 1989: Peggy attended the 19th annual Way Out West banquet, which took place on a Sunday evening at the Airport Hilton Hotel in Burbank. Way Out West is a "tent" of the Sons of the Desert Laurel & Hardy appreciation society. Also in attendance were Dorothy DeBorba and Henry Brandon, as well as many others associated with Laurel & Hardy and Hal Roach.

American Masters episode: Harold Lloyd: The Third Genius (interview appearance/archival): Nov. 17, 1989 - Thames/WNET-TV - 105 min. - TV documentary; Peggy appears in an interview, as well as archival footage from "From Hand To Mouth."

1992

Jan. 27, 1992: Peggy's husband Bill died.

1994

The Our Gang Story (use of photo): 1994 - Film Shows/GoodTimes - 120 min. - video documentary

1996

Oct. 27, 1996: Peggy attended the Way Out West barbecue at the Mayflower Club. Others attending were Dorothy DeBorba, Eugene Jackson, Dick Jones and Jerry Maren.

2000

July 20 to 23, 2000: The Sons of the Desert 12th International Convention was held at the Tacoma Convention Center. Peggy attended on Day 2, as did Patsy Britten, Dorothy DeBorba and Porky Lee.

See anything that needs changing? Contact me at BtheW@aol.com.