Barnum & Ringling, Inc.

technical details:

Production G-8.

Filmed December 21, 1927, to January 9, 1928. See the 'miscellaneous' section below for details.

Title sheet prepared by H. M. Walker on January 27, 1928.

Cutting continuity submitted January 30, 1928.

Copyrighted April 7, 1928, by Metro-Goldwyn-Mayer Pictures Corporation. Registration no. LP25278. Renewed August 11, 1955, with registration no. R154164. This copyright expired at the end of 2023, and the film is now in the public domain.

Released April 7, 1928. It was the 74th film in the series to be released.

Silent two-reeler with synchronized music track and sound effects on disc only.

Probable opening title: '"Our Gang" Comedies - Hal Roach presents Hal Roach in "Barnum & Ringling, Inc."'

the crew:

Produced by Robert F. McGowan for Hal Roach

This is how Maltin & Bann put it. The film probably credits Roach as the presenter, with a credit added reading "A Robert McGowan Production."

Directed by Robert F. McGowan

This credit probably appears in the film, but without his middle initial.

Photographed by Art Lloyd, Floyd Jackman and E. V. White

Lloyd probably receives the credit in the film. Jackman was the photographer on Jan. 3rd and 4th, with assistance from White.

Assistant Cameramen: Clair Boshard and F. E. Hershey

Boshard is referenced in Simon Louvish's Stan And Ollie as working on this film on Jan. 3rd and 4th. Hershey is mentioned in Thomas Benton Roberts' Roll 'Em as working on the animal sequence.

Edited by Richard Currier

This credit probably appears in the film.

Titles by H. M. Walker

This credit probably appears in the film.

Props by Thomas Benton Roberts

This credit is based on Roberts' book Roll 'Em, in which he describes his involvement in this film. Specifically, he recalled making a pair of skates for the drunken ostrich.

Animation by Roy Seawright

This credit derives from Seawright's payroll status as the studio animator during this period. This film features animated sound effects.

Animal Trainer: Harry Lucenay

He was Pete's owner and trainer. Art Haas and Art Schwendener are both listed in the ledger among the extras. Haas was an animal trainer, and there was a horse trainer named Roy Schwendener who was a horse trainer, so there's a pretty good chance both were hired for this purpose.

Teacher: Fern Carter

Released by Metro-Goldwyn-Mayer

Probably indicated in the opening title.

Passed by the National Board of Review

Probably indicated in the film.

studio personnel

director-general - Leo McCarey

general manager - Warren Doane

assistant general manager - L. A. French

secretary-treasurer - C. H. Roach

construction supervisor - C. E. Christensen

laboratory superintendent - Charles Levin

optical effects supervisor - Roy Seawright

still photographer - Clarence "Stax" Graves

transportation director - Bob Davis

possible uncredited involvement

assistant direction - Probably Charles Oelze. On Jan. 3rd and 4th, Don Sandstrom was involved, possibly as an assistant director.

cutting - Probably Lloyd Campbell.

writing - Robert F. McGowan probably headed the story development. Robert A. McGowan, Jean Yarbrough, Charlie Hall and Hal Yates may have been among the gag writers.

property department - Charles Oelze and Don Sandstrom were probably involved in this capacity.

animal training - On January 3rd and 4th, Bob Sanders of the Sanders Police Dog Academy provided a dog, while somebody named Tony provided "Duke" and "Jiggs." Two people whose last names were Moore and Blount provided a mule on the 3rd and a horse on the 4th. Fat Jones provided a mule, and the L.A.O. Farm provided an ostrich, on the 4th. Tony Campanaro returned from a 10-month visit to Europe around this time.

the kids:

Jean Darling as "Jean"

Featured role. She's a rich girl who likes to poke pins into people. During the circus sequence, she's "Madamozelle Rhubarba." Her hair was restyled with curlers for this short, and this became her look in most of her remaining Our Gang films.

Allen "Farina" Hoskins

Featured role. The nickname isn't used in this film. He's a bellboy at the hotel, and has to keep Jean company. He isn't given too much of anything specific to do during the circus sequence, and is dressed as though he was the Pin-headed Wild Man, rather than the other black kid mentioned below.

Joe Cobb

Featured role. He's the master of ceremonies at the circus, and is given more to do than most of the other kids.

Jay R. Smith

Supporting role. He does mostly ensemble acting in this short, but does have a few lines of dialogue.

Jackie Condon

Supporting role. He does mostly ensemble acting in this short.

Harry Spear

Supporting role. He does mostly ensemble acting in this short.

Bobby "Wheezer" Hutchins

Small part. The nickname isn't used in this short. He appears sporadically, most notably during the clown sequence.

Paul Toien

Small part. He's seen helping Little Casino backstage and taking part in the circus as an acrobat. Previously seen in "Olympic Games" (no. 63) and "Yale Vs. Harvard" (no. 67).

Bobby Dean as "Little Egypt"

Small part. He's part of the sideshow. His real name was Bobby Dean Morton.

David Campbell

Bit part. He's seen laughing at the "snapping turtle"

boy 071

Extra. He's the first kid to walk in as Farina is ushering everybody in.

Andy Shuford

Bit part. He's seen laughing at the "pelikan," and is also sitting front row center in the audience.

other kids

Bit parts and extras. Most of the footage with the extra kids was shot in 1927, and the payroll ledger for that year is missing, so for most of the kids, only visual identification is possible. However, on Jan. 3, 1928, there were a few kids that worked, namely Buddy Moore, Jack Hanlin, Joe McGee, Jimmy House and the aforementioned Campbell and Toien. There's one addition name in this pack, Francis Scarrett, who's probably also a kid. Maltin & Bann list Mildred Kornman, who was still under contract, and Johnny Aber, but I haven't spotted either of them in the film.

(1.) The boy introducing the sideshows.

(2.) The black boy playing "Little Casino," the Pin-headed Wild Man.

(3.) The boy handling the "rat-rattlesnake."

(4.) The boy showing the "Arizona beaver."

(5.) The kids in the band, numbering at least three.

(6.) The girl grooming Little Egypt.

(7.) The kid selling lemonade and the girl in the background of this scene.

(8.) Perhaps another twenty kids serving as the spectators at the circus.

the animals:

Sam

Supporting role. He's the ostrich passed off as a "giraff." His name derives from the recollections of prop man Thomas Benton Roberts, who mentioned that the ostrich drank barley from the basin, and not anything alcoholic.

Pete (no. 1)

Small part. He appears sporadically and is part of the gang's clown act.

dog 034

Bit part. He's seen off and on during the hotel room scenes, and appears to be passed off as the "wild cow from Barneo," but another dog is used for this during the sideshow portion.

parrot 008

Bit part. He's passed off as the "snapping turtle." Presumably the same parrot seen previously.

cat 060

Bit part. She's passed off as the "Arizona beaver."

dog 074

Bit part. This is the German shepherd seen with dog 034 in the hotel room sequence. This dog came from the Sanders Police Dog Academy, and might have been their star dog, "Homo."

Billy

Bit part. Presumably the goat with big horns. Thomas Benton Roberts mentioned a goat named "Billy" in his book, and states that it was being passed off as a reindeer. However, the "raindeer" was actually a large dog in this film.

Leo

Bit part. The MGM lion appears at the opening of the film.

other animals

Small parts, bit parts and extras.

(1.) The mule passed off as a "moose." I don't think this is Dinah, but possibly the mule from "Uncle Tom's Uncle" (no. 50).

(2.) A brown horse that's passed off as an elephant.

(3.) The white donkey ridden by Jean.

(4.) A brown hog, possibly seen previously, as the "rinorsoris," and two piglets as her "young."

(5.) A rabbit that's passed off as a "kangaroo" with a baby rabbit in her "pouch."

(6.) A rat that's passed off as a "rat-rattlesnake."

(7.) A bird, possibly a chicken, that's passed off as a "stork."

(8.) A goose that's passed off as a "pelikan."

(9.) A goose that's passed off as a "peacock."

(10.) A St. Bernard that's passed off as an "African Lion."

(11.) A large dog that's passed off as a "raindeer."

(12.) A dachshund that's passed off as an "alleygater."

(13.) A dachshund that's passed off as an "artick seal."

(14.) A goat that's passed off as a "single humped camel."

(15.) A goat that's passed off as a "double humped camel."

(16.) A big brown dog that's passed off as a "wild cow from Barneo."

(17.) At least two white chickens seen during the hotel room and lobby sequences, and perhaps additional geese.

(18.) Simon Louvish's book Stan And Ollie details an animal named Duke used for this film, which could possibly be the white horse later seen in "The Ol' Gray Hoss" (no. 78). Another animal used was Jiggs, which is the name of the chimpanzee seen during the talkie era, as well as a dog from the late silent era. None of these animals are seen in the finished film.

(19.) Thomas Benton Roberts recalled a dog passed off as a tiger, which doesn't seem to have ended up in the finished film. The stripes were made of chocolate and the dog kept licking them off (which may explain his absence).

the adults:

Arthur Millett as the main hotel detective

Small part. He's seen sporadically chasing the kids and animals around.

Dorothea Wolbert as the lady doing house cleaning

Small part. She's stuck with a pin by Jean, and later has several encounters with the animals.

Charles King and Jean Lorraine as the newlywed couple

Small parts. They're repeatedly interrupted by animals entering their room.

William Gillespie as the hotel manager

Small part. He's seen briefly at the beginning and again at the end of the film.

Oliver Hardy as the drunk

Small part. He faints when he sees the ostrich. Publicity stills reveal that he had a second role as a hotel detective, which was cut from the film.

Dorothy Coburn as a hotel guest

Small part. She's the guest who sits on the egg.

George B. French as the desk clerk

Bit part. He orders Farina to keep Jean company.

Curtis "Snowball" McHenry as the elevator operator

Bit part. He unwittingly lets a menagerie of animals onto the elevator.

Martin Turner as a bellboy

Bit part. He's initially seen having a laugh with Hayes Robertson, and later getting pecked by the ostrich.

Madlyn Lamping

Bit part. She's the woman who wakes up next to the hog.

May Wallace and Florence Wix as the dowagers

Bit part. Wallace's hand is pecked by the ostrich. Wix is with her and is wearing the same dress she wore in "From Soup To Nuts," which was shooting at the same time as this film.

Charles A. Millsfield as the toothless Frenchman

Bit part. He hugs another Frenchman near the beginning of the film, and later has his beard pecked by a goose.

Albert Petit as the other Frenchman

Bit part. He hugs Millsfield.

Clara Guiol as a hotel guest

Bit part. She runs into Eric Mayne's room while he's in bed and screams.

Eric Mayne as the bearded man in bed

Bit part. He's in bed when Guiol runs in followed by some of the animals.

John Cossar

Bit part. He's the old man in the bed when Guiol, Mayne and Wolbert run in.

Evelyn Burns

Bit part. She's the woman with the goose coming out of her dress.

Clarence Morehouse and Matty Roubert

Bit parts. They're both listed in the ledger and appear to be two of the bellboys.

Eugene Pallette as the other hotel detective

Bit part. He seems to be present only at the end of the film when everybody laughs at the ostrich.

Symona Boniface and Ruth Robinson

Bit part. Boniface is on the left, and Robinson is on the right, waiting at the elevator, only to be surprised by the menagerie that emerges from it. After this, Robinson is on the left and Boniface is on the right.

Hayes Robertson

Bit part. He's the black man on the left having a laugh with Martin Turner.

Edna Marian as the maid

Bit part. She's appears very briefly, getting spooked by the mule. She appears to be wearing the same costume she wore in "From Soup To Nuts," which was shooting at the same time as this film.

Billie Barnes as the telephone operator

Bit part. She's seen very briefly in a shot with Gillespie.

Ellinor Vanderveer

Extra. She's briefly seen running down the stairs to escape the mule.

Al Flores

Extra. He can be seen as a lobby extra in the well-known photo of Oliver Hardy as the hotel detective, and can also be seen as the newlyweds enter with his head just to the right of the lamp in the left half of the picture.

Hugh Crumplin

Extra. He's seen in the background and to the left in the shot of the newlyweds walking into the hotel lobby.

Marie Stapleton

Extra. Of the two women on the right as the newlyweds enter, she's the one on the right.

Malcolm Letts, Ray Thompson, Ham Kinsey, William A. Boardway, J. H. Wells, Gus Kerner, Evelyn McCoy and Alphonse Martell

Extras. These eight can all be seen in the photo showing Hardy as the hotel detective.

other adults

Small parts, bit parts and extras. Again, only the January dates can be researched in the ledger. The employees of the hotel worked from the 4th to the 7th. This includes Wolbert, Robertson, Turner, McHenry and Roubert, but also Charley Lloyd and Eugene Hamley, either of whom may or may not be hotel employees. Six people worked from the 5th to the 7th, four of whom are Crumplin, Vanderveer, Guiol and Martell. One of the others is Kenneth Cooper, a stuntman who may have been the white man in blackface doubling for McHenry on the bucking horse. The one remaining is J. Friday. There's also several people who worked on the 6th and 7th, which are almost certainly the dates when the lobby scenes were shot. These include the aforementioned Gillespie, French, Boniface, Stapleton, Burns, Robinson, Coburn, Petit, Thompson, Letts, Boardway, Morehouse, Flores, Pallette, Kinsey, Lamping, Wells, Kerner, Barnes, McCoy and Millsfield, but also O'Dell de Ville, Mauree Coffey, Marie Del Mar, Kathleen Calhoun, Betty Boyd, Corinne Marlowe, Arthur Johnstone, Mark Hanna, and Laura Eichelberger. Cooper, Lamping and Millsfield also worked on the 9th. Also working on the 9th was Mary Worthington, who isn't listed for any of the earlier dates. Since Lamping and Millsfield have solo shots in the film, perhaps Cooper and Worthington did as well, though that wouldn't mean the footage wound up in the finished film.

(1.) Jean's governess.

(2.) The bellboy who laughs at Wolbert when she gets stuck by the pin.

(3.) The woman in the shower where Farina runs in.

(4.) Several other adults basically serving as extras. Maltin & Bann list Retta Palmer, but she's not listed in the ledger.

the music:

This film was released with music on an accompanying disc. Several pieces of music appear in the soundtrack, along with prominent sound effects. So far, I'm able to identify only two of these tunes, but I've otherwise indicated the points at which each piece begins.

piece 074a

This begins during the opening credits and continues into the initial lobby scene.

piece 074b

This tune begins as Gillespie tells the detective to keep an eye on the kids. It continues well into the scene in Jean's hotel room.

piece 074c

This tune begins as Jean notices the pin on the floor and continues into the sideshow sequence. It returns as we're introduced to the 'raindeer,' and continues through the entire circus performance.

"Can-Can" by Jacques Offenbach

Officially titled "Infernal Galop," this was part of the operetta "Orpheus In The Underworld," which premiered in 1858. It's briefly played on this soundtrack as we're introduced to Little Egypt and Little Casino.

piece 074d

This piece begins as we're introduced to the kangaroo, and continues through many of the other sideshow attractions.

piece 074e

This piece is played briefly as we're introduced to the Arizona beaver. A complete version is played as the poultry enters the elevator past the sleeping attendant and continues through the remainder of the animal chaos, ending with the hiccuping ostrich.

piece 074f

This piece begins as the boys are in the hallway while the detective is left behind with Jean still hanging from the fan. It continues through much of the footage in which the animals are running loose through the hotel.

"Little Brown Jug"

Attributed to Septimus Winner in 1869. Steve Porter had a number three hit with this song in 1900. This tune is played twice in a row on the soundtrack. The first instance begins when the ostrich walks in on the amorous young couple. It begins again as the elephants walks in on the same couple.

piece 074g

This piece is played as the kids and the adults laugh at the ostrich. It's cut very short in the surviving print, the result of a remade end title. Presumably, the original print played this tune through the end title.

the locations:

Hal Roach Studios

The standing hotel set at the studio was used. Simon Louvish's book indicates that a stage at the studio was used on both the 3rd and the 4th.

Harold Lloyd Co.

Simon Louvish's book indicates that the treadmill at this studio was used on Jan. 3rd.

miscellaneous:

14 shooting dates went into the making of this film. Filming was still ongoing for "Rainy Days" (no. 72) and "Edison, Marconi & Co." (no. 73) when the 'start' date for "Barnum & Ringling, Inc." arrived on Dec. 21st. On that date, activity was divided between "Edison, Marconi & Co." and "Barnum & Ringling, Inc.," while on Dec. 22nd, it was divided between all three films. It should be noted, however, that shooting for "Rainy Days" probably involved only the animated elements of that film. Up to this point, Robert F. McGowan was directing all three films. However, on Dec. 23rd, Anthony Mack (listed as McGowan Jr.) took over direction for "Rainy Days" while McGowan (listed as McGowan, Sr.) continued with "Barnum & Ringling, Inc." This continued through the 24th, but activity was suspended on Dec. 25th, which was both Christmas as well as a Sunday, and on Dec. 26th and 27th. On Dec. 28th, all three films were again in production, though it isn't clear which of the two directors worked on "Edison, Marconi & Co." that day. Work then continued unhindered on "Barnum & Ringling, Inc." (with McGowan still directing) until the 'finish' date of Jan. 9th. No shooting took place on Jan. 1st or 8th, which were both Sundays, and since the 1st was also New Year's Day, no work took place on Jan. 2nd. After this, one week passed before the Our Gang unit began shooting "Fair And Muddy" (no. 75).

The hotel in this film is called the Ritz-Biltmore Hotel.

The script submitted to MGM was given the catalog number B332.

See anything that needs changing? Contact me at BtheW@aol.com.

© Robert Demoss.