Filmed July 2 to 14, 1928. See the 'miscellaneous' section below for details.
Title sheet prepared by H. M. Walker on July 23, 1928.
Silent cutting continuity for original three-reel version submitted July 28, 1928.
Silent cutting continuity for two-reel version submitted August 16, 1928, with the message: "This is the
corrected continuity on 'The Spanking Age.' This copy will take the place of the one you already have."
Music and sound effects recorded Oct. 5, 1928.
Copyrighted December 15, 1928, by Metro-Goldwyn-Mayer Pictures Corporation. Registration no. LP25918. Renewed
February 17, 1956, with registration no. R164993. This copyright is currently due to expire at the end of 2023.
Released December 15, 1928. It was the 80th film in the series to be released.
Music cue sheet dated April 18, 1929.
Silent two-reeler with synchronized music track and sound effects, on disc only.
Opening title: '"Our Gang" Comedies - Hal Roach presents His Rascals in "The Spanking
- Produced by Robert F. McGowan for
- The film credits Roach as the presenter, and also reads "A Robert McGowan Production." Maltin
& Bann credit Roach only.
- Directed by Robert F. McGowan
- This credit appears in the film, but without his middle initial.
- Photographed by Art Lloyd
- This credit appears in the film.
- Edited by Richard Currier
- This credit appears in the film. Currier also prepared the soundtrack while at the Victor headquarters in
- Titles by H. M. Walker
- This credit appears in the film.
- Story by Robert F. McGowan
- This credit doesn't appear in the film.
- Animal Trainer: Harry Lucenay
- He was Pete's owner and trainer.
- Music performed by the Motion Picture Orchestra
- According to the Victor ledgers, as described at the DAHR website. The musical director was Josef Pasternak.
For reel 1, Bradley Barker is listed as a vocalist, while Mrs. E. M. Grerilich, June Grerilich and
Reba Merritt are listed as speakers. For reel 2, Bradley Barker is listed as a speaker.
- Released by Metro-Goldwyn-Mayer
- Indicated in the opening title.
- Passed by the National Board of Review
- As indicated in the film.
- studio personnel
- director-general - Leo McCarey
- general manager - Warren Doane
- assistant general manager - L. A. French
- secretary-treasurer - C. H. Roach
- construction supervisor - C. E. Christensen
- laboratory superintendent - Charles Levin
- optical effects supervisor - Roy Seawright
- still photographer - Bud "Stax" Graves
- transportation director - Bob Davis
- school teacher - Fern Carter was probably away
from the studio while this film was being made. However, the payroll summaries reveal that she received her salary during
- possible uncredited involvement
- assistant direction - Probably Charles Oelze.
- cutting - Possibly Lloyd Campbell.
- writing - Robert A. McGowan, Jean Yarbrough and Charlie Hall may have been among the gag writers.
- property department - Charles Oelze, Don
Sandstrom and Thomas Benton Roberts were probably involved in this capacity.
- animal training - Tony Campanaro may have been
among the animal trainers.
- Mary Ann Jackson as "Mary Ann"
- Lead role. She decides to throw a party since she's not able to go along with spoiled Jean.
- Bobby "Wheezer" Hutchins as "Wheezer"
- Lead role. He assists Mary Ann in preparing for the party.
- Jean Darling
- Supporting role. She's shown at the beginning and at the end, and is the spoiled rich girl.
- Joe Cobb
- Supporting role. He appears only in the last quarter of the film, and is given a lot of attention during the meal.
- Allen "Farina" Hoskins
- Supporting role. He's also given a lot of attention during the meal.
- Harry Spear
- Small part. He's present during the meal, but isn't given too many specific things to do.
- Paralee Coleman
- Small part. She's the black girl at the table, but isn't given much to do.
- Pete (no. 1)
- Supporting role. He's featured throughout the film reacting to various things. The cutting continuity
refers to him as "Petie."
- cat 080
- Small part. This is the tabby that's at the end of the abuse chain, so he gets kicked by Pete.
- Bit part. The MGM lion appears at the opening of the film.
- other animals
- Small parts and bit parts.
- (1.) The sandcrab that gets into the shrimp salad.
- (2.) The chicken that Wheezer removes to get at the eggs.
- Lyle Tayo as the stepmother
- Supporting role. According to Maltin & Bann, who presumably have viewed a photo revealing her face.
In the film, she's only seen from the waist down. She's a mean stepmother, and abusive to her
- other adults
- Supporting roles and bit parts.
- (1.) The kids' father, named "Thomas E. Brown."
- (2.) The salesman in the kilt, with the name "MacIntosh" on his briefcase.
- (3.) The salesman with the name "Dr. Jenkins" on his briefcase.
- (4.) The cop who escorts the gang out of the house.
- (5.) The woman on the sidewalk talking to the cop.
The music cue sheet is dated April 18, 1929, with the initials E.C.M. Another date appears on the sheet,
Nov. 7, 1928, with the initials E.R.P. The former date is connected to the cue sheet number, so I'm guessing that the
version of this film with the soundtrack was released a bit later than the silent version. The music cue sheet lists the
musical pieces in the order in which they appear in the film, including those instances where a piece is repeated. Because
of this, I think the way I've described the action that accompanies each piece of music is fairly accurate, though
it's still guesswork. The cue sheet also states whether a tune is used partially or in its entirety. On the list
below, each song is a partial version, unless otherwise noted.
- "That Old Gang Of Mine" by Ray Henderson
- Written in 1923 with lyrics by Billy Rose and Mort Dixon. This is played over both the opening and ending
titles, and is the only piece that also appears in the Blackhawk print.
- "Mary Ann" by Abner Silver
- Published in 1928 with lyrics by Benny Davis. Cliff Edwards had a number three hit with this song the
same year. An instrumental version is played right after the opening titles as we're introduced to Mary Ann. It's
then played in the last scene before the gang arrives, while Mary's baking the cake. It returns again during the final
scene when Mary Ann and Wheezer come down the stairs wearing nice clothes.
- "Little Bo Peep" by Victor Herbert
- This is presumably "Never Mind Bo Peep," which later turned up in the soundtrack of "When
The Wind Blows" (no. 97). It was published in 1903 as part of "Babes In Toyland," with lyrics by
Glen MacDonough. It appears that this must have been played as Mary Ann and Wheezer use the pulley to get at the cake on
- "London Bridge"
- The earliest reference to this nursery rhyme is in a play from 1659, and it was associated with children
by 1720. It may derive from a part of the "Heimskringla" by Snorri Sturluson, which was composed around 1225.
The cue sheet credits the arrangement to Josef Pasternack. In this film, the song is almost certainly played when Mary Ann
falls to the kitchen floor, cake and all.
- "Ill At Ease" by H. Maurice Jacquet
- This is probably a short effect piece, which seems to coincide with the mother's arrival, first after
Mary pulls the cake down with her, and then again after the kids' dad arrives home the first time. This second
instance includes a complete version of the piece.
- "M-O-T-H-E-R (A Word That Means The World To Me)" by Theodore Morse
- Published in 1915, with lyrics by Howard Johnson. Henry Burr had a number one hit with this song in 1916.
This piece is played the first time the mother punishes Mary, and then is played again when she punishes her
- "You Gotta Stop Kicking My Dog Around" by Cy Perkins
- This traditional song is attributed to Perkins on the cue sheet. The lyrics were written by Webb M.
Oungst. The cue sheet also lists it simply as "Stop Kicking My Dog Around," but there are also many other title
variations, such as "Ya Gotta Quit Kickin' My Dog Around." This tune accompanies those moments when Mary,
unable to retaliate against Jean or her mother, kicks or slaps Wheezer, who then does the same to Pete, with Pete in turn
doing the same to the cat. The tune shows up four times, with the third being the briefest, since the mother slaps Mary
with no chain reaction following.
- "Smarty" by Albert Von Tilzer
- Published in 1908. Ada Jones and Billy Murray had a number two hit with this song the same year. It's
played in its entirety and partially repeated during Jean's first scene. In fact, it seems to be Jean's theme in
the film, as it returns as Jean and Mary make faces at each other, and again when Jean and her mother return home to see
the Gang at the dining room table.
- "Everybody Works But Father" by Jean Havez
- Published in 1905. Billy Murray had a number one hit with this song in early 1906. This tune is played
when the father first comes home, and is repeated when he returns home later in the film.
- "Two Little Dirty Hands" by Edwards
- This obscure tune is probably played as Mary Ann and Wheezer lament the loss of their real mother.
- "Garden Frolics" by Josef Pasternack
- This tune is played in its entirety and partially repeated, so it probably covers quite a bit of ground
in the film. Presumably, it includes the scene where Pete licks up the cake with the coal oil on it, and then goes outside
to the garbage bin. It probably also covers the footage in which the mother gives orders to Mary and the two kids decide
to throw their own party.
- "Baby Bumps His Knee" by Hugo Riesenfeld
- This tune is probably played as Mary is putting ingredients into the bowl.
- "Twilight Sketches" by Frederick A. Williams
- This tune is probably played as Mary drops the eggs down to Wheezer.
- "A Love Lesson - Op. 16" by Joen Fresco
- Published circa 1925. This is probably played as Mary finds the limburger and Pete buries it in the yard.
- "Chicken Reel" by Joseph M. Daly
- Published in 1910. Also known as Performer's Buck. Lyrics were added by Joseph Mittenthal in 1911.
Frank Stanley & Byron Harlan had a number 4 hit with this song the same year. This tune is undoubtedly played during
the scene with Wheezer and the chicken.
- "Impish Elves" by Gaston Borch
- Published in 1918. This tune is probably played as Wheezer returns to the kitchen and breaks the eggs.
- "Merry Pranks" by Erno Rapee and William Axt
- Published in 1923. This tune is probably played during the scene with the door-to-door salesmen.
- "Hail Hail The Gang's All Here (What The Deuce Do We Care)" by Theodore Morse and
- Published in 1917 with lyrics by D. A. Esrom. Morse adapted the tune from a melody contained within the
portion of Act II of The Pirates Of Penzance normally referred to as "With Cat-Like Tread." This 1879
comic opera was written by Sullivan, with a libretto by W. S. Gilbert. A smaller bit of this Sullivan melody had been used
in the 1915 song "Alabama Jubilee," which is where the line "hail, hail, the gang's all here"
comes from. In this film, it undoubtedly is played as the gang arrives at the house.
- "Hi-Diddle-Diddle" by Carleton A. Coon and Hal Keidel
- Published in 1926. This tune is played partially, and then played in its entirety and partially repeated,
so it probably covers the entire shrimp salad sequence.
- "Cut Yourself A Piece Of Cake (And Make Yourself At Home)" by Billy James
- Published in 1923. Ted Lewis and His Band had a number five hit with this song the same year. It was
revised by Theodore Morse, whose name often appears in the credit. This is undoubtedly played during the cake-eating
- music in alternate prints
- The music listed below appears on the soundtrack to the Blackhawk print. Since the music cue sheet lists
differing titles from those on the Blackhawk print, we can assume that Blackhawk did not have access to the original disc
recording and pieced together their soundtrack from other late silent Roach films. Notable among these would be
"Wiggle Your Ears" (no. 84), the soundtrack for which shows up in clumps on the Blackhawk soundtrack for
"The Spanking Age," complete with ear-wiggling sound effects. There is also an audible scratch on the disc
during "My Man" which occurs in both films. Most of the "Wiggle Your Ears" tunes are identified, but
very few of the others, so there are a lot of 'piece 080' entries.
- "That Old Gang Of Mine" by Ray Henderson
- Written in 1923 with lyrics by Billy Rose and Mort Dixon. This version is an instrumental. This is played
over the opening titles.
- "L'Amour de l'Apache" by Jacques Offenbach
- Also known as "Apache Love." This waltz is played over the first text title and while Mary is
eating the cake. This first version is the same as the first version in "Wiggle Your Ears." A second version is
played as Jean walks in, and is the second version from "Wiggle Your Ears."
- "Mon Homme" by Maurice Yvain
- Also known as "My Man." English lyrics were added by Channing Pollack in 1920. Performed in the
Ziegfeld Follies by Fanny Brice in 1921. An instrumental version is played as Wheezer eats the cake, and ends abruptly as
the next piece starts. This first version is the same as the first version in "Wiggle Your Ears." A second
version is played while Wheezer discovers the sandcrab crawling on the floor, but is ended abruptly. This same version is
played again as Pete is interacting with the sandcrab and Mary starts serving the cake, and is the same as the second
version in "Wiggle Your Ears."
- piece 080a
- This is played as Wheezer is still eating the cake and while Mary has a second helping, and slows down as
the mother opens the door.
- piece 080b
- This is an effects piece that's played as the mother discovers what Mary and Wheezer have been doing.
After Wheezer runs behind the counter, a variation of this effects piece is played as Mary gets spanked and the mother
puts coal oil on the cake. A very short bit of this music is played as Mary slumps to the floor after being slapped.
- piece 080c
- A small part of this piece is played briefly as Wheezer runs behind the counter. Another part is played
as Mary kicks Wheezer and Wheezer kicks Pete. Still another part is played as Mary laughs after the stepmother slips and
gets slapped for it.
- piece 084a
- The tag end of the first version from "Wiggle Your Ears" is played as Pete kicks the cat. The
second version from that film is played as the mother is talking to Mary, with the end effect as she slips on the floor.
- "La Coquette" by Erno Rapee and Dr. William Axt
- This is played as Jean slaps Mary and the chain reaction occurs and they make faces at each other. A
short part of it is played as the mother pulls Mary out from behind the counter. Another very short piece of this is
played as Pete first starts interacting with the sandcrab.
- "Dance Of The Jacks" by Poldini
- Also known as "Danse des Valets." This piece is played as the father walks in and as the mother
is hitting plates over his head. The end is cut off abruptly.
- piece 084e
- This is a very short piece with harmonizing violins very much in the style of "Wishing" by
Leroy Shield. It's played as Mary wishes they had their real mother.
- piece 084c
- This is played as Wheezer talks about their real mother being with the angels.
- "Sympathy" by Rudolf Friml
- Also known as "Sympathy Waltz." Debuted in the Broadway operetta "The Firefly" in
1912, with lyrics by Otto Harbach and Gus Kahn. Walter Van Brunt and Helen Clark had a number one hit with this song in
1913. An instrumental version is played in this film as Pete eats the tainted cake and Mary takes orders from the
- "The Whistler And His Dog" by Arthur Pryor
- Published in 1905. In this film, a portion of the song is played as Mary takes orders from the mother and
looks are exchanged between Mary and Jean. This is a different section than the familiar part heard in "The Pinch
Singer" (no. 143).
- "Like A Real Man" by Victor Herbert
- This is played as Mary has the idea to throw her own party. It returns briefly as Mary gives Pete a taste
of the food.
- "(A) Little Girl At Home" by Victor Herbert
- Debuted in the operetta "The Lady Of The Slipper" in 1912, with lyrics by James O'Dea.
Harry MacDonough and Marguerite Dunlap had a number eight hit with this song in 1913. An instrumental version is played in
this film during the cake-making scene. The bell effect from "Wiggle Your Ears" is missing, but there is
still a pause in that spot.
- "Don't Cry" by Ted Fio Rito
- This is played as Mary gives Wheezer a taste of the batter and then climbs up to get some eggs.
- "Flirtation" by Sommer
- Part of this piece is played as Mary drops eggs down to Wheezer. Another part is played as Farina first
notices the sandcrab, where it's interspersed with "Music Box."
- "Animal Cartoonix" by Morris Aborn
- The first half of this piece is played as Mary drops eggs down to Wheezer and then slips on the floor.
The ear-wiggling sound effect is included.
- "Marionette" by Felix Arndt
- Published in 1914. This arrangement is by J. S. Zamecnik. This is played as Mary orders Wheezer to get
eggs from the barn and then kicks him. He then kicks Pete.
- "Heartbroken And Lonely" by Con Conrad and Sam Coslow
- Published in 1928 with lyrics by Saul Bernie. An instrumental version is played in this film as Pete
kicks the cat, and as Mary throws the limburger out the window and Pete buries it. The opening part as heard in
"Wiggle Your Ears" is missing.
- "Flapperette" by Jesse Greer
- Published in 1926. This was a number six hit for Nat Shilkret in 1927. It's played as Wheezer enters
the barn and tries to remove the hen from its nest. It's played again as Wheezer goes back into the kitchen.
- "Me-ow" by Mel B. Kaufman
- This is played while Wheezer is taking the eggs and getting pecked by the hen.
- "The Vamp" by Byron Gay
- Published in 1919. Also known as "Vamp A Little Lady." Joseph C. Smith's Orchestra had a
number 3 hit with this song in 1919, with vocals by Billy Murray and Harry Macdonough. This is played during the sequence
with the door-to-door salesmen. The wedding bell sound effect from "Wiggle Your Ears" has been mostly
- piece 080d
- This is played as Wheezer hits the salesman on the foot with a hammer and appears in the middle of
- piece 080e
- This is played while Wheezer interacts with the sandcrab and Mary puts the cake in the oven.
- piece 080f
- A very short part of this piece is played as Pete barks at the oven.
- piece 080g
- This is played as Mary puts shaving cream on the cake, greets the gang and everybody takes a seat.
- piece 080h
- This is played as the gang first tastes the salad.
- "Music Box" by Paul Lincke
- This is played as Farina discovers the sand crab, and appears in the middle of "Flirtation."
- "Tin Ears" by Zefros and Wall
- The spelling of Zefros' name is unconfirmed. This is played as Joe encourages Farina to eat the sandcrab.
- "Jealous" by Jack Little, Tommy Malie and Dick Finch
- This is played as Farina changes his mind and hands the sandcrab over to Joe, who has second thoughts.
The ear-wiggling sound effect is included. The song was featured in Hugh J. Ward's Christmas Fairy Pantomime
Cinderella. It was a number three hit for Marion Harris in 1924.
- piece 080i
- This is played as everybody has puckered mouths.
- "Ain't We Got Fun" by Richard Whiting
- Written in 1921 with lyrics by Gus Kahn and Raymond B. Egan. This version is an instrumental. This is
played as the father returns home after selling his patent.
- piece 080j
- This is played as the father and two kids celebrate, and the mother and Jean return to find the gang at
the table and summon the cop. Then Mary and Wheezer come down the stairs in nice clothes.
- "Toddling" by Erno Rapee and Dr. William Axt
- An edited version of this is played as the cop escorts the gang out of the house and the father and his
two kids walk out on the mother and Jean.
- piece 084h
- This is a very brief ending piece played as Mary and Wheezer walk backwards into a cactus.
11 shooting dates went into the making of this film. Only four days after shooting finished for "School
Begins" (no. 79), the 'start' date arrived for "The Spanking Age" on July 2nd. Shooting
continued until the 'finish' date of July 14th. No shooting took place on July 1st or 8th, which were both
Sundays, nor on July 4th, which was Independence Day. Robert F. McGowan was the director on each of the shooting dates.
Five days after shooting finished, the Our Gang unit began filming "Election Day" (no. 81).
Both cutting continuities reveal an inter-title that shows up directly before the one we're used to seeing
first: "The story of two little step-children - Mary Ann and Wheezer."
In both versions of the film, each reel originally opened with the message: "This reel is properly marked for
In the original three-reeler, which was presumably shown in previews, the first reel ends with "We need eggs
- lots of eggs." In the two-reel version, the first reel doesn't end until "Go to the barn and get
some more eggs." The second reel in the original three-reeler ends with "I'm wonderin' if he'll
wiggle all the way down." The third reel was actually pretty short, judging by the continuity, and shots from all
over the film were deleted to whittle it down to two reels. In the original version, Jean tells Mary "My mama says
your papa is a poor fish," to which Mary replies "I'll say he was a sucker to marry your mama!"
It's at this point that Jean slaps her.
The 16-inch disc masters containing the music and sound effects were Victor matrix MVE-47625 (for reel 1) and
Victor matrix MVE-47626 (for reel 2). The Victor ledgers don't indicate the presence of a third reel. The takes were
all recorded at the Church Bldg. in Camden, NJ. The takes for reel 1 were numbered 1A, 2A, 3, and 3A, though the master take isn't
indicated. The orchestra was made up of 28 men. The ledgers mention "shouting by Mrs. E. M. Grerilich and Miss June Grerilich,
effects by B. Barker. Talking and shouting by Miss Reba Merritt." They also describe takes 3 and 3A of reel 1 as being
"Audible by children only." The takes for reel 2 were numbered 1, 2, 2A, and 3A, though the master take isn't indicated.
These, too, involved an orchestra of 28 men. This reel contained "Dog and hen effects by B. Barker and children also used. Note:
Requested by Messrs. Porter and Currier that all effects be exaggerated in this picture." For both reels, the ledgers use the word
"Audible" to indicate that the soundtrack contains dialogue and/or closely synchronized sound.
The script submitted to MGM was given the catalog number B615.
- Our Gang Silent Comedies Vol. 2 (VHS)
- This copy includes the original opening titles, crew credits and inter-titles, but an end title by
Blackhawk Films. The picture quality is fairly good. The print totals 19:57, with 19:52 of it original footage. It
appears that almost all of the original film is included, though at least one inter-title is missing.
- Rascals Silents Vol. 5 (VHS/DVD) from
- This is a home movie print from Blackhawk Films, but with a different soundtrack. In fact, the first
eight minutes is made up of piano versions of Leroy Shield tunes. The rest is somewhat more generic. The picture quality
is fair, and is tinted. The footage totals 25:29, with 25:24 of it original.
- special note
- There's a European video release of this film lasting 20:32. The titles are all remade, with the
object of making them appear original. However, the font is not quite the same as on the original prints, and there are
one or two mistakes. Music is provided by the Beau Hunks with sound effects.