film no. 89
- The Little Rascals Remastered & Unedited Vol. 18
(VHS) from Cabin Fever and
- The Little Rascals Remastered & Unedited Volume
Four (3 LD set) from Cabin Fever
- Released 1995. This is a nearly complete print, missing only the MGM lion at the beginning. The opening
title card seems to also block out the MGM logo. The picture quality is excellent. The total footage lasts 24:57. This
version has appeared on numerous bootlegs.
- The Little Rascals - The Complete Collection
(8 DVD set) from Genius Products
- Released late Oct. 2008. This is identical to the Cabin Fever version. There is also a clip from this
film included in the interview segment Catching Up With The Rascals: Jean Darling.
- The Little Rascals Book XIV (VHS)
from Blackhawk Video
- This is a home movie print from Blackhawk. The opening title is remade and the crew credits are original,
but shown in freeze frame. The picture quality is very good. The original footage, not counting the crew credits, totals
24:31. The soundtrack lingers on for an additional 0:03 over the non-original end title.
Filmed March 25 to April 6, 1929. See the 'miscellaneous' section below for details.
Released May 18, 1929. It was the 86th film in the series to be released. However, according to Maltin's earlier
book, The Great Movie Shorts, as well as Richard Lewis Ward's A History Of The Hal Roach Studios, the
release date was April 18, 1929. This was probably either a preview date or a mistake.
Copyrighted July 30, 1929, by Metro-Goldwyn-Mayer Pictures Corporation. Registration no. LP893. Renewed
September 13, 1956, with registration no. R176921. This copyright is currently due to expire at the end of 2024.
All-talking three-reeler. (In actuality, there is a little bit of silent footage in this film.)
Opening title: '"Our Gang" Comedies - Hal Roach presents His Rascals' Voices in "Small
- Produced by Robert F. McGowan for
- This is the way Maltin & Bann put it. The film credits Roach as a presenter, with a separate credit
reading "A Robert McGowan Production."
- Directed by Robert F. McGowan
- This credit appears in the film, but without his middle initial.
- Photographed by Art Lloyd and
F. E. Hershey
- This credit appears in the film.
- Edited by Richard Currier
- This credit appears in the film.
- Dialogue by H. M. Walker
- This credit appears in the film. The press release credits both Walker and McGowan.
- Recording Engineer: Elmer Raguse
- Not listed by Maltin & Bann. This credit appears in the film.
- Story by Robert F. McGowan
- This credit doesn't appear in the film.
- Animal Trainer: Harry Lucenay
- He was Pete's owner and trainer.
- Teacher: Fern Carter
- Released by Metro-Goldwyn-Mayer
- Probably indicated in the opening title card, but not shown in these prints.
- Passed by the National Board of Review
- As indicated in the film.
- A Victor Recording, Western Electric System
- As indicated in the film.
- studio personnel
- possible uncredited involvement
- assistant direction - Possibly Charles Oelze.
- cutting - Possibly Lloyd Campbell.
- writing - Robert A. McGowan, Jean Yarbrough, Charlie Hall, Harry Keaton and Carl
Harbaugh may have been among the gag writers.
- property department - Charles Oelze, Don
Sandstrom, Thomas Benton Roberts and Bob Saunders were probably involved in this capacity.
- animal training - Tony Campanaro may have been
among the animal trainers.
- Bobby "Wheezer" Hutchins as "Wheezer"
- Lead role. He's adopted and taken away from the orphanage.
- Mary Ann Jackson as "Mary"
- Lead role. She runs away to visit Wheezer at his new home.
- Allen "Farina" Hoskins
- Supporting role. The nickname isn't used in this film. He goes along with the gang to Wheezer's
new home, where he encounters various mysterious sounds. He later has a crying scene when nobody wants to adopt
- Joe Cobb as "Joe" aka "Joseph"
- Supporting role. He's the leader among the kids, and has quite a lot of the
- Jean Darling as "Jean"
- Supporting role. She's the one that sets off the alarm, but otherwise does mostly ensemble acting.
The press release reveals that her hair was combed into tight little pigtails to make her look forlorn and
- Harry Spear as "Harry"
- Supporting role. He mostly does ensemble acting in this film.
- other kids
- On the walls of Wheezer's bedroom are two pictures, one showing a little girl and the other showing a
- Pete (no. 1) as "Pete" aka "Petie"
- Supporting role. He accompanies the kids throughout the film, and is given some gag material. He might
also be the barking dog heard as Wheezer and his new mother drive off. This particular spelling of "Petie"
(as opposed to "Petey") derives from the cutting continuity.
- dog 087a
- Small part. He's Wheezer's new dog.
- Bit part. The MGM lion appears at the opening of the film (but is cut from the Cabin Fever
- parrot 008 as "Polly"
- Bit part. Presumably the same parrot seen previously. The parrot is seen very briefly, but the actor
doing the voice is featured fairly strongly. The name "Polly" derives purely from the inevitable 'Polly want
a cracker' line.
- Helen Jerome Eddy as "Helen" aka "Miss Eddy"
- Featured role. She's Wheezer's new mother and is featured frequently throughout the film. The
implication is that she's married, but her husband is never seen, and the maid calls her "Miss Eddy." The
cutting continuity calls her "Mrs. Eddy." It sounds like the cop calls her "Miss
- Lyle Tayo as "Mrs. Brown"
- Supporting role. She's featured fairly strongly in the opening sequence of the film, being the woman
who cares for the children at the orphanage.
- Pat Harmon as one of the cops
- Small part. He's the first cop to arrive and puts a scare into the kids. Maltin & Bann list him
as the 'officer in charge,' but he answers to the other uniformed cop. Publicity photos identify him as Pat
- Charles McMurphy as the police chief
- Bit part. He's the other uniformed cop with dialogue.
- Edith Fortier as the domestic
- Bit part. According to Maltin & Bann. I'm assuming they mean the woman who accompanies Miss Eddy
to the orphanage, but it's hard to get a good look at her.
- other adults
- Small parts, bit parts and extras.
(1.) The maid who adopts Farina, who looks similar to Emma Reed. The cutting continuity identifies her as the
'Nigger mammy,' which, I should point out, is the only time I've seen this word used in any
(2.) The three women who adopt three of the kids, and the woman who turns down Farina's offer to adopt
(3.) The doctor who examines Wheezer.
(4.) The man providing the voice of the parrot.
(5.) The man providing Pete's voice.
(6.) The operator on the telephone.
(7.) The two newscasters on the radio.
(8.) The opera singer on the radio.
(9.) Miss Eddy's chauffeur.
(10.) The other people at the bridge party, including four musicians shown in the foreground of the longshots,
plus a maid and a butler in the background.
(11.) Various policemen, firemen and two ambulance workers. Two of the cops are in plain clothes.
(12.) The woman in the painting on the wall next to Wheezer's bed.
- piece 089a
- This is the cacophonous noise the kids make on their musical instruments at the opening of the
- piece 089b
- This is the melody made by the whistling clock.
- piece 089c
- This is played very briefly by the music box.
- "Comin' Thro' The Rye" by Robert Burns
- Originally a traditional Scottish folk song called "Common Frae The Town." Burns wrote a new
set of lyrics in 1782. Nellie Melba had a number ten hit with this song in 1914. However, that's not the version heard
over the radio in this film. What we hear is the Victor recording of opera singer Marion Talley accompanied by an
orchestra conducted by Josef Pasternack. This recording was made on February 2, 1926, and released March 26, 1926 on the
Red Seal label (no. 1146).
- piece 089e
- This is the music on the radio that follows the opera singer.
- "There's A Rainbow 'Round My Shoulder" by Al Jolson, Billy Rose and Dick
- This song is 'played' by Pete at the end of the film. Al Jolson had a number one hit with it in
- musical references
- After Joe slips on the rug, Jean laughs and says "You go boom when you fall down," a reference
to the song "I Faw Down And Go Boom" by James Brockman and Leonard Stevens, which Mary Ann
sings in the next film, "Railroadin'" (no. 90).
- 4052 Lafayette Place, Culver City
- This is where the emergency vehicles arrive.
- Fire Department Number 1, 9760 Culver Boulevard, Culver City
- The fire engines are seen leaving this location. The Culver Hotel can be seen in the
12 shooting dates went into the making of this film. Two weeks after shooting finished for "Saturday's
Lesson" (no. 88), the 'start' date arrived for "Small Talk" on Mar. 25th. During those two
weeks, sound equipment was installed at the studio. This is specifically written into the 1929 studio datebook for Mar.
15th and 16th, and Mar. 18th through 23rd. Shooting for "Small Talk" continued until the 'finish' date
of Apr. 6th. No shooting took place on Mar. 24th or 31st, which were both Sundays. Robert F. McGowan directed on each of
the shooting dates. After this, a week and a half passed before the Our Gang unit began shooting
"Railroadin'" (no. 90).
Publicity photos reveal deleted footage in which the kids are sitting on the curb outside the wealthy estate. In one
shot, they're in front of the gate and get chased away by Harmon. This is why he later knows that they've been
prowling around there all day.
Since the studio only had one set of sound equipment, the Laurel & Hardy short "Unaccustomed As
We Are," which was being made at the same time as this Our Gang short, had to be filmed at night to accomodate the
kids, who could only work until five in the afternoon.
The press release reveals that the Culver City fire and police departments were involved in this film. Perhaps some of
the extras were actual firefighters and police officers.
The press release indicates that this was a two-reeler, but this is almost certainly incorrect since the cutting
continuity and the Copyright Catalog both indicate that the film was a three-reeler. In fact, the continuity states
that the first reel ends as Eddy tickles Wheezer, and the second reel ends as Joe explains the parrot to Farina and they
exit the room.
Later studio publicity states that it was during the making of this film that the kids were first encouraged to address
each other by their character names while off-camera. This way, they wouldn't waste film by absent-mindedly
using their real names.
Publicity material referred to the kids as The Six Roach Rascals.
©Apr. 29, 2005, by Robert Demoss.
2005 updates: 5/16, 7/9, 8/30, 12/19.
2006 updates: 2/11, 5/16, 6/8, 10/25.
2007 updates: 4/1, 10/22.
2008 updates: 1/19, 7/6, 7/12, 7/20, 8/10, 11/6.
Thanks to Rob Stone, Joe Moore, Bryan Bishop, Doug Curran, Paul Fitzpatrick and Paul Mular for assistance
on this page.