technical details:
Production A-27.
Filmed December 10 to 26, 1923, January 2 to 7, January 12, and March 7 to 12, 1924. See the 'miscellaneous' section below for details.
Copyrighted June 30, 1924, by Pathé Exchange, Inc. Registration no. LU20347. Since the copyright was not renewed, this film is now in the public domain.
Released July 27, 1924. It was the 28th film in the series to be released.
Silent two-reeler.
Probable opening title: '"Our Gang" Comedies - Hal Roach presents His Rascals in "It's A Bear".' This is the way it reads on an advertising slide
that I've viewed, except that the word 'Comedy' is substituted for 'Comedies'.
Released into TV syndication as Mischief Makers episode no. 1010, "Animal Hunters," copyrighted Sep. 1, 1960, with registration number LP17315.
the crew:
- Produced by Hal Roach
- Probably credited in the film as a presenter.
- Directed by Robert F. McGowan and
Mark Goldaine
- Maltin & Bann list only McGowan, and the film probably reflects this, but without his middle initial. According to Rob Stone's list, Goldaine directed most of the film, with
McGowan directing only on January 7th.
- Assistant Directors: Clarence Morehouse, Rob Wagner and Harry La Mar
- This credit derives from the status of Our Gang assistant director for Morehouse, which ending the week ending Dec. 15th, Wagner, which began and ended the week ending Dec. 15th, and La
Mar, which began the week ending Dec. 29th and ending the week ending Jan. 5th.
- Photographed by Frank Young, Blake Wagner and
Bob Walters
- Not listed by Maltin & Bann. The film credits Young, which is ironic since the payroll summaries don't mention him as an Our Gang cameraman. Wagner is listed beginning the week
ending Dec. 22nd, and ending the week ending Jan. 5th. The Walters credit comes from Joseph McBride's Frank Capra - The Catastrophe Of Success. This is also a bit ironic,
since the summaries only list him for the week ending Jan. 12th, and for only five of the six working days for that week, which means that he probably only worked on one day of shooting for
this film. Nobody is listed for the first week of shooting in December, nor for the March retakes, so perhaps Young and/or Walters fit in there somewhere. It seems likely that Young shot
only the retakes, though, since the earlier shooting dates would have conflicted with his work in the Stan Laurel series.
- Edited by T. J. Crizer
- Not listed by Maltin & Bann. The 'T' stands for Thomas
- Titles by H. M. Walker
- This credit appears in the film.
- Props by Charles Oelze and Don Sandstrom
- This credit derives from their payroll status as Our Gang prop men during this period. Sandstrom's name was removed from the payroll summaries after the week ending Jan. 5th.
- Story by Hal E. Roach
- This credit probably doesn't appear in the film. Mark Goldaine was listed in the payroll summaries as an Our Gang
writer during this period. Frank Capra contributed gags to this film, including the milk-by-dog-delivery bit, and the part where Joe shoots the weather cock. Capra's
arrival at the studio would have been in time only for the retakes, so Goldaine presumably contributed to the initial version of the story.
- Animal trainer: Tony Campanaro
- He was Pal's trainer.
- Teacher: Fern Carter
- Released by Pathé Exchange, Inc.
- Passed by the National Board of Review
- Probably indicated in the film.
- studio personnel
- general manager - Warren Doane
- assistant general manager - L. A. French
- secretary-treasurer - C. H. Roach
- construction supervisor - C. E. Christensen
- still photographer - Chester "Bud" Graves and Clarence "Stax" Graves
- transportation director - Bob Davis
- possible uncredited involvement
- writing - Robert F. McGowan, Thomas J. Crizer and
Leo McCarey may have also contributed gags.
the kids:
- Joe Cobb as "Joe"
- Featured role. He's virtually the star of this film, getting the most attention. He practices with his gun, and tries to roll a cigarette, and also has trouble keeping his pants
on.
- Mickey Daniels as "Mickey"
- Featured role. He's the farm boy that invites the gang to see some real wild animals.
- Allen "Farina" Hoskins
- Supporting role. He's a "she" in this film. He gets his usual moments of comedy relief, but these are reduced in favor of Joe for this film.
- Ernie "Sunshine Sammy" Morrison as "Ernie"
- Supporting role. Maltin & Bann indicate that the nickname was used, but it appears not to be the case. He practices with his bow and arrow, and is the one that lassos the bear.
- Mary Kornman as "Mary"
- Supporting role. She's present during the gang's visit to the farm, but doesn't get much screen time. Her biggest moment is early in the film when she's flirting with
Mickey.
- Jackie Condon as "Jackie"
- Supporting role. He takes a back seat to most of the other kids, even though he's present through most of the film.
- Dick Henchen as "Dick"
- Supporting role. This gang member was actually played by a 19 year old midget. He's in virtually every shot with Jackie.
the animals:
- Pal
- Small part. He appears early in the film helping Mickey deliver milk. This was his series debut.
- skunk 014
- Bit part. This skunk appears while Joe is feeling sickly.
- Dinah the Mule
- Bit part. She pulls Mickey's milk wagon.
- dog 003
- Bit part. This is the dog that chases after the goat.
- horse 014
- Bit part. A white horse, perhaps "Duke" from "The Ol' Gray Hoss" (no. 78). This is one of the animals that scares Farina.
- other animals
- Small parts, bit parts and extras.
- (1.) The bear that chases the gang at the end of the film.
- (2.) Ernie and Farina's dog, which appears to be a dachshund mix.
- (3.) The dog that fights with the turkey.
- (4.) The goat that Farina runs from.
- (5.) The cow that spooks Farina.
- (6.) The hog that Joe lassos.
- (7.) The turkey that fights with the dog.
- (8.) A large goose lassoed by Joe.
- (9.) The rooster that Joe tries to lasso.
- (10.) Two rabbits that the gang goes after.
- (11.) Four piglets, first shown with the mother hog, then being lassoed.
- (12.) Various chickens throughout the farmyard scenes.
the adults:
- Noah Young as the farmer
- Supporting role. He provides Joe with nicotine inspiration. I'm assuming he's the farmer, but Maltin & Bann list him as the sheriff. I don't see any sheriff character in
this print.
- Helen Gilmore as the farmer's wife
- Small part. She appears briefly talking to Mickey.
- Madge Hunt
- Bit part. She's the woman receiving milk from Pal.
- other adults
- Supporting roles, small parts and bit parts.
- (1.) The farmhand, who's the victim of the gang's shenanigans.
- (2.) The person dressed in the bear costume for certain shots. In other shots, they use a real bear.
- (3.) The blacksmith hammering the anvil.
the locations:
- Hal E. Roach Ranch
- The bulk of this film was shot at the ranch. The barn shown in this footage was still around during the talkie era, and can be seen in the background of many shorts from that period. The
eucalyptus-lined access road leading to the ranch was also used extensively in this short. This was located roughly where David Avenue is nowadays, just west of Robertson Boulevard.
- Master Mfg. Co.
- By 1927, this company had moved into 3316 Motor Avenue, though they might not have done so by the time this film was made. The backyard of this property is where Joe takes target
practice at the start of the film. The target is situated at an opening in the fence on the north side of the property. The brick building on the other side of the fence is the Palms
Garage at 3304 Motor.
- National Boulevard, Palms district, Los Angeles
- Mickey drives his wagon south on this street. The house at the corner of National and Vinton can be seen in the background. He makes a right turn into the alley situated between Motor
and Vinton and parks next to the garage that goes with this house. We also get a view of the alley looking south.
- Hal E. Roach Studios
- The back porch that Pal delivers milk to was actually the back of the administration building, right next to the entrance gate, which can be barely seen to the left of the shot.
miscellaneous:
24 shooting dates went into the making of this film. Directly after the 'finish' date for "Commencement Day" (no. 26) 'prep' work began on "It's
A Bear" on Dec. 5th. In the datebook, the production number was written over the one for "Commencement Day," suggesting that perhaps some changes had been made in the
scheduling. The following day involved retakes for "Commencement Day." Dec. 7th was a 'writing' day for "It's A Bear," with the 8th and 9th being two more
'prep' days. The next day, Dec. 10th, began the principle photography for the short, which continued until Dec. 22nd, with a break in the schedule on Dec. 19th while retakes for
"Seein' Things" (no. 25) were shot. The Our Gang unit had not had a day off throughout this time, with Sunday the 9th being devoted to prep work and Sunday the 16th
being a shooting date. This provided the studio with the opportunity to have a three day weekend for Christmas. Work on "It's A Bear" resumed on Dec. 26th, but the datebook is
blank for the remainder of the year, as well as New Year's Day, suggesting that the studio was closed for a week. Work then resumed again on "It's A Bear" on Jan. 2nd and
continued until the 5th. Mark Goldaine had directed on each shooting date so far, but left the Roach studio after this date. No shooting took place on the 6th, which was a Sunday. Robert
McGowan then divided his work between three films, "It's A Bear," "Commmencement Day" and "Seein' Things," on Jan. 7th, before spending the next few
days shooting additional footage for "Commencement Day." He then returned to "It's A Bear" on Jan. 12th. The Our Gang unit then had two weeks off before McGowan
directed the last day of shooting for "Commencement Day" and proceeded to shoot "Cradle Robbers" (no. 28) and most of "Jubilo, Jr." (no. 29).
Retakes resumed on "It's A Bear" from Mar. 7th to 12th, with activity divided between that film and the final shooting of "Jubilo, Jr." on the 8th. No shooting took
place on the 9th, which was a Sunday. The Our Gang unit then had about a week and a half off before starting work on "High Society" (no. 30).
Since Frank Capra didn't work for Roach until February, we can assume that the March dates involved the shooting of the milk-by-dog-delivery bit, and the part where Joe
shoots the weather cock.
The 1923 and 1924 studio datebooks give information regarding what the weather was like on the various shooting dates. Most of the December dates were described as 'clear,' with
the exception of the 8th, on which there was 'high wind,' the 9th, on which the weather was described as 'clear - high wind,' the 18th, on which the weather was
'hazy,' and the 12th, 13th, 17th and 26th, on which the weather was 'cloudy.' No description was given for the days off. The weather on every one of the January dates was
described as 'clear,' though no description was given for the Sunday off. For the March dates, the weather was 'clear' on the 7th, 8th and 12th, while the 10th was described
as 'foggy AM.' No description was given for the 9th and 11th.
This film was the fourth of six in the fifth 'series' of Our Gang films.
40 still images were printed into numerous press photos to promote this film.
See anything that needs changing? Contact me at BtheW@aol.com.